The Allman Brothers Band – The Allman Brothers Band At Fillmore East
Label: | Capricorn Records – SD 2-802 |
---|---|
Format: | |
Country: | US |
Released: | |
Genre: | Rock, Blues |
Style: | Blues Rock |
Tracklist
A1 | Statesboro Blues | 4:08 | |
A2 | Done Somebody Wrong | 4:05 | |
A3 | Stormy Monday | 8:31 | |
B | You Don't Love Me | 19:06 | |
C1 | Hot 'Lanta | 5:10 | |
C2 | In Memory Of Elizabeth Reed | 12:46 | |
D | Whipping Post | 22:40 |
Companies, etc.
- Distributed By – ATCO Records
- Copyright © – Atlantic Recording Corporation
- Recorded At – Fillmore East
- Recorded By – Location Recorders
- Lacquer Cut At – Atlantic Studios
- Pressed By – Monarch Record Mfg. Co. – △16780
- Pressed By – Monarch Record Mfg. Co. – △16781
- Distributed By – Atco
- Record Company – Atlantic Recording Corporation
- Published By – Peer International
- Published By – Frost Music Inc.
- Published By – Gregmark Music, Inc.
- Published By – Frederick Music
- Published By – No Exit Music
Credits
- Arranged By [All Arrangements By] – The Allman Brothers Band
- Bass Guitar – Berry Oakley
- Drums, Congas, Timbales – Jai Johanny Johanson
- Drums, Percussion [Tympani] – Butch Trucks
- Engineer – Aaron Baron, Larry Dahlstrom
- Harmonica, Other [Thanks To Special Guest] – Thom Doucette
- Lacquer Cut By [GP in run-outs] – George Piros
- Lead Guitar – Dicky Betts*
- Lead Guitar, Slide Guitar – Duane Allman
- Organ, Piano, Vocals – Gregg Allman
- Photography By, Artwork [Graphic Concept] – Jim Marshall (3)
- Producer – Tom Dowd
Notes
Monarch Record Mfg. Co. pressing denoted by "MO" plant code on labels and (MR) stamp in runouts. Pink labels with "1841 B'WAY" address in rimtext and △16780 / △16781 lacquer numbers.
Auto Coupled Double LP- Side One is backed with Side Four and Side Two is backed with Side Three
Disreputable persons seen with The Allman Brothers Band from time to time - Rudolph "Juicy" Carter, Donald "Fat" McClure, Bunky Odom, Tuffy Phillips, Carlos Sound, Bobby Caldwell, Buster Lipham, Phil Walden, Alex Taylor, Jon Podell, Cowboy, and Sid Yochem.
Personnel on back cover reading left to right:
The Red Dog, Kim Payne, Joe Dan Petty, Mike Callahan, Willie Perkins & Twiggs on the wall.
Remote Recording By: Location Recorders, New York, New York
Recorded Live at the Fillmore East, March 12 & 13, 1971, by special arrangement with Bill Graham.
Produced for No Exit Music, Inc. by special arrangement with Phil Walden And Associates, Inc.
Capricorn Records, distributed by ATCO Records, division of Atlantic Recording Corp., 1841 Broadway, New York, N.Y.
©1971 Atlantic Recording Corp. Printed in U.S.A.
Gatefold sleeve
Auto Coupled Double LP- Side One is backed with Side Four and Side Two is backed with Side Three
Disreputable persons seen with The Allman Brothers Band from time to time - Rudolph "Juicy" Carter, Donald "Fat" McClure, Bunky Odom, Tuffy Phillips, Carlos Sound, Bobby Caldwell, Buster Lipham, Phil Walden, Alex Taylor, Jon Podell, Cowboy, and Sid Yochem.
Personnel on back cover reading left to right:
The Red Dog, Kim Payne, Joe Dan Petty, Mike Callahan, Willie Perkins & Twiggs on the wall.
Remote Recording By: Location Recorders, New York, New York
Recorded Live at the Fillmore East, March 12 & 13, 1971, by special arrangement with Bill Graham.
Produced for No Exit Music, Inc. by special arrangement with Phil Walden And Associates, Inc.
Capricorn Records, distributed by ATCO Records, division of Atlantic Recording Corp., 1841 Broadway, New York, N.Y.
©1971 Atlantic Recording Corp. Printed in U.S.A.
