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Taylor SwiftMidnights

Label:

Republic Records – 2445790050

Format:

Vinyl, LP, Album, Special Edition, Jade Green Marbled

Country:

USA & Europe

Released:

Genre:

Electronic, Rock, Pop

Style:

Indie Pop, Electro, Synth-pop, Vocal, Downtempo

Tracklist

A1Lavender Haze
Backing VocalsJack Antonoff, Sam Dew, Zoë Kravitz
Bass, Bass [Pad], Flute, Synthesizer [Juno]Jahaan Sweet
Drums, Percussion, Synth [Modular], Synthesizer [Juno 6], Mellotron, Electric Piano [Wurlitzer]Jack Antonoff
Producer [Additional Production]Braxton Cook
Programmed ByJack Antonoff, Sounwave
Recorded ByJack Antonoff, Laura Sisk
Recorded By [Dominik Rivinius' Performance]Ken Lewis
Recorded By [Jahaan Sweet's Performance]Jahaan Sweet
SnareDominik Rivinius*
VocalsTaylor Swift
3:22
A2Maroon
Engineer [Assistant Engineer]John Rooney (10), Jon Sher, Megan Searl
Organ, Saxophone, Flute, ClarinetEvan Smith (2)
Programmed By, Percussion, Synthesizer [Juno 6], Synth [Modular], Piano, Electric Guitar, BassJack Antonoff
Recorded ByJack Antonoff, Laura Sisk
Recorded By [Evan Smith's Performance]Evan Smith (2)
VocalsTaylor Swift
Written-ByJack Antonoff, Taylor Swift
3:38
A3Anti-Hero
Drums, Programmed By, Percussion, Synth [Modular], Synthesizer [Prophet 5], Bass, Acoustic Guitar, Synthesizer [Juno 6], Mellotron, Electric Piano [Wurlitzer], Backing VocalsJack Antonoff
Engineer [Assistant Engineer]John Rooney (10), Jon Sher, Megan Searl
Recorded ByJack Antonoff, Laura Sisk
Recorded By [Bobby Hawk's Performance]Jon Gautier
ViolinBobby Hawk
VocalsTaylor Swift
Written-ByJack Antonoff, Taylor Swift
3:21
A4Snow On The Beach
Engineer [Assistant Engineer]Jacob Spitzer, John Rooney (10), Jon Sher, Megan Searl
FeaturingLana Del Rey
Programmed By, Percussion, Synthesizer [Juno 6], Mellotron, Acoustic Guitar, Electric Guitar, Bass, Backing VocalsJack Antonoff
Recorded ByJack Antonoff, Laura Sisk
Recorded By [Bobby Hawk's Performance]Dave Gross
Recorded By [Evan Smith's Performance]Evan Smith (2)
SynthEvan Smith (2)
ViolinBobby Hawk
4:16
A5You're On Your Own, Kid
Drums, PercussionSean Hutchinson (3)
Engineer [Assistant Engineer]John Rooney (10), Jon Sher, Megan Searl
Programmed By, Percussion, Synthesizer [Juno 6], Mellotron, Synthesizer [Moog], Electric Guitar, Bass, Backing VocalsJack Antonoff
Recorded ByJack Antonoff, Laura Sisk
Recorded By [Evan Smith's Performance]Evan Smith (2)
Recorded By [Sean Hutchinson's Performance]Sean Hutchinson (3)
SynthEvan Smith (2)
VocalsTaylor Swift
Written-ByJack Antonoff, Taylor Swift
3:14
A6Midnight Rain
Engineer [Assistant Engineer]John Rooney (10), Jon Sher, Megan Searl
Programmed By, Drums, Percussion, Synthesizer [Moog], Synthesizer [Juno 6], Synth [Modular], Synthesizer [Prophet 5]Jack Antonoff
Recorded ByJack Antonoff, Laura Sisk
VocalsTaylor Swift
Written-ByJack Antonoff, Taylor Swift
2:55
B7Question...?
Engineer [Assistant Engineer]John Rooney (10), Jon Sher, Jonathan Garcia (5), Megan Searl
PercussionSean Hutchinson (3)
Performer [Crowd Applause]Austin Swift*, Dylan O'Brien (3), Jack Antonoff, Rachel Antonoff
Programmed By, Percussion, Synthesizer [Juno 6], Mellotron, Backing VocalsJack Antonoff
