Elliott Murphy – Just A Story From America
Tracklist
A1 | Drive All Night | 3:35 | |
A2 | Summer House | 3:18 | |
A3 | Just A Story From America | 2:31 | |
A4 | Rock Ballad | 5:01 | |
A5 | Think Too Hard | 3:28 | |
B1 | Anastasia | 5:08 | |
B2 | Darlin' (And She Called Me) | 3:47 | |
B3 | Let Go | 3:37 | |
B4 | Caught Short In The Long Run | 4:48 |
Companies, etc.
- Phonographic Copyright ℗ – CBS Inc.
- Copyright © – CBS Inc.
- Manufactured By – Columbia Records
- Recorded At – Air Studios
- Recorded At – Marquee Studios
- Recorded At – Audio International Studios
- Mastered At – Masterdisk
Credits
- Bass – Dave Markee
- Design – Paula Scher
- Drums – Phil Collins
- Guitar, Vocals, Organ, Marimba, Harmonica, Tambourine, Harmonium – E.M.*
- Percussion – Morris Pert
- Photography By – David Bailey (5)
- Piano, Organ – Peter Oxendale
- Producer, Engineer – Robin Geoffrey Cable
- Recorded By – Colin Fairley, Greg Walsh, Steve Holroyd
Notes
In run-outs, 'MASTERDISK' is stamped. The rest is etched.
Barcode and Other Identifiers
- Matrix / Runout (label Side A): AL 34653
- Matrix / Runout (label Side B ): BL 34653
- Matrix / Runout (Side A ): 15 AL-34653-A-2-F MASTERDISK
- Matrix / Runout (Side B): 15 BL-34653-B-2-E MASTERDISK
- Matrix / Runout (Side A Variant 2): AL- (BL scratched out ) -34653-A-2-H MASTERDISK
- Matrix / Runout (Side B Variant 2): (AL scratched out) BL-34653-B-2-G MASTERDISK
Other Versions (5 of 20)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
New Submission | Just A Story From America (LP, Album) | CBS | SBP 239012 | New Zealand | 1977 | ||
Just A Story From America (LP, Album, Promo) | Columbia | PC 34653 | US | 1977 | |||
Just A Story From America (LP, Album, Stereo) | CBS | 81881 | Europe | 1977 | |||
New Submission | Just A Story From America (LP, Album) | Columbia | S 81881 | Spain | 1977 | ||
New Submission | Just A Story From America (LP, Album) | CBS/Sony | 25AP 440 | Japan | 1977 |
Recommendations
Reviews
- Chronicle of the author himself: I was so impatient for “something big” to happen and so I changed managers and record company (Columbia) and countries and went to London to record. English studios were famous for their big rock sound at this time and also for affordable string arrangements and choirs. I had lunch with Harry Nielsen and ex-Rolling Stone Mick Taylor played some guitar. I’ll never forget when he walked into the studio carrying his own amp to use on his solo on Rock Ballad. When I heard the Sex Pistols say, “fuck” on British TV I knew the music world was going to change. There was a punk revolution on the way but I had a song called “Anastasia” who was the victim of another revolution. Phil Collins played drums and told great jokes.
Release
For sale on Discogs
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