Nightcrawlers – Push The Feeling On
Label: | Great Jones – 162-530 620-1 |
---|---|
Format: | Vinyl, 12", 33 ⅓ RPM |
Country: | US |
Released: | |
Genre: | Electronic |
Style: | House |
Tracklist
A1 | Push The Feeling On (Extended Mix) | 6:45 | |
A2 | Push The Feeling On (Radio Mix) | 3:29 | |
B | Push The Feeling On (The Dub Of Doom) | 6:38 |
Companies, etc.
- Published By – EMI Virgin Music, Inc.
- Published By – EMI Virgin Music Publishing Ltd.
- Published By – Graham Wilson
- Phonographic Copyright ℗ – Island Records Ltd.
- Mastered At – Specialty Records Corporation
- Pressed By – Specialty Records Corporation
- Record Company – Island Records Inc.
Credits
- Written-By – Graham Wilson (4), Hugh Brankin, Jon Reed*, Ross Campbell
Notes
Published by EMI Virgin Music, Inc.
o/b/o EMI Virgin Music Publishing Ltd. (ASCAP)/Graham Wilson.
Plated at Specialty Records Corporation.
o/b/o EMI Virgin Music Publishing Ltd. (ASCAP)/Graham Wilson.
Plated at Specialty Records Corporation.
Barcode and Other Identifiers
- Barcode (Scanned): 016253062016
- Barcode (Text): 16523-0620-1
- Matrix / Runout (Runout side A, etched): 162-530-620-1-AS-SP 1-1
- Matrix / Runout (Runout side B, etched): 162-530-620-1-BS-SP
- Matrix / Runout (Runout both sides, stamped): SRC
Other Versions (5 of 78)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Push The Feeling On (12", Promo, 45 RPM) | 4th & Broadway, 4th & Broadway, 4th & Broadway | 12BRW DJ258, 864 491-1, 12 BRW 258 | UK | 1992 | |||
Recently Edited | Push The Feeling On (12", 45 RPM, Stereo) | 4th & Broadway, 4th & Broadway | 12 BRW 258, 864 491-1 | UK | 1992 | ||
Recently Edited | Push The Feeling On (12", 33 ⅓ RPM, Promo) | Great Jones | 162-530 620-1DJ | US | 1992 | ||
Recently Edited | Push The Feeling On (CD, Single) | 4th & Broadway, 4th & Broadway | BRCD 258, 864491-2 | UK | 1992 | ||
Recently Edited | Push The Feeling On (7", 45 RPM) | 4th & Broadway, 4th & Broadway | BRW 258, 864 490-7 | UK | 1992 |
Recommendations
Reviews
- Edited 4 months agoOne of the seminal house classics that defined an incredible era of dance music. Still as relevant today as it was in 1992. Pressing is superb, as were most pressings out of the Speciality Records pressing plant. You can’t escape the Dub of Doom. 🙌🏻
- Altogether now....just sold my car...to we buy any car.i hate this track and now I laugh because any time it's played out live...that's what the crowd will sing.
- great track in 92 and in 95 when re released. unfortunately now consigned to the robin s stable of handbag has been house. long since past its best..
- Edited 2 years agoIs there a bigger House anthem than this? I seriously doubt it. For this track to break not once, not twice, but thrice the chart, there's undeniably something greater about this track (I'm obviously referring to the Dub of Doom)
- Picked this up for a £1 new in 1992 and kinda liked it because of the baseline but the horn sound and vocal loop both grated after a few plays so I flogged it and got my pound back. Around the same time picked up Happyhead Digital Love Thing also mixed by MK. That was much more of keeper.
- Loved this in 92 ( mk mix) then all the general public discovered it and it lost its appeal. Still a classic but dj’s at the time wanted this to stay underground and not on top of the pops (not sure if it did but wouldn’t surprise me)
- Edited 7 years agoHuge tune, Massive Hacienda Tune.
It was all about the "Dub Of Doom" mix, its perfection.
All I can really say / add to other peoples comments is have a listen & that this track still sounds great today. Play it loud !!! - MK's Dub of Doom is an example of how one can "own" a tune by making a remix of it. This is the version that will always be referred to when mentioning "Push the feeling on" by the Nightcrawlers. All subsequent versions were based on MK's version and not the original. One would even forget that there actually WAS an original version with a mid-tempo arrangement!
I remember the MK Dub of Doom being used as a tune on Dutch radio stations to explain what house music was all about. In 1992, when most people were referring to house music, they meant either 2 Unlimited (and their derivatives) or the Gabber sound from Rotterdam. That was what they knew from the charts.
In 1995, the tune charted with us in an "MK Revisited Mix" that had a bit more vocals than the original dub. Somehow, the tune fitted better than in 1992. Our nation got more interested in American club tunes, probably after Erick Morillo scored massive with his Reel 2 Real singles and also provided sounds to MTV comedy characters Zig & Zag ("Them Girls, Them Girls"); at the same time, the Bucketheads "The Bomb!" was also a hit and several tracks from the Strictly Rhythm label landed on well-selling compilations...
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