Lil' John Coleman – Feel Good EP
| Label: | Lazyboy Records – LB-106, Music Box Records – MB-007 |
|---|---|
| Format: | Vinyl, 12", 33 ⅓ RPM, EP |
| Country: | US |
| Released: | |
| Genre: | Electronic |
| Style: | House, Deep House |
Tracklist
| A1 | Feelin Reel Good | 5:40 | |
| A2 | Everybody Lookin 4 U | 6:20 | |
| B1 | Mama's Groove | 6:05 | |
| B2 | Get N 2 A Groove | 8:05 |
Companies, etc.
- Lacquer Cut At – Metropolis Mastering, Ltd
- Published By – Chi-Town Rhythm Muzic
- Produced For – John & Jeff Music Productions
Credits
- Mastered By, Lacquer Cut By – M.J.R.*
- Presenter – Lil' John Coleman
- Producer, Written-By – John Coleman*
Barcode and Other Identifiers
- Barcode: 7 83024-0014-1 2
- Matrix / Runout (Runout Side A): LB106 A1 Metropolis Mastering Chicago M.J.R.
- Matrix / Runout (Runout Side B): LB106 B1 M.M.M.J.R.
- Rights Society: ASCAP
Other Versions (2)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
New Submission | Feel Good EP (12", 33 ⅓ RPM, EP, White Label) | Lazyboy Records | LB 106 | US | 1994 | ||
New Submission | Feel Good EP (12", 33 ⅓ RPM, EP, White Label, Marbled ) | Lazyboy Records | LB 106 | US | 1994 |
Recommendations
Reviews
Just looking at the new KARL BROWN WXP02 release and found a 97-98 on Youtube mix which someone stated that that was the real stuff until the samba music ruined it which I think is a fair comment except this was 3-4 years earlier which IMO is closer to the real stuff- I considered selling this for a while until I finally realised it is just a solid party record, with only the A1 being really too fruity (or should that be 'flutey'?) for repeat listens. 'Everybody...' samples the D'Pac classic to great effect over a huge bassline, while 'Mama's Groove' is a disco looper that retains a solid house kick (you can get a similar version of this track on the Farouche EP). 'Get N 2 A Groove' is the flat-out killer here: rolling bass/drums, bored-sounding vocals and creepy melodies - expect mayhem if you ever hear this one out, especially when it repeatedly drops in and out in the final section.
