Daft Punk – One More Time
Label: | Virgin – VST1791, Virgin – 724389721065 |
---|---|
Format: | Vinyl, 12", 33 ⅓ RPM, Single Sided, Single, Stereo |
Country: | UK & Europe |
Released: | |
Genre: | Electronic |
Style: | House |
Tracklist
A | One More Time (Club Mix) | 8:00 |
Companies, etc.
- Published By – Zomba Music
- Published By – Delabel Editions
- Published By – Daft Music
- Published By – TTufftoney Music
- Published By – 2P'sW Music
- Mastered At – The Exchange
- Lacquer Cut At – The Exchange
- Copyright © – Daft Life
- Licensed To – Virgin Records Ltd.
- Licensed To – Virgin France S.A.
- Phonographic Copyright ℗ – Daft Life Ltd.
- Copyright © – Daft Life Ltd.
- Pressed By – MPO
Credits
- Artwork – Alex & Martin*
- Lacquer Cut By – Nilz*
- Mastered By – Nilesh Patel
- Producer – Guy-Manuel de Homem-Christo, Thomas Bangalter
- Vocals [Performed By] – Romanthony
- Written-By – Moore*, Homem-Christo*, Bangalter*
Notes
Published by Zomba Music for world excluding France.
Delabel Editions / Daft Music for France. TTufftoney Music (BMI) c/o 2P'sW Music.
Printed in EU.
Came with plain black glossy card inner sleeve.
Delabel Editions / Daft Music for France. TTufftoney Music (BMI) c/o 2P'sW Music.
Printed in EU.
Came with plain black glossy card inner sleeve.
Barcode and Other Identifiers
- Barcode (Scanned): 724389721065
- Barcode (Text): 7 24389 72106 5
- Label Code: 03098
- Matrix / Runout (Runout A, etch): VISA 8515 A1 33T RPM NiLZ - THE EXCHANGE. MPO 897 210-6 A1
- Price Code: PM214
- Rights Society (Centre label): bel BIEM
- Rights Society (Back cover): BMI
Other Versions (5 of 54)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
One More Time (CD, Single) | Virgin, Virgin | VSCDT1791, 724389721126 | Europe | 2000 | |||
One More Time (CD, Maxi-Single) | Virgin, Virgin | 7243 8 38758 2 5, V25G-38758 | US | 2000 | |||
Recently Edited | One More Time (CD, Maxi-Single) | Virgin, Virgin | VJCP-12136, 724389721126 | Japan | 2000 | ||
Recently Edited | One More Time (12", Unofficial Release) | Not On Label (Daft Punk) | DAFT CLUB | 2000 | |||
Recently Edited | Time (12", 45 RPM, Unofficial Release) | Not On Label (Daft Punk) | AM 26865 | 2000 |
Recommendations
Reviews
- I get that it was played to death but as far as singles from this era go this one was very important and well-played. I can see making it a single-side, but you lose out on good remixes that you get on other Discovery era singles
- Surprised to see some negative reviews here, I always viewed this as a popular classic. Pretty standard digital source release from this era, mastering is perfectly fine but nothing special. No obvious defects or issues, mine is crackly from previous owner/s use but probably wasn't when first sold. Would have been nice if it had a B side.
The Club Mix (Referred to on streaming platforms now as the 12" Mix) has an extra harmony on every second instance of the title verse in the last coupleish minutes of the track, which is a really cool detail not found on any other versions of this song that I know of. - This is a great item for any Daft Punk fan. It is a little weak considering other things they have done and it is a great shame that this is a one sided disc. They could have easily placed some other stuff on the other side. Anything would be better than nothing.
- Bought this for a ridiculous price. The downside is that this is a single sided disk, but the upside is that it is the extended mix which is lovely and like hearing the song anew.
- Greatest Song of All Time! Crazy to hear the extended mix for the first time after hearing the album version for over 7 years.
- Love the "Discovery" album, but this was always the weakest track on the album for me. I simply start the CD from Track 2.
- Edited 6 years agoA favorite track of mine on a personal level, though the album has hits that are much better from a critical standpoint. Its very interesting to see how this track/album has created this huge divide between the older Daft Punk fans and the (relatively) newer ones. The closest analogy I can think of would be the Kanye-fan divide after Yeezus came out. Still though, while I empathize with the frustration original fans might have had when Discovery departed so much from Homework, I can't help but applaud Guy and Thomas for having the courage to make the music they enjoyed even when they knew they might lose some of their core fans from their debut. This track, and Discovery were the entry points for a lot of contemporary music lovers that sparked their appreciation in the art as a hobby, myself included.
- Worst single by a long way, corny cheesy & annoying.
90 percent of the underground at the time hated it, the reason it was so big in my view was it was the first contact the young mainstream (that were in primary school for Homework) had with Daft Punk.
I personally hated playing it, even frequency wise that screeching killed me, this track is the equivalent to nails on a blackboard.
Low point in their stella career. - 14 years after its release, this still (or maybe again?) has the power to tear dancefloors apart. It's a classic that everybody instantly recognizes, and the extended version with the long break is perfect sing-along material ("music's got me feeling so free / celebrate and dance so free") that, if dropped at the right time and place, makes people go nuts, even if they came for a more underground kind of House.
Use this weapon seldomly, surprising people is what makes this record so fun to play. - This is one of those songs that everyone would suddenly look back and say "This isn't really that good". Its just like all those Chevy Chase movies that people have turned into "Cult Classic's".... Its the best thing to happen to Electronic Music in 2000. And has in fact, publicized "AutoTune". Not my favorite, but I support it 120%.
Release
For sale on Discogs
Sell a copy162 copies from $18.99
Statistics
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