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Contributors
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Tracklist
| A1 | Elements I & II | |
| A2 | Changing Times | |
| A3 | Bedrock Deadlock | |
| A4 | Spirit Level | |
| B1 | Torso | |
| B2 | Snakehips' Dream |
Companies, etc.
- Produced For – Ronnie Scott Directions Ltd.
- Published By – Louvigny-Marquee
- Published By – Popgun Music Ltd
- Lacquer Cut at – Phonodisc Ltd.
Credits
- Bass Guitar – Ron Matthewson*
- Bass Guitar, Double Bass – Jeff Clyne
- Design [Cover Design] – B.E. Ltd.
- Drums, Percussion – John Marshall
- Electric Piano, Baritone Saxophone, Oboe – Karl Jenkins
- Engineer – Roger Wake
- Guitar – Chris Spedding
- Percussion – Chris Karan
- Producer – Pete King
- Synthesizer [VCS3] – Keith Winter (3)
- Tenor Saxophone, Bass Clarinet – Tony Roberts
- Tenor Saxophone, Soprano Saxophone, Flute – Brian Smith
- Trumpet, Flugelhorn – Harry Beckett (tracks: A3, A4), Ian Carr, Kenny Wheeler (tracks: A1, A2, B1, B2)
- Written-By, Arranged By – Ian Carr
Notes
Recorded 14 & 15 of December 1970.
Released in a fold-out cover on a ''swirl'' Vertigo label with swirled Vertigo inner sleeve.
Released in a fold-out cover on a ''swirl'' Vertigo label with swirled Vertigo inner sleeve.
Barcode and Other Identifiers
- Matrix / Runout (Side A Runout, Stamped): 6360039 1Y//1∇420 1 1 4 04
- Matrix / Runout (Side B Runout, Stamped): 6360039 2Y//1∇420 1 1 4 04
- Price Code: VO
Other Versions (5 of 16)View All
| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| Solar Plexus (LP, Album) | Vertigo | 6360 039 | Germany | 1971 | |||
New Submission | Solar Plexus (LP, Album) | Vertigo | SFX-7402 | Japan | 1971 | ||
New Submission | Solar Plexus (LP, Album) | Vertigo, Vertigo | 6360 039, 6360039 | New Zealand | 1971 | ||
New Submission | Solar Plexus (LP, Album) | Vertigo | 6360 039 | South Africa | 1971 | ||
New Submission | Solar Plexus (LP, Album) | Vertigo | 6360 039 | Germany | 1971 |
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Reviews
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Edited 14 years ago
As Carr wrote all tracks, his name is top of the bill on this 3rd Nucleus LP. More experimentation, less rock, than on the previous effort, especially on side A, which is by far the better of the two, thanks to inventive instrumentation. Great flanged guitar on ''Spirit level'' and there we find subtle even soothing dissonance too. Side B is much more common and the themes are too weak to be able to support the length of the tracks. The closing ''Snakehips dream'' is the longest and thus the worst.