Michael Hedges – Aerial Boundaries
| Label: | Windham Hill Records – WH-1032 |
|---|---|
| Format: | |
| Country: | US |
| Released: | |
| Genre: | Jazz, Folk, World, & Country |
| Style: | Contemporary Jazz |
Tracklist
| A1 | Aerial Boundaries | 4:45 | |
| A2 | Bensusan | 2:30 | |
| A3 | Rickover's Dream | 5:00 | |
| A4 | Ragamuffin | 3:15 | |
| A5 | After The Gold Rush | 4:10 | |
| B1 | Hot Type | 1:31 | |
| B2 | Spare Change | 5:45 | |
| B3 | Ménage À Trois | 7:10 | |
| B4 | The Magic Farmer | 3:50 |
Companies, etc.
- Copyright © – Windham Hill Records
- Phonographic Copyright ℗ – Windham Hill Records
- Manufactured By – Windham Hill Records
- Record Company – Windham Hill Productions Inc.
- Distributed By – A&M Records, Inc.
- Published By – Naked Ear Music
- Published By – Windham Hill Music
- Published By – Broken Fiddle Music
- Published By – Cotillion Music
- Recorded At – Windham Hill Farm
- Recorded By – Fedco Audio Labs
- Recorded At – Sheffield Studio
- Recorded At – Different Fur Studios
- Recorded At – Mobius Music
- Recorded At – Peabody Electronic Music Studio
- Mixed At – A&M Studios
- Mixed At – Peabody Recording Studio
- Edited At – Master Digital
- Mastered At – A&M Studios
- Mastered At – Record Technology Incorporated – 18141
- Mastered At – Record Technology Incorporated – 18455
- Mastered At – Record Technology Incorporated – 18454
- Mastered At – Record Technology Incorporated – 18140
Credits
- Arranged By – Michael Hedges
- Design – Anne Ackerman Robinson
- Engineer [Assisted By] – Nick Gutfreund (tracks: A1 to A4, B1), Tom Arrison (tracks: A1 to A4, B1)
- Engineer [Engineered By] – Bill Mueller (tracks: A5), Oliver DiCicco (tracks: B3), Steven Miller (tracks: A1 to A4, B1, B4)
- Engineer [Engineered By], Edited By – Michael Hedges (tracks: B2)
- Flute [Flutes] – Mindy Rosenfeld (tracks: B3)
- Fretless Bass – Mike Manring* (tracks: A5, B3)
- Guitar – Michael Hedges
- Mastered By [Original Mastering By] – Bernie Grundman
- Mixed By [Mixed To Digital By] – Steven Miller (tracks: B2, B3)
- Photography By [Cover Photo] – Richard Santangelo
- Photography By [Liner Photo] – Cathye English
- Producer [Produced By] – Michael Hedges, Steven Miller, William Ackerman
- Transferred By [Digital Transfers By] – Mark Boeddeker*
- Written-By – Michael Hedges (tracks: A1 to A4, B1 to B4), Neil Young (tracks: A5)
Notes
Tracks A1 to A4, B1: Recorded live to 2 track digital master at Windham Hill Farm, West Townshend, TV using Fedco Audio Labs remote truck. Engineered by Steven Miller, assisted by Tom Arrison and Nick Gutfreund.
Track A5: Recorded live to 2 track master at Sheffield Studio, Baltimore, Maryland. Engineered by Bill Mueller.
Track B2: Realized at the Peabody Electronic Music Studio, Baltimore, MD. All sounds are of guitar origin. Engineered and edited by Michael Hedges. Mixed to digital by Steven Miller at the Peabody Recording Studio.
Track B3: recorded at Mobius Music, San Francisco, CA. Engineered by Oliver DiCicco. Mixed to digital by Steven Miller at A&M Studios, Los Angeles, CA.
Track B4: recorded live to 2 track master at Different Fur Studio, San Francisco, CA. Engineered by Steven Miller.