Recorded ByJack Antonoff, Laura Sisk
Recorded By [Dominik Rivinius' Performance]Ken Lewis
Recorded By [Evan Smith's Performance], SynthEvan Smith (2)
Recorded By [Sean Hutchinson's Performance]Sean Hutchinson (3)
VocalsTaylor Swift
Written-ByJack Antonoff, Taylor Swift
3:31
B8Vigilante Shit
DrumsDominik Rivinius*
Engineer [Assistant Engineer]John Rooney (10), Jon Sher, Jonathan Garcia (5), Megan Searl
Programmed By, Percussion, Synthesizer [Juno 6], Electric Piano [Wurlitzer], Synthesizer [Moog]Jack Antonoff
Recorded ByJack Antonoff, Laura Sisk
Recorded By [Dominik Rivinius' Performance]Ken Lewis
Recorded By [Evan Smith's Performance]Evan Smith (2)
SynthEvan Smith (2)
VocalsTaylor Swift
Written-ByTaylor Swift
2:45
B9Bejeweled
Engineer [Assistant Engineer]John Rooney (10), Jon Sher, Megan Searl
KeyboardsMikey Freedom Hart
Programmed By, Percussion, Synthesizer [Juno 6], Synthesizer [DX7], Synthesizer [OB1], Kalimba, Synthesizer [Moog], Acoustic Guitar, Bass, Backing VocalsJack Antonoff
Recorded ByJack Antonoff, Laura Sisk
Recorded By [Evan Smith's Performance], SynthEvan Smith (2)
Recorded By [Mikey Freedom Hart's Performance]David Hart (17)
VocalsTaylor Swift
Written-ByJack Antonoff, Taylor Swift
3:14
B10Labyrinth
Engineer [Assistant Engineer]John Rooney (10), Jon Sher, Megan Searl
Programmed By, Percussion, Synthesizer [Juno 6], Synth [Realistic], Synthesizer [OB8], Synthesizer [Moog], Electric Guitar, Backing VocalsJack Antonoff
Recorded ByJack Antonoff, Laura Sisk
VocalsTaylor Swift
Written-ByJack Antonoff, Taylor Swift
4:08
B11Karma
Co-producer, Keyboards, Synthesizer [Pad]Jahaan Sweet
Drums, Percussion, Synthesizer [Juno], OmnichordJack Antonoff
Engineer [Assistant Engineer]John Rooney (10), Jon Sher, Mark Aguilar (3), Megan Searl
Programmed ByJack Antonoff, Sounwave
Recorded ByJack Antonoff, Laura Sisk
Recorded By [Jahaan Sweet's Performance]Jahaan Sweet
Recorded By [Keanu Beats' Performance], SynthesizerKeanu Beats
Recorded By [Sounwave's Performance]Sounwave
VocalsTaylor Swift
3:25
B12Sweet Nothing
Engineer [Assistant Engineer]John Rooney (10), Jon Sher, Megan Searl
Organ, Saxophone, Flute, ClarinetEvan Smith (2)
Programmed By, Drums, Percussion, Synthesizer [Moog], Synthesizer [Juno 6], Synth [Modular], Synthesizer [Prophet 5], PianoJack Antonoff
Recorded ByJack Antonoff, Laura Sisk
Recorded By [Evan Smith's Performance]Evan Smith (2)
VocalsTaylor Swift
3:08
B13Mastermind
Engineer [Assistant Engineer]John Rooney (10), Jon Sher, Megan Searl
Percussion, Synthesizer [Juno], Electric Guitar, Backing VocalsJack Antonoff
Programmed By, Synthesizer [Minimoog]Jack Antonoff, Mikey Freedom Hart
Recorded ByJack Antonoff, Laura Sisk
Recorded By [Bobby Hawk's Performance]Jon Gautier
Recorded By [Evan Smith's Performance], Synth, SaxophoneEvan Smith (2)
Recorded By [Michael Riddleberger's Performance]Michael Riddleberger
Recorded By [Mikey Freedom Hart's Performance]David Hart (17)
Recorded By [Zem Audu's Performance], SaxophoneZem Audu
ViolinBobby Hawk
VocalsTaylor Swift
Written-ByJack Antonoff, Taylor Swift
3:11
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Companies, etc.

