Ray Thomas – From Mighty Oaks
Label: | Threshold (5) – THS 16 |
---|---|
Format: | |
Country: | UK |
Released: | |
Genre: | Rock |
Style: | Soft Rock, Symphonic Rock |
Tracklist
A1 | From Mighty Oaks | |
A2 | Hey Mama Life | |
A3 | Play It Again | |
A4 | Rock-A-Bye Baby Blues | |
A5 | High Above My Head | |
B1 | Love Is The Key | |
B2 | You Make Me Feel Alright | |
B3 | Adam And I | |
B4 | I Wish We Could Fly |
Companies, etc.
- Phonographic Copyright ℗ – Threshold Records Ltd.
- Copyright © – Threshold Records Ltd.
- Copyright © – Tomos Tunes, Inc.
- Copyright © – Nicky James Music Ltd.
- Made By – The Decca Record Company Limited
- Pressed By – Decca Record Co. Ltd., Pressing Plant, UK.
- Printed By – Robert Stace
- Published By – Tomo's Tunes
- Published By – Nicky James Music
- Recorded At – Threshold Studios
- Lacquer Cut At – Decca Studios
Credits
- Acoustic Guitar, Backing Vocals – Mike Silver (7)
- Acoustic Guitar, Electric Guitar, Backing Vocals – John Jones (9)
- Arranged By [Orchestral Arranger], Conductor – Richard Hewson
- Backing Vocals, Percussion – Nicky James
- Bass Guitar, Backing Vocals – Trevor Jones (9)
- Drums, Percussion – Dave Potts
- Engineer [2nd] – Dave Baker
- Engineer [Recording] – Derek Varnals
- Flute, Bass Flute, Harmonica, Lead Vocals, Backing Vocals – Ray Thomas
- Illustration, Design – Phil Travers
- Keyboards – Mike Moran
- Lacquer Cut By – W (12)
- Lacquer Cut By [U.K. Cutting Engineer] – Harry Fisher
- Pedal Steel Guitar – B.J. Cole*
- Photography By – Graham Hughes (2), Mike Putland*
- Producer – Derek Varnals, Ray Thomas
- Tour Manager [Road Manager] – Mike Keys, Mike North
Notes
Runouts are stamped.
Matte gatefold sleeve, included a fold out insert with lyrics and credits. Printed in England.
Recorded at Threshold Studios, Decca, London
Indigo Threshold labels. Made in England.
Poly-lined, dated Decca inner sleeve with notes in blue.
Matte gatefold sleeve, included a fold out insert with lyrics and credits. Printed in England.
Recorded at Threshold Studios, Decca, London
Indigo Threshold labels. Made in England.
Poly-lined, dated Decca inner sleeve with notes in blue.
Barcode and Other Identifiers
- Matrix / Runout (Label side A): XZAL 13818P
- Matrix / Runout (Label side B): XZAL 13819P
- Matrix / Runout (Side A runout variant 1): ZXAL-13818.P-1W U 1
- Matrix / Runout (Side B runout variant 1): ZXAL-13819.P-1W U 1
- Matrix / Runout (Side A runout variant 2): XZAL-13818.P-1W BI 2B
- Matrix / Runout (Side B runout variant 2): XZAL-13819.P-1W K 1
- Matrix / Runout (Side A runout variant 3): XZAL-13818.P-1W DC 2D
- Matrix / Runout (Side B runout variant 3): XZAL-13819.P-1W DC 2D
Other Versions (5 of 35)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited | From Mighty Oaks (LP, Album) | Threshold (5) | THS 16 | US | 1975 | ||
Recently Edited | From Mighty Oaks (LP, Album) | Threshold (5) | THS 16 | US | 1975 | ||
New Submission | From Mighty Oaks (LP) | Threshold (5) | 6.22289 | Germany | 1975 | ||
New Submission | From Mighty Oaks (LP) | Threshold (5) | THSA 16 | Australia | 1975 | ||
New Submission | From Mighty Oaks=A La Sombra Del Gran Roble (LP, Album, Stereo) | Threshold (5) | TXS 3036 | Spain | 1975 |
Recommendations
Reviews
- From Mighty Oaks is the first solo album by Moody Blues flautist Ray Thomas together with Nicky James, Trevor Jones, Dave Potts, John Jones and Mike Moran. It was originally released in July 1975 and reissued on Compact Disc in August 1989. Despite the reissue, the album remains quite rare, particularly on CD.
The opening and title track, like the opening to the classical-rock fusion Moody Blues album Days of Future Passed, is a symphonic-style overture incorporating themes from various songs on the album. "Hey Mama Life" is a contemplative piece about hard-earned wisdom ("I was once told the streets were paved with gold / Now I know them for what they are"). "High Above My Head" is an up-tempo number featuring a strong brass accompaniment and Thomas's harmonica. "Adam and I" is dedicated to Thomas's baby son. The final track, "I Wish We Could Fly," with sweeping orchestral backing, encapsulates Thomas's trademark unassuming optimism.
Thomas had to wait in line to record his solo album. First, fellow Moodies Justin Hayward and John Lodge had the use of Threshold Studios to record their Blue Jays project beginning in June 1974. When that ran well over deadline into December, Graeme Edge was left with an uncomfortably short period to work on his "Kick Off Your Muddy Boots" album (on which Thomas appeared). To help Edge's predicament, Thomas voluntarily adjusted his schedule so that his former bandmate could finish all his recording sessions. The upshot was that Thomas had time to complete all his songs and full arrangements before his team even entered the studio. This, according to Thomas, "was a real plus. It meant that I wouldn't have to worry about using studio time to write new material and rushing things. I could concentrate instead on perfecting recordings of songs that I had already finished." As a result, "From Mighty Oaks" was wrapped up quickly and ready for release by mid-July 1975, only four months after Hayward and Lodge's album and before Edge's.
Release
For sale on Discogs
Sell a copy194 copies from $1.10