RLW – Tulpas
Label: | Selektion – SCD 024 |
---|---|
Format: | |
Country: | Germany |
Released: | |
Genre: | Electronic |
Style: | Noise, Experimental, Minimal |
Tracklist
1-1 | Michael Gendreau– | 2-NV-PO33M(0-20KC)preRAII-S | 4:30 |
1-2 | Jos Smolders– | Through The Looking Glass | 8:34 |
1-3 | Runzelstirn & Gurgelstock*– | - | 9:51 |
1-4 | Noise-Maker's Fifes– | Nameless Victims | 21:10 |
1-5 | Crawl Unit– | One Clank In Loop Formation | 6:28 |
1-6 | In Be Tween Noise– | Vein. Stems. Is. Calm | 12:36 |
1-7 | Eric Lanzillotta– | Unrecognizable Compositions | 6:35 |
2-1 | Artificial Memory Trace– | Äwron Pt. 1 & 2 | 6:57 |
2-2 | M. Behrens*– | Quersumme RLW | 11:09 |
2-3 | Koji Marutani– | RLW Assemblage | 7:59 |
2-4 | Lionel Marchetti & Jérôme Noetinger– | - | 7:46 |
2-5 | Lionel Marchetti & Jérôme Noetinger– | - - | 5:30 |
2-6 | Antanas Jasenka– | Room Music | 31:27 |
3-1 | Francisco Lopez*– | Untitled Piece | 6:14 |
3-2 | Christoph Heemann– | Breaths Of Freezing Air | 5:36 |
3-3 | Bruno Moreigne– | Virtual Eardrum | 7:35 |
3-4 | John Duncan– | Split Second | 10:24 |
3-5 | Werner Durand– | Third Monolith - Close-Up | 9:07 |
3-6 | Asmus Tietchens– | Es Sei | 4:40 |
3-7 | Ryoji Ikeda– | One Minute | 1:08 |
3-8 | Action Concret– | Opka: Unlit | 6:35 |
3-9 | David Grubbs– | Pullover | 3:04 |
3-10 | Das Synthetische Mischgewebe– | Unworn Cellophane (Sliced Return) | 8:53 |
3-11 | Jim O'Rourke– | Strictly Yours | 4:40 |
4-1 | Toshiya Tsunoda– | L: Movement By Induction; R: Limitative Current | 8:15 |
4-2 | Peter Rehberg & Ramon Bauer*– | Sometimes Titled | 4:45 |
4-3 | Peter Duimelinks & Roel Meelkop– | Pierremi | 5:11 |
4-4 | Bruce Russell– | Fried Eyes | 8:32 |
4-5 | N.N. Und Ähnliche Elemente– | Erneut Gekreuzt Und Ausgemendelt | 7:21 |
4-6 | Toy Bizarre– | KDI DCTB 42 - Heda! | 6:40 |
4-7 | Meeuw– | Vier Mal Die Null | 4:39 |
4-8 | Achim Wollscheid– | - | 2:16 |
4-9 | Jan Peter E.R. Sonntag– | Between The Days Für Elektronik Und Das Sierra Bar Trio | 11:06 |
4-10 | Minoru Sato*– | -- In Blank/-- On Sound | 6:30 |
5-1 | Brume– | Kleine Blaue Hybriden | 6:47 |
5-2 | Kimihide Kusafuka– | The Lowest Karlsruhe #2 | 6:58 |
5-3 | B∆raka[H]*– | Mutilated Monolith | 5:59 |
5-4 | Merzbow– | Kleine Blaue Hybriden | 7:41 |
5-5 | Idea Fire Company– | Silent Calculus | 4:50 |
5-6 | Jörg Thomasius– | Phone Cumn Reallow | 5:14 |
5-7 | Brume– | Wer Nicht … | 1:19 |
5-8 | Husk– | Sentiment Und Frohsinn 1983/1985/1996 | 5:04 |
5-9 | John Watermann– | Cows In ¾ Mourning, Maybe | 4:34 |
5-10 | Giancarlo Toniutti– | Hal Qájgein Hal Qáagalgan | 5:41 |
5-11 | Contrastate– | Pierre Never Made It | 5:32 |
5-12 | Aube– | Gegenraise | 6:17 |
5-13 | Frans deWaard*– | Waving Back | 3:49 |
Credits
- Artwork – Barry Nichols*, Eric Lanzillotta, Eugenie den Uijl, Giancarlo Toniutti, Meeuw, Slavek Kwi, Steve Roden, Toshiya Tsunoda
- Artwork [Graphical Concept + Realization] – Charly Steiger
- Liner Notes – Bruce Russell, Contrastate, Dave Grubbs*, Martin Büsser, Minoru Sato*, RLW, Robertas Kundrotas, Steve Roden
Notes
40 page booklet and 5 CDs bound in a hard cover book held together with a printed sleeve detailing participants: The artists.
Booklet with misprint, Page 24 printed as 26, A separate slip is inserted with the missing page 24, saying: '... Sorry!,, If you happen to miss page 24 - here it is:,.
Tulpas was initiated in mid 1995 and finished in mid 1997. CD 1 presents 7 interpretations of one peculiar composition, Nameless Victims, while CD 2 refers to a general idea of RLW; CD 3 relates to several actual aspects of my work, while CD 4 concentrates on fundamental issues of earlier apparitions; CD 5 eventually spins out related conceptual dispositions; not to speak of other material and ideas already in the drawer...
Booklet with misprint, Page 24 printed as 26, A separate slip is inserted with the missing page 24, saying: '... Sorry!,, If you happen to miss page 24 - here it is:,.
Tulpas was initiated in mid 1995 and finished in mid 1997. CD 1 presents 7 interpretations of one peculiar composition, Nameless Victims, while CD 2 refers to a general idea of RLW; CD 3 relates to several actual aspects of my work, while CD 4 concentrates on fundamental issues of earlier apparitions; CD 5 eventually spins out related conceptual dispositions; not to speak of other material and ideas already in the drawer...
Barcode and Other Identifiers
- Matrix / Runout (Disc 1): C7043 SCD 024 1 •
- Matrix / Runout (Disc 2): C7044 SCD 024 2 •
- Matrix / Runout (Disc 3): C7045 SCD 024 3 •
- Matrix / Runout (Disc 4): C7046 SCD 024 4 •
- Matrix / Runout (Disc 5): C7047 SCD 024 5 •
- Mastering SID Code (Disc 1, 2, 3, 5): IFPI L123
- Mastering SID Code (Disc 4): IFPI L122
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