  • Phonographic Copyright ℗Taylor Swift
  • Copyright ©Taylor Swift
  • Distributed ByUMG Commercial Services
  • Pressed ByMPO
  • Published ByTASRM Publishing
  • Published BySongs Of Universal, Inc.
  • Published BySony/ATV Songs LLC
  • Published ByDucky Donath Music
  • Published ByZoë Kravitz Publishing Designee
  • Published BySony/ATV Allegro
  • Published ByBeat Bully Spears
  • Published ByThe Sweet Life, LLC
  • Published BySongs Of Kobalt Music Publishing
  • Published BySony/ATV Ballad
  • Published ByGreyscape Songs
  • Published ByLana Del Rey Publishing Designee
  • Published ByEMI April Music
  • Published ByEMI Music Publishing Germany GmbH
  • Published ByKeanu Torres
  • Published ByKeanu Beats Publishing
  • Published BySony/ATV Songs
  • Published ByWilliam Bowery Music Publishing
  • Recorded AtRough Customer Studio
  • Recorded AtElectric Lady Studios
  • Recorded AtHenson Recording Studios
  • Recorded AtThe Sweet Spot
  • Recorded AtNeon Wave Studios
  • Recorded AtPleasure Hill Recording
  • Recorded AtSound House Studios (6)
  • Recorded AtBlue Plate Records (Hayworth, New Jersey)
  • Recorded AtHutchinson Sound
  • Recorded AtBig Mercy Studio
  • Recorded AtSound Of Waves Studios
  • Recorded AtAudu Music Studio
  • Recorded AtMoultrie Studios
  • Mixed AtMixStar Studios
  • Mastered AtSterling Sound Edgewater, NJ
  • Lacquer Cut AtSterling Sound Nashville

Credits

  • Art Direction [Packaging Art Direction]Bethany Newman, Joshua Sage Newman
  • Coordinator [Project Support & Coordination]13 Management Team, Republic Records Team
  • Creative Director [Packaging]Taylor Swift
  • Design [Packaging Design]Parker Foote, st8mnt
  • Design [Production Designer]Ethan Tobman
  • Design [Propmaster]Regina Fernandez
  • Engineer [Assistant Mix Engineer]Bryce Bordone
  • Executive-ProducerTaylor Swift, Taylor Swift
  • HairJemma Muradian
  • Lacquer Cut ByRKS*
  • Make-UpLorrie Turk
  • Mastered ByRandy Merrill
  • Mastered By [Vinyl Mastering]Ryan Smith (2)
  • Mixed BySerban Ghenea
  • Photography ByBeth Garrabrant
  • Stylist [Wardrobe Stylist]Joseph Cassell (2)

Notes

Jade Green edition with alternate artwork on jade green marbled vinyl.
Comes in a gatefold sleeve with 8-page booklet and printed inner sleeve.
Some copies have a "MADE IN FRANCE" sticker on the rear shrink wrap.

Tracks listed sequentially from 1 to 13 on side A and B.

