The Underground Solution* – Luv Dancin'

When Roger came out with this tracks, all eyes and ears were turned on " Luv Dancin' " but the first time I heard " Deep In My Mind " and " Afterthought " they blow me away !!!! Bleep Masterpieces !!!!

I listen to stuff like this in 2022 - deep in my mind - also, and it blows my mind lad.

That percussion is devastating

an essential weapon .. 12inch in rack since day of release

Released on November 1st, 1990 what a classic release that changed everyones sense of style

Yes, all about the B side for me. Eerie and deep sounds that still work.

Everybody raves about Luv Dancin, which is, no doubt, a great track, but to me the gem here is afterthought. So deep and mysterious it takes a while to get back to the surface after that trip down the oubliette.

Rember 1974's Gil Scott Heron song "The Bottle''?
That legendary Uno, Dos, etc,etc intro.....
Have Fun.I used to play this a lot in Amsterdam Club D.O.K. during the 80''s
Love It

"Luv Dancin" contains samples from:
"Exodus - Together Forever" (1982)
"Carl Bean - I Was Born This Way" (1977)
"Loose Joints - Is It All Over My Face" (1980)
"C.O.D. - In The Bottle" (1983)

...this is serious music man,like a hot summer evening in june,devastating b.line.and neat n tidy beats...you dont hear things like this everday!'

Hi all
Yes, this track by the S-Man is really something special; a real slice of musical genius on par with any other New York house or garage release. The track is widely recognised as one, if not the, deepest and sexiest piece of garage music ever put to wax, and one listen shows why. The bassline is hypnotic and funky, yet still deep and mellow. The vocal, which informs the title of the track, is taken from an equally legendary slice of underground dance music from New York City, a track by Loose Joints released on West End Records entitled Is It All Over My Face, which received a remix by the great Larry Levan, DJ at the Paradise Garage. The flutes, keys, and organ all provide a quite erotic mood in the track and it's just amazing. The production is squarely aimed at the DJ floor, with appropriately timed breakdowns and track subtractions. Lastly, the sheer brilliance of this track is evinced by noting that it was made in 1990 - nearly 20 years ago. Damn Roger, you are truly the S-Man. RIP Levan, Arthur Russell, Walter Gibbons, and the Paradise Garage.