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Taylor Swift1989 (Taylor's Version)

Label:Republic Records – 0245554218
Format:
2 x Vinyl, LP, Album, Special Edition, Tangerine, Optimal Media GmbH Pressing
Country:USA & Europe
Released:
Genre:Pop
Style:Synth-pop

Tracklist

A1Welcome To New York (Taylor's Version)
Drum Programming, SynthesizerNoel Zancanella
Engineer [For Mix]Bryce Bordone
Lead VocalsTaylor Swift
Mastered ByRandy Merrill
Mastered By [Vinyl Mastering]Ryan Smith (2)
Mixed BySerban Ghenea
Piano, Synthesizer [Juno], Backing VocalsRyan Tedder
Recorded ByRich Rich, Ryan Tedder
Recorded By [Taylor