Publishing & recording credits:
A1:
© 2022 TASRM Publishing, administered by Songs of Universal, Inc. (BMI), Sony/ATV Songs LLC / Ducky Donath Music (BMI), Zoë Kravitz Publishing Designee (ASCAP), Sony/ATV Allegro / Beat Bully Spears (ASCAP), Jahaan Akil Sweet, published by The Sweet Life, LLC (BMI), administered by Songs of Kobalt Music Publishing (BMI), Sony/ATV Ballad / Greyscape Songs (BMI).
Mixed... at MixStar Studios (Virginia Beach, VA) / Recorded at Rough Customer Studio (Brooklyn, NY), Electric Lady Studios (New York, NY), Henson Recording Studios (Los Angeles, CA) / Jahaan Sweet's performance recorded... at the Sweet Spot (Los Angeles, CA) / Dominik Rivinius' performance recorded... at Neon Wave Studio (Pirmasens, Germany) / Mastered... at Sterling Sound (Edgewater, NJ) / Vinyl mastering... at Sterling Sound (Nashville, TN).
Sam Dew appears courtesy of RCA Records, a division of Sony Music Entertainment / Zoë Kravitz appears courtesy of Republic Records, a division of UMG Recordings, Inc.

A2:
© 2022 TASRM Publishing, administered by Songs of Universal, Inc. (BMI), Sony/ATV Songs LLC / Ducky Donath Music (BMI).
Mixed... at MixStar Studios (Virginia Beach, VA) / Recorded at Rough Customer Studio (Brooklyn, NY), Electric Lady Studios (New York, NY) / Evan Smith's performance recorded... at Pleasure Hill Recording (Portland, Maine) / Mastered... at Sterling Sound (Edgewater, NJ) / Vinyl mastering... at Sterling Sound (Nashville, TN).

A3:
© 2022 TASRM Publishing, administered by Songs of Universal, Inc. (BMI), Sony/ATV Songs LLC / Ducky Donath Music (BMI).
Mixed... at MixStar Studios (Virginia Beach, VA) / Recorded at Rough Customer Studio (Brooklyn, NY), Electric Lady Studios (New York, NY) / Bobby Hawk's performance recorded... at Sound House Studios (Lakeland, FL) / Mastered... at Sterling Sound (Edgewater, NJ) / Vinyl mastering... at Sterling Sound (Nashville, TN).

A4:
© 2022 TASRM Publishing, administered by Songs of Universal, Inc. (BMI), Sony/ATV Songs LLC / Ducky Donath Music (BMI). Lana Del Rey Publishing Designee / EMI April Music, obo EMI Music Publishing Germany GmbH.
Mixed... at MixStar Studios (Virginia Beach, VA) / Recorded at Rough Customer Studio (Brooklyn, NY), Electric Lady Studios (New York, NY), Henson Recording Studios (Los Angeles, CA) / Bobby Hawk's performance recorded... at Blue Plate Records (Hayworth, New Jersey) / Evan Smith's performance recorded... at Pleasure Hill Recording (Portland, Maine) / Mastered... at Sterling Sound (Edgewater, NJ) / Vinyl mastering... at Sterling Sound (Nashville, TN).
Lana Del Rey appears courtesy of Polydor and Interscope Records.

A5:
© 2022 TASRM Publishing, administered by Songs of Universal, Inc. (BMI), Sony/ATV Songs LLC / Ducky Donath Music (BMI).
Mixed... at MixStar Studios (Virginia Beach, VA) / Recorded at Rough Customer Studio (Brooklyn, NY), Electric Lady Studios (New York, NY) / Evan Smith's performance recorded... at Pleasure Hill Recording (Portland, Maine) / Sean Hutchinson's performance recorded... at Hutchinson Sound (Brooklyn, NY) / Mastered... at Sterling Sound (Edgewater, NJ) / Vinyl mastering... at Sterling Sound (Nashville, TN).

A6:
© 2022 TASRM Publishing, administered by Songs of Universal, Inc. (BMI), Sony/ATV Songs LLC / Ducky Donath Music (BMI).
Mixed... at MixStar Studios (Virginia Beach, VA) / Recorded at Rough Customer Studio (Brooklyn, NY), Electric Lady Studios (New York, NY) / Mastered... at Sterling Sound (Edgewater, NJ) / Vinyl mastering... at Sterling Sound (Nashville, TN).