Gatefold sleeve
Barcode and Other Identifiers
- Pressing Plant ID (On labels): MO
- Pressing Plant ID (Stamped in runouts): (MR)
- Rights Society: BMI
- Matrix / Runout (Label A): ST-CAP-712223-MO
- Matrix / Runout (Label B): ST-CAP-712225-MO
- Matrix / Runout (Label C): ST-CAP-712226-MO
- Matrix / Runout (Label D): ST-CAP-712224-MO
- Matrix / Runout (Runout A, var. 1): ST-CAP-712223-D 2V-repl AT/GP (MR) △16780
- Matrix / Runout (Runout B, var. 1): ST-CAP-712225-DD 3 AT/GP (MR) △16781
- Matrix / Runout (Runout C, var. 1): ST-CAP-712226-EE 2-EX AT/GP (MR) △16781-X
- Matrix / Runout (Runout D, var. 1): ST-CAP-712224-DD-RE AT/GP (MR) △16780-X
- Matrix / Runout (Runout A, var. 2): ST-CAP-712223-DD V-repl (MR) AT/GP △16780 (3) PR
- Matrix / Runout (Runout B, var. 2): ST-CAP-712225 DD Ⓩ ⥊ AT/GP-REPL (MR) △16781 (2) PR
- Matrix / Runout (Runout C, var. 2): ST-CAP-712226-EE -REPL AT/GP (MR) △16781-X (A3) PR
- Matrix / Runout (Runout D, var. 2): ST-CAP-712224-DD VREPL AT/GP △16780-X (4) (MR)
- Matrix / Runout (Runout A, var. 3): ST-CAP-712223-DD V-repl (MR) AT/GP △16780 (5) PR
- Matrix / Runout (Runout B, var. 3): ST-CAP-712225 FF-REPL (MR) △16781 (1F) AT/DK PR
- Matrix / Runout (Runout C, var. 3): ST-CAP-712226-EE -REPL AT/GP (MR) △16781-X (6) PR
- Matrix / Runout (Runout D, var. 3): ST-CAP-712224-DD VREPL AT/GP △16780-X (5) (MR)
Other Versions (5 of 268)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
The Allman Brothers Band At Fillmore East (2×LP, Album) | Hispavox, Hispavox | HATS 421-79, HATS 421-80 | Spain | 1971 | |||
New Submission | The Allman Brothers Band At Fillmore East (2×LP, Album, Gatefold) | Atlantic | K 60011 | UK | 1971 | ||
New Submission | The Allman Brothers Band At Fillmore East (8-Track Cartridge, Album) | Capricorn Records | CAL 8802 | US | 1971 | ||
New Submission | The Allman Brothers Band At Fillmore East (2×LP, Album, Promo, Stereo, Presswell Pressing) | Capricorn Records | SD 2-802 | US | 1971 | ||
Recently Edited | The Allman Brothers Band At Fillmore East (2×LP, Album, Club Edition) | Capricorn Records | SD 2-802 | US | 1971 |
Recommendations
Reviews
- Edited 4 years agoAside for the music, this album holds profound fond memories for me. First I was at the Fillmore when these recordings were laid down, and what a super charged night that was truly an event to be remembered and talked about for years.
Now listen, the Allman Brothers are really good, make no mistake about it, and they certainly put out an awful lot of quality material after this release, yet Live At The Fillmore East was recorded during their height, when everything clicked night after night after night. The band had that internal ‘spark,’ that ‘something’ that people always refer to, there was a joy in their playing, there was a joy in their performing ... and live was the way to hear this band first and foremost. They mixed and meshed blues with rock, flavoring it all with some divinely nice southern funk. The extended jams are relentless, capturing a moment that still feels like it's hanging in the air. This album was the 'climax,' the 'peak,' this was the best part of the trip.
The tough thing about this album is that during this era, every band felt that they had to have a double album, felt that they had to have a live album, and then felt that they had to have a double or triple live album, and please believe me, there were so many bad shows captured live that people were very dubious about live material, and rightly so, because few of them stood up or were able to capture the moment and hold it for all time. The reason for this is relatively easy to understand, most bands weren’t designed to play live. Bands did their studio thing, and then tried to take it to the road, while on the other hand, The Allman Brothers were a live band, a road band, playing live is what they did best, and if anything, it was their studio albums that lacked the spark and freedom of adventure that was afforded to them here on this release.
So there I sat in Vietnam during the fall of 1971, reading a rather beaten copy of Rolling Stone Magazine, and there on the third page, Rolling Stone was offering a free copy of The Allman Brothers At The Fillmore East for free with a year's subscription, though in those days we liked to refer to it as a ‘years prescription,’ to the magazine. So there I was, sitting atop a rusty fifty gallon drum, Bic Pen in hand, filling out the subscription ticket, using my overseas address. Needless to say, the record never arrived, though a rather beaten up copy of Rolling Stone arrived a month or more late every month, right on time. But that was OK, because I had my memories of that night in New York City and had heard one of the best live shows I had ever witnessed.
This album was recorded with a great deal of care, and the remaster is even better, the digital clean up was not over done and actually perks up the essence of the night. A fine release for your live collection, one that should not be missed, it will put a mile wide smile on your face without hesitation, I know it fires back lots of super-fine memories for me.
*** The Fun Facts: The album cover features photographs of the band on the front and the band's roadies on the back. They were taken by the celebrated rock photographer James Marshall in Macon, Georgia, the home of Capricorn records and home base of the Allman’s, supposedly after photos taken at the Fillmore in New York weren't deemed of high enough caliber for what was to turn out to be the Allman's career breakout album.
Review by Jenell Kesler - I have this album but side 4 though labeled as Whipping Post is actually You don't love me from side 2 again. Is this a common misprint?
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