Arcade Fire – The Suburbs
Label: | Merge Records – MRG385, Sonovox Records – MRG385 |
---|---|
Format: | |
Country: | US |
Released: | |
Genre: | Rock |
Style: | Alternative Rock, Indie Rock |
Tracklist
A1 | The Suburbs | 5:15 | |
A2 | Ready To Start | 4:16 | |
A3 | Modern Man | 4:40 | |
A4 | Rococo | 3:57 | |
B1 | Empty Room | 2:52 | |
B2 | City With No Children | 3:12 | |
B3 | Half Light I | 4:14 | |
B4 | Half Light II (No Celebration) | 4:27 | |
C1 | Month Of May | 3:51 | |
C2 | Wasted Hours | 3:21 | |
C3 | Deep Blue | 4:28 | |
C4 | We Used To Wait | 5:01 | |
D1 | Sprawl I (Flatland) | 2:54 | |
D2 | Sprawl II (Mountains Beyond Mountains) | 5:26 | |
D3 | Suburban War | 4:45 | |
D4 | The Suburbs (Continued) | 1:28 |
Companies, etc.
- Copyright © – Arcade Fire Music Inc.
- Pressed By – RIP-V
- Published By – Copyright Control
- Recorded At – The Magic Shop
- Recorded At – Petite Église, Farnham
- Recorded At – Studio Frisson
- Recorded At – Public Hi-Fi
- Mixed At – Studio Frisson
- Lacquer Cut At – Sterling Sound
Credits
- Arranged By – The Arcade Fire*
- Arranged By [String Arrangements] – Arcade Fire, Owen Pallett
- Art Direction – Vincent Morisset
- Artwork, Design – Caroline Robert
- Co-producer – Markus Dravs
- French Horn – Pietro Amato (tracks: C4, D2)
- Lacquer Cut By – RJ*
- Mixed By – Arcade Fire, Craig Silvey
- Mixed By [Additional Mixing] – Nick Launay (tracks: A2, A4, D2)
- Performer – The Arcade Fire*, Jeremy Gara, Richard Reed Parry, Régine Chassagne, Sarah Neufeld, Tim Kingsbury*, Will Butler*, Win Butler
- Photography By – Gabriel Jones
- Photography By [Assistant] – Joey Matthews, Stéphane Fiore (3)
- Producer – The Arcade Fire*
- Recorded By – Mark Lawson (2)
- Recorded By [Additional] – Don Murnaghan, Marcus Paquin, Noah Goldstein
- Recorded By [Assistant Magic Shop] – Brian Thorn
- Recorded By [Assistant Public Hi-Fi] – Brad Bell
- Recorded By [Assistant] – Adam Greenspan
- Saxophone – Colin Stetson (tracks: C4, D2, D3)
- Strings – Marika Shaw*, Owen Pallett, Richard Reed Parry, Sarah Neufeld
- Strings [Additional] – Ben Russell (4), Caleb Burhans, Clarice Jensen, Nadia Sirota, Rob Moose, Yuki Numata
- Written-By – The Arcade Fire*
Notes
Additional recording took place in various bedrooms, living rooms and basements in Montreal.
Thanks to Mark Lawson, Markus Dravs, Cha Cha, Tyler, Scott (and everyone at Quest) and our patient spouses.
Album comes in a gloss finish gatefold sleeve and contains a unique download voucher.
Inner sleeves with lyrics and credits.
Locked groove end of Side C.
Spine: ARCADE FIRE - "THE SUBURBS" - MRG385
Made in Canada
Thanks to Mark Lawson, Markus Dravs, Cha Cha, Tyler, Scott (and everyone at Quest) and our patient spouses.
Album comes in a gloss finish gatefold sleeve and contains a unique download voucher.
Inner sleeves with lyrics and credits.
Locked groove end of Side C.
Spine: ARCADE FIRE - "THE SUBURBS" - MRG385
Made in Canada
Barcode and Other Identifiers
- Barcode (Text): 6 73855 03851 3
- Barcode (Scanned): 673855038513
- Matrix / Runout (Side A, etched, 'STERLING' stamped): MRG-385-A RJ STERLING
- Matrix / Runout (Side B, etched, 'STERLING' stamped): MRG-385-B RJ STERLING
- Matrix / Runout (Side C, etched, 'STERLING' stamped): MRG-385-C RJ STERLING
- Matrix / Runout (Side D, etched, 'STERLING' stamped): MRG-385-D RJ STERLING
Other Versions (5 of 50)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
The Suburbs (2×LP, Album) | City Slang | 2743427 | Europe | 2010 | |||
Recently Edited | The Suburbs (CD, Album) | City Slang, Sonovox Records | 2742629/C, 2742629 | Europe | 2010 | ||
Recently Edited | The Suburbs (CD, Album, Beige) | Merge Records | MRG385 | US | 2010 | ||
Recently Edited | The Suburbs (CD, Album) | City Slang, Sonovox Records | 2742629/A, 2742629 | Europe | 2010 | ||
Recently Edited | The Suburbs (CD, Album) | City Slang, Sonovox Records | 2742629/F, 2742629 | Europe | 2010 |
Recommendations
Reviews
- I have the CD and even though the dynamic range numbers may not be impressive, it sounds really good and full of life on my system. I am an even 50/50 CD/Vinyl collector but feel like I keep reading iffy reviews on vinyl releases that cost 2x or sometimes 3x more than the CD release which actually do not sound bad at all. I know CDs aren’t fun or cool but don’t sleep on them if your goal is to find a nice sound.
- Christmas gift, never heard of them. My brother-in-law has an ear for bands of this genre and I'm glad he thought of me when getting an extra copy. I've come to accept the variants in the way vinyls play versus their digital counterpart, and I'm happy with the sound quality of this record. It's not muffled, the vocals are clear and the physical appearance has evenly cut grooves. This is just great. I may have modern man on repeat for the next few days lol
- I was checking out these reviews because I am revisiting this album 10 years on now after listening to Digital or CD primarily over the years in the car or at work etc. The LP has been on my shelf at home most of the time since its release. Anyway, this vinyl version seemed to lack bass and I was somewhat weirded out. After checking others' reviews here, I've revisited the album for a more critical listen. It seems to be true, this version is indeed mixed differently vs. digital formats and I guess that's what I'm detecting. It's more forward in some ways, but also has this airiness that digital doesn't. The bass does not 'kick' either but to the benefit of everything else sonically. This Merge copy is dead silent and a nice physical product.
- One of the best sounding vinyls I own. Record is absolutely silent, sound is full and nuanced. Packaging is gorgeous and the album is damn near flawless. Highly recommended.
- Quality control on this release is terrible. Took three copies to get one without surface noise and with only a moderate warp. Awful.
- Excellent pressing of a great album. Rich, clean, full sound compared to CD/digital format. Highly recommended.
- Edited 8 years agoI thought that this album sounded kind of flat, but then I compared it with a digital version, and the vinyl is actually better. Maybe it's just designed to sound better on headphones or something.
- I was extremely surprised at how much I liked the vinyl over the cd. It is rare for my aged ears to hear a strong difference between formats, but this is one of the few were I felt it was a different record altogether. I owned the CD since it came out, but was disappointed at the monotonous chugging along sound that plodded through the whole piece. I found the LP at a used shop that didn't normally have vinyl and bought it to resell. After listening to it for grading purposes, I started noticing the unique aspects of each of the songs. It appears that they had an engineer who knew how to mix for vinyl. I have completely changed my thoughts on a disappointing album and would highly recommend a replay on a good LP setup.
- There are two versions right? Standard and 180 gram preorder? Is this listing supposed to be the non-preorder one?
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