B7:
© 2022 TASRM Publishing, administered by Songs of Universal, Inc. (BMI), Sony/ATV Songs LLC / Ducky Donath Music (BMI).
Mixed... at MixStar Studios (Virginia Beach, VA) / Recorded at Rough Customer Studio (Brooklyn, NY), Electric Lady Studios (New York, NY) / Dominik Rivinius' performance recorded... at Neon Wave Studio (Pirmasens, Germany) / Evan Smith's performance recorded... at Pleasure Hill Recording (Portland, Maine) / Sean Hutchinson's performance recorded... at Hutchinson Sound (Brooklyn, NY) / Mastered... at Sterling Sound (Edgewater, NJ) / Vinyl mastering... at Sterling Sound (Nashville, TN).

B8:
© 2022 TASRM Publishing, administered by Songs of Universal, Inc. (BMI).
Mixed... at MixStar Studios (Virginia Beach, VA) / Recorded at Rough Customer Studio (Brooklyn, NY), Electric Lady Studios (New York, NY) / Dominik Rivinius' performance recorded... at Neon Wave Studio (Pirmasens, Germany) / Evan Smith's performance recorded... at Pleasure Hill Recording (Portland, Maine) / Mastered... at Sterling Sound (Edgewater, NJ) / Vinyl mastering... at Sterling Sound (Nashville, TN).

B9:
© 2022 TASRM Publishing, administered by Songs of Universal, Inc. (BMI), Sony/ATV Songs LLC / Ducky Donath Music (BMI).
Mixed... at MixStar Studios (Virginia Beach, VA) / Recorded at Rough Customer Studio (Brooklyn, NY), Electric Lady Studios (New York, NY) / Evan Smith's performance recorded... at Pleasure Hill Recording (Portland, Maine) / Mikey Freedom Hart's performance recorded... at Big Mercy Sound (Brooklyn, NY) / Mastered... at Sterling Sound (Edgewater, NJ) / Vinyl mastering... at Sterling Sound (Nashville, TN).

B10:
© 2022 TASRM Publishing, administered by Songs of Universal, Inc. (BMI), Sony/ATV Songs LLC / Ducky Donath Music (BMI).
Mixed... at MixStar Studios (Virginia Beach, VA) / Recorded at Rough Customer Studio (Brooklyn, NY), Electric Lady Studios (New York, NY) / Mastered... at Sterling Sound (Edgewater, NJ) / Vinyl mastering... at Sterling Sound (Nashville, TN).

B11:
© 2022 TASRM Publishing, administered by Songs of Universal, Inc. (BMI), Sony/ATV Songs LLC / Ducky Donath Music (BMI), Sony/ATV Allegro / Beat Bully Spears (ASCAP), Keanu Torres (APRA) / Keanu Beats Publishing / Sony/ATV Songs (BMI) / Jahaan Akil Sweet, published by The Sweet Life, LLC (BMI), administered by Songs of Kobalt Music Publishing (BMI).
Mixed... at MixStar Studios (Virginia Beach, VA) / Recorded at Rough Customer Studio (Brooklyn, NY), Electric Lady Studios (New York, NY), Henson Recording Studios (Los Angeles, CA) / Sounwave's performance recorded... at Sound of Waves Studios (Los Angeles, CA) / Jahaan Sweet's performance recorded... at The Sweet Spot (Los Angeles, CA) / Keanu Beats' performance recorded... (Melbourne, AU) /
Mastered... at Sterling Sound (Edgewater, NJ) / Vinyl mastering... at Sterling Sound (Nashville, TN).

B12:
© 2022 TASRM Publishing, administered by Songs of Universal, Inc. (BMI), William Bowery Music Publishing, administered by Songs of Universal, Inc. (BMI).
Mixed... at MixStar Studios (Virginia Beach, VA) / Recorded at Rough Customer Studio (Brooklyn, NY), Electric Lady Studios (New York, NY) / Evan Smith's performance recorded... at Pleasure Hill Recording (Portland, Maine) / Mastered... at Sterling Sound (Edgewater, NJ) / Vinyl mastering... at Sterling Sound (Nashville, TN).

