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Satoshi Tomiie Feat. Kelli AliLove In Traffic

Label:INCredible – 670932 6
Format:
Vinyl, 12", 33 ⅓ RPM
Country:UK
Released:
Genre:Electronic
Style:Progressive House

Tracklist

ALove In Traffic (Satoshi Tomiie Dark-Path)
RemixSatoshi Tomiie
12:08
AALove In Traffic (John Creamer + Stephane 'K' Remix)10:12
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Credits

Notes

Record erroneously stated to play at 45 RPM.

Sticker: As featured on John Digweed's GlobalUnderground mix CD.

Special thanks: Toru Nihongi and Mark Bounds.

Barcode and Other Identifiers

  • Label Code: LC 2868
  • Barcode: 5099767093269
  • Matrix / Runout (Side A runout, etched): XPR2712 -A-
  • Matrix / Runout (Side AA runout, etched): XPR2712 -B- FSV NAWEED
  • ISRC: JP-SR0-01-00081/82
  • Rights Society: MCPS / BIEM / SDRM

Other Versions (5 of 9)View All

Title (Format)LabelCat#CountryYear
Recently Edited
Love In Traffic (12", Promo)INCredibleXPR2712UK2001
Recently Edited
Love In Traffic (12", 33 ⅓ RPM, Stereo)ColumbiaCAS 016618US2001
Love In Traffic (CDr, Single, Promo)INCrediblenoneUK2001
New Submission
Love In Traffic (12", Promo, White Label)INCredibleXPR2712UK2001
New Submission
Love In Traffic (CDr, Single, Promo)INCrediblenoneUK2001

Reviews

jepposonn's avatar
jepposonn
Hammered this when it first came out. It still thumps away making my head nod like chicken. Boss track .
guybrad's avatar
guybrad
11 years later since the last comment. Still cuts it. Hypnotic and a real builder. Bob would be proud.
Mark_Anthony's avatar
Mark_Anthony
Edited 15 years ago
Such a classic progressive house track. Arguably one of Satoshi's best works to date. My favorite on this release is his Dark Path Mix. Track starts out with a hard house type kick drum that remains long enough for you to comfortably mix into, then you're soon taken into a breakdown where the familiar nonsensical vocal is introduced. ....Out of nowhere the kick drums slams back in complimented by some really dark, nasty tribal drums that set the whole thing off very nicely. This is dancefloor tested, and approved. I recently played this during peak hour at a warehouse party and the crowd response was unbelievable.