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FenneszVenice

Label:Touch – TO:53
Format:
CD, Album
Country:UK
Released:
Genre:Electronic
Style:Ambient, Experimental, Glitch

Tracklist

1Rivers Of Sand4:42
2Château Rouge6:40
3City Of Light6:34
4Onsra0:20
5Circassian5:49
6Onsay1:08
7The Other Face3:25
8Transit
Lyrics By, Vocals [Uncredited]David Sylvian
4:59
9The Point Of It All5:01
10Laguna2:56
11Asusu0:55
12The Stone Of Impermanence6:37
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Credits

Notes

Recorded on location in Venice, July 2003, Amann Studios, Vienna, Jan-Feb 2004.
Mastered @ Skye Mastering.

Tracks 1 to 7 and 9 to 12 published by Touch Music (MCPS).
Track 8 published by Touch Music_Opium (Arts) Ltd.

Made in England.
℗ and © 2004 Touch.

Released in 6-panel Digipak with clear tray.

Barcode and Other Identifiers

  • Barcode (Text): 5 027803145320
  • Barcode (Scanned): 5027803145320
  • Matrix / Runout (Variant 1 to 5): deluxe TO53 01
  • Matrix / Runout (Variant 1 to 5, Mould ring): MADE IN THE UK BY DISCTRONICS
  • Mastering SID Code (Variant 1 to 5): IFPI L136
  • Mould SID Code (Variant 1): IFPI 0416
  • Mould SID Code (Variant 2): IFPI 0493
  • Mould SID Code (Variant 3): IFPI 0418
  • Mould SID Code (Variant 4): IFPI 0482
  • Mould SID Code (Variant 5): IFPI 0431

Other Versions (5 of 7)View All

Title (Format)LabelCat#CountryYear
Venice (CD, Album)Digital Narcis Corporation,. Ltd.DNCD 014Japan2004
Venice (2×LP, Album, Reissue)TouchTO:53vUK2014
New Submission
Venice (10th Anniversary Edition) (14×File, WAV, Album, Reissue)TouchTO53VUK2014
Venice (12×File, WAV, Album)TouchTO53EuropeUnknown
Venice (CD, Album, Reissue)TouchTO:53UKUnknown

Reviews

MPthreessuck's profile picture
MPthreessuck
Venice=dirty and stagnant water, going under, just like this record makes me feel! Still want to visit Venice but I give up on Fennesz, not even Sakamoto could help his music.
scoundrel's profile picture
scoundrel
VENICE might bring up images of gondolas, canals and Piazza San Marco, but Fennesz has a different view: the refractions and wanderings of "Rivers Of Sand," for instance, or the drifting warmth of "Château Rouge" that suddenly surges forward. But "City Of Light" stays on the ambient side, with long, sustained tones, and "Circassian" loads on the layers of guitar haze. "Transit" introduces more of an industrial feel at its start before David Sylvian brings his croon to bear, while "The Point of It All" returns to moody atmospherics. The album ends with the noisier "The Stone of Impermanence," which goes to show that Fennesz's view of Venice is surely a personal -- albeit beautiful -- one.
kris_lecander's profile picture
kris_lecander
This album (his best in my opinion) needs a vinyl reissue BADLY!
tim99's profile picture
tim99
This piece of work blends together seamlessly,creating an atmosphere of liquid pleasure,it holds together so well,listen to this as the sun sets with a chilled glass of wine,BLISS.
AlfredPMcLovely's profile picture
AlfredPMcLovely
Edited 15 years ago
If you like My Bloody Valentine, shoegazing, anything lush and thick you must buy this album. I won Fennesz's Plays, Hotel Parallel, Return of the Fennoberg and this one, which I picked up just the other day. Venice is prolly the best cd I've picked up since the Snare's HCCBU came out. It has the electronic equivalent to droning guitars playing over slight pops and bubbles of pleasant electronic goodness, like listening to sun light pouring down upon and streaming over the ocean as waves roll over dancing fish. Its great.