B13:
© 2022 TASRM Publishing, administered by Songs of Universal, Inc. (BMI), Sony/ATV Songs LLC / Ducky Donath Music (BMI).
Mixed... at MixStar Studios (Virginia Beach, VA) / Recorded at Rough Customer Studio (Brooklyn, NY), Electric Lady Studios (New York, NY) / Bobby Hawk's performance recorded... at Sound House Studios (Lakeland, FL) / Evan Smith's performance recorded... at Pleasure Hill Recording (Portland, Maine) / Zem Audu's performance recorded... at Audu Music Studio (Brooklyn, NY) / Michael Riddleberger's performance recorded... at Moultrie Studios (Brooklyn, NY) / Mikey Freedom Hart's performance recorded... at Big Mercy Sound (Brooklyn, NY) / Mastered... at Sterling Sound (Edgewater, NJ) / Vinyl mastering... at Sterling Sound (Nashville, TN).

℗© 2022 Taylor Swift.

Runout descriptions:
All is hand etched, except "STERLING" is stamped, "[MPO logo]®" and MPO stamper numbers are laser etched.

Barcode and Other Identifiers

  • Barcode (Text): 6 02445 79005 0
  • Barcode (Scanned): 602445790050
  • Matrix / Runout (Runout side A, variant 1): M1 2445789825-A1 RE-1 (1) RKS STERLING [MPO logo]® 22 277927
  • Matrix / Runout (Runout side B, variant 1): 2445789825-B (3) RKS STERLING [MPO logo]® 22 277927
  • Matrix / Runout (Runout side A, variant 2): M1 2445789825-A5 re-1 (1) RKS STERLING [MPO logo]® 22 277927
  • Matrix / Runout (Runout side B, variant 2): M2 2445789825-B (3) [MPO logo]® 22 277928 RKS STERLING
  • Matrix / Runout (Runout side A, variant 3): 2445789825-AKS STERLING [MP⁷ re-1 (3) RKS STERLING [MPO logo]® 22 283546
  • Matrix / Runout (Runout side B, variant 3): M1 2445789825-B³ (2) RKS STERLING [MPO logo]® 22 282872
  • Matrix / Runout (Runout side A, variant 4): 2445789825-A8 re-1 (4) [MPO logo]® 22 283424 RKS STERLING
  • Matrix / Runout (Runout side B, variant 4): M1 2445789825-B4 (4) RKS STERLING [MPO logo]® 22 283549
  • Matrix / Runout (Runout side A, variant 5): M1 2445789825-A5 re-1 (1) [MPO logo]® 22 283185 RKS STERLING
  • Matrix / Runout (Runout side B, variant 5): P1 2445789825-B2 (1) RKS STERLING [MPO logo]® 22 282734
  • Matrix / Runout (Runout side A, variant 6): M2 2445789825-A7 re1 (3) RKS STERLING [MPO logo]® 22 283424
  • Matrix / Runout (Runout side B, variant 6): P1 2445789825-B3 [MPO logo]® 22 282734(2) RKS STERLING
  • Rights Society: BMI
  • Rights Society: ASCAP
  • Rights Society: APRA

Other Versions (5 of 88)

View All
Title (Format)LabelCat#CountryYear
Midnights (13×File, AAC, Album, 256 kbps)Republic RecordsnoneWorldwide2022
Recently Edited
Midnights (3am Edition) (20×File, AAC, Album, 256 kbps)Republic RecordsnoneWorldwide2022
Midnights (LP, Album, Special Edition, Mahogany Marbled)Republic Records2445790074USA & Europe2022
Recently Edited
Midnights (LP, Album, Special Edition, Orange Translucent Marbled [Blood Moon Marbled])Republic Records2445790067USA & Europe2022
New Submission
Midnights (LP, Album, Special Edition, Blue Translucent Marbled [Moonstone Blue Marbled])Republic Records2445789825USA & Europe2022

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Reviews

  • nicky.collects's avatar
    The color of this pressing is absolutely gorgeous, in reality it actually looks more turquoise than green (at least mine does), and it looks STUNNING. Sounds just as good as my copy of the "Blood Moon" variant, so I have zero complaints.
    • mateus.buzzo's avatar
      mateus.buzzo
      Just arrived from Taylor Brazil Store. This edition is beautiful! The green hue is spectacular! However, the disc came dirt and full of static due to its sleeve, which may not be the best to maintain the record away from static, but the photos are stunning. Seriously, the packaging is amazing! This woman is so beautiful, I just can't!
      I confess that I forgot to clean the disc before reproduction and when Lavender Haze started playing I immediately noticed a muffled sound. Terrible! I know the song doesn't sound like this. I cleaned the disc using my anti-static carbon fiber brush and voilà! Taylor Alison Swift and her sweet voice could be listened to with perfection pressed on a dead quiet variant.
      Of course, is not 100%. It should be pressed as an 180g disc instead of what seems to be 140g (can anyone confirm this?), but okay, we know that Taylor's releases on vinyl are not masterpieces and we just have to be lucky enough to be granted with a perfect pressing (except Red TV which was not only released on four discs but they all play on 45RPM).
      The album is very good, I love Vigilante Shit specially after watching Taylor performing it on The Eras Tour right in front of my face (actually she was by my side as I was standing on the tip of the diamond, but you got this), but overall is no better than Evermore (Folkevermore are my favorites and I'll always defend and protect them as a mother protects her children).
      I swore to myself that I wouldn't purchase all the main four variants but I'm also lying to myself. I already ordered the moonstone edition which, in my point of view, is the most beautiful variant, I simply love that shade of blue. Let's check if the music mastering was the same.
      The jade variant is still available on her website so if you want it, I'm sure you won't regret it.
      ==================================
      My humble setup:
      Turntable: Audio Technica LP1240-USBXP
      Stylus: Ortofon 2M Blue
      Pre-amp: Fosi Audio Box X1
      Speakers: Edifier R1280DB
      • furippu13's avatar
        furippu13
        Not only the pressing is gorgeous, it also sounds so good.
        The difference of the sound between this variant and my Moonstone Blue is night and day.

        As much as I love collecting her vinyl releases, the recent releases need more QC, this album's pressing showed that it NEEDS it.
        I got lucky with this one, though.
        • HoneyBailey's avatar
          HoneyBailey
          The most beautiful version of all Midnights vinyls! The Jade Green is so gorgeous in person and sounds also great! It also has the best cover/gatefold from all editons if you ask me
          • juniorcasemiro's avatar
            This is probably the most gorgeous pressing from this album! The green hue is stunning in person!
            • 404sVHSCollection's avatar
              im ready to be shunned for this but....

              i dont think any album should have THIS many vinyl releases within the same year.
              • Candybry2112's avatar
                Candybry2112
                Edited one year ago
                I don't know why, but I have to crank the volume so loud on my receiver with this and the lavender edition - the sound quality is horrible. I know it's not 180gram, but it is really quiet. When I put on "Lover," the place is bumpin' lol.

                Other than that, this record is amazing. Every song is good - she is in her prime and writing beautiful, anthemic songs. This will go down in history as a classic album - mark my words!
                • Linco71's avatar
                  Linco71
                  I am good with just one version of the album. Mine sounds great and is flawless as far as quality (flat vinyl, centered labels, little surface noise). Honestly went with the green jade because I liked the cover the best. Anyone else buy their version based on the cover more than the vinyl color?
                  • Ellenjohnson's avatar
                    Ellenjohnson
                    Does anyone have a spare hype sticker for this pressing as accidentally binned mine! ( will cover postal costs :)
                    • canaancoffman's avatar
                      canaancoffman
                      Don’t let my stars fool you, this album is great. I love the production and think this is a great re-introduction to pop after folklore and evermore. It’s a much more mature sound that fits her so well. I love the color of the Jade green and think whoever came up with the color variation clock is a marketing GENIUS! I didn’t know how explicit/mature the album would be before purchasing, which is what led to my low rating. Nothing against Taylor, it’s just my personal convictions that make me not want to play the album. Not a fan of hearing unnecessary overly explicit language and can’t STAND hearing the Lord’s name in vain. No hate, it’s just personal convictions.

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