Biosphere – Autour De La Lune
Tracklist
1 | Translation | 21:43 | |
2 | Rotation | 11:08 | |
3 | Modifié | 5:10 | |
4 | Vibratoire | 3:37 | |
5 | Déviation | 10:26 | |
6 | Circulaire | 6:15 | |
7 | Disparu | 2:26 | |
8 | Inverse | 5:32 | |
9 | Tombant | 8:07 |
Companies, etc.
- Phonographic Copyright ℗ – Touch
- Copyright © – Touch
- Published By – Touch Music
- Made By – Universal M & L, UK
- Manufactured By – Deluxe (7)
Credits
- Cover [Cover (Detail) "Autour De La Lune"] – Tor-Magnus Lundeby
- Design – Jon Wozencroft
- Mastered By – Denis Blackham
Notes
On Digipak rear:
Developed following an original broadcast on Radio France.
P & C 2004 Touch.
www.touchmusic.org.uk
Made in England
Under clear CD tray:
Une commande conjointe de la Délégation aux Arts Plastiques / Ministère de la Culture et l'Atelier de Création Radiophonique de France Culture.
Thanks to: Philip Langlois and Frank Smith from L'Atelier de Création Radiophonique, Einar Broch Johnsen for translating Jules Verne's novel Autour de la Lune, Trinc for her insight, Tor-Magnus Lundeby for doing the painting.
Published by Touch Music [MCPS].
Issued in a Digipak.
Track 3 consists of (among other sounds) a ring modulation of Sigur Rós' "Ný Batterí".
Developed following an original broadcast on Radio France.
P & C 2004 Touch.
www.touchmusic.org.uk
Made in England
Under clear CD tray:
Une commande conjointe de la Délégation aux Arts Plastiques / Ministère de la Culture et l'Atelier de Création Radiophonique de France Culture.
Thanks to: Philip Langlois and Frank Smith from L'Atelier de Création Radiophonique, Einar Broch Johnsen for translating Jules Verne's novel Autour de la Lune, Trinc for her insight, Tor-Magnus Lundeby for doing the painting.
Published by Touch Music [MCPS].
Issued in a Digipak.
Track 3 consists of (among other sounds) a ring modulation of Sigur Rós' "Ný Batterí".
Barcode and Other Identifiers
- Barcode (Text): 5 027803 146228
- Barcode (Scanned, EAN-13): 5027803146228
- Rights Society: MCPS
- Matrix / Runout (All variants): deluxe TO62 01
- Matrix / Runout (All variants, hub): MADE IN THE UK BY UNIVERSAL M&L
- Mastering SID Code (All variants): IFPI L135
- Mould SID Code (Variant 1): IFPI 04H6
- Mould SID Code (Variant 2): IFPI 0457
- Mould SID Code (Variant 3): IFPI 0479
Other Versions (5 of 12)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited | Autour De La Lune (CD, Album) | Beatservice Records | BS082CD | Norway | 2004 | ||
Autour De La Lune (9×File, MP3, Album, 320 kbps) | Touch | TO62 | UK | 2004 | |||
Autour De La Lune (9×File, WAV, Album) | Touch | TO62 | UK | 2004 | |||
Autour De La Lune (9×File, AIFF, Album) | Touch | TO62 | UK | 2004 | |||
Autour De La Lune (9×File, FLAC, Album) | Touch | TO62 | UK | 2004 |
Recommendations
Reviews
- Surely it's the most abstract and hermetic piece of Biosphere's opus so far, thus the initial negative reviews from some, but I'm glad to see this album slowly picking up its ratings (finally above 4).
Creating a "soundtrack for space" (while averted from formulaic sci-fi cheesiness) is such a challenging task for a producer, but Geir was on top of his game here.
Not really a "musical album" in the conventional sense, but rather a sound installation, this minimalistic piece requires active listening on a good sound system, or with a pair of decent headphones, in order to truly appreciate the atmosphere and details (especially in the low frequencies range).
Oh... and turn the lights off, if possible. - This album is very lifting in a way. It could be great ambient noise in a movie like Gravity or Interstellar. I'd say it's Biosphere's most experimental work, with some Drone and Minimal elements.
- Biosphere moves into pure abstraction and minimalism with AUTOUR DE LA LUNE, an album that demands patience and attention. The notes of "Translation," as they change in dynamic frequency and location, are concerned with the sense of movement, even in stasis, while "Rotation" is mostly but long, drawn-out tones, with a few high pitches for color. The submerged voices of "Modifié" sounds as if they're coming from a radio tuned to a station across the globe, and the subterranean rumbles of "Vibratoire" seem to have come from deep within the earth's core. That denseness seeps into "Circulaire," which has an almost claustrophobic feel. "Disparu" offers up a small melody as respite for its short run time, and "Inverse" keeps its harmonics deep within itself, like an arrow in the heart. "Tombant" warms up a little, but its minimal nature never lets up for a moment. Engrossing.
- Edited 18 years agoWhen I listen to this album, all I can think about is being in space. Possibly in a shuttle or space station, just looking out the window at the universe. I believe visions like this is what Biosphere intended for this album. This isn't his typical style, but I welcomed the change because this album has a real magic. There isn't many albums out there that can truly create an image and scenerio in your head like this one can. Minimal space ambience.
- Edited 18 years agoI think this is a wonderful album, and I'm surprised at all the negative comments. Also, Geir as Biosphere may usually have a little more going on than this, but it seems to me a very natural progression from his other works, esp. after ShenZhou. Excellent minimal ambient.
- Edited 18 years agoAn interesting release. You really need a very good speaker system and room acoustics in order to appreciate this album fully.
I really wonder though why Geir Jenssen didn't use a different alias (or just his own name) for this release because it is -so- different from any other Biosphere release that came before and after it.
- Edited 19 years agoWow ... What can i say! Im really impressed by this album. It makes all the prior Biosphere albums seem like pop music. This is deep, this is dark, this is minimal, this is actually disturbing. Some of these tracks makes your ears hurt, even though it's ambient music, but still you can't help listening. I have never heard ambient music as deep as this. Biosphere on this album, really experiments with the extremes. The bass is so deep that you can only really hear it with headphones, otherwise you'll just feel the rumbling below you ... it's really that deep ... And then we have the disturbingly high pitched monotone sounds, that almost makes your ears bleed ... wow! ... This is the deepest ambient i have ever heard, makes everything else obsolete ... I hope Biosphere will continue this style in the future ... Respect! ...
- Edited 19 years agoThis does develop at a much different pace than Substrata, etc, but it's still quality work. It's got a lot more drone, and shares common ground with Coil's 'Time Machines' disc. You might miss out some with the headphones on though - some tracks are in large part bass vibrations that benefit from proper woofers.
Release
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