Digital transfers at Master Digital, Venice, CA.
Original mastering A&M Studios, Los Angeles, CA.
All compositions published by Naked Ear Music (BMI) and Windham Hill Music (BMI) except track A5 published by Broken Fiddle Music (ASCAP) and Cotillion Music (BMI).
© ℗ Windham Hill Records 1984
Some copies pressed in translucent black vinyl.
Some copies came with a promo cover and press release (1pg bio)
Track A5: Recorded live to 2 track master at Sheffield Studio, Baltimore, Maryland. Engineered by Bill Mueller.
Track B2: Realized at the Peabody Electronic Music Studio, Baltimore, MD. All sounds are of guitar origin. Engineered and edited by Michael Hedges. Mixed to digital by Steven Miller at the Peabody Recording Studio.
Track B3: recorded at Mobius Music, San Francisco, CA. Engineered by Oliver DiCicco. Mixed to digital by Steven Miller at A&M Studios, Los Angeles, CA.
Track B4: recorded live to 2 track master at Different Fur Studio, San Francisco, CA. Engineered by Steven Miller.
Digital transfers at Master Digital, Venice, CA.
Original mastering A&M Studios, Los Angeles, CA.
All compositions published by Naked Ear Music (BMI) and Windham Hill Music (BMI) except track A5 published by Broken Fiddle Music (ASCAP) and Cotillion Music (BMI).
© ℗ Windham Hill Records 1984
Some copies pressed in translucent black vinyl.
Some copies came with a promo cover and press release (1pg bio)
Barcode and Other Identifiers
- Barcode: none
- Matrix / Runout (Side A, variant 1): WH-1032-A-RTI 2nb Mo1s 18141(3) Mo II
- Matrix / Runout (Side B, variant 1): WH 1032B-RT3 18455(3) Mo12
- Matrix / Runout (Side A, variant 2): WH-1032-A-RT1 18141(3) 2nd Mas
- Matrix / Runout (Side B, variant 2): WH 1032-B-RT3 18455 (3) Mot. 21
- Matrix / Runout (Side A, variant 3): WH 1032A-RT3 18454 (3)
- Matrix / Runout (Side B, variant 3): WH-1032-B-RT2 18140 (3)
- Rights Society: BMI
- Rights Society: ASCAP
- Matrix / Runout (Side A, variant 4): WH-1032-A-RT1 18141(3) 2nd Mas
- Matrix / Runout (Side B, variant 4): WH 1032-B-RT2 Mas2 T̶o̶m̶ 18140 (3) ②p̶MOT1
Other Versions (5 of 51)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
Recently Edited | Aerial Boundaries (LP) | Windham Hill Records | AMWH 61032 | Netherlands | 1984 | ||
Recently Edited | Aerial Boundaries (LP, Album) | Windham Hill Records, A&M Records | 371 032-1 | Europe | 1984 | ||
Recently Edited | Aerial Boundaries (LP, Album) | Windham Hill Records, Windham Hill Records | TA-C-1032, 6.25986 AP | Germany | 1984 | ||
Recently Edited | Aerial Boundaries (CD, Album) | Windham Hill Records | WD-1032 | US | 1984 | ||
New Submission | Aerial Boundaries (CD, Album) | Windham Hill Records | WD-1032 | Germany | 1984 |
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Reviews
a 💎 of a recording. mastered and pressed in the true spirit of Galileo. I always thought it was jaco pastorius that did the "singing" ala fretless - bass line on Neil Young's cover but it's not. perfectly imaged record filling a huge spacious soundstage. Perhaps this can be attributed to the 2 track digital master live recording at Windham Hill farm using the Fedco Audio Lab remote truck.
Rti pressing is the one to get. Others are good but not as good as this one.
This press sounds fantastic. An excellent wide soundstage with shimmering highs and punchy low end. I know this was a digital recording, but damn did they do a great job with this one.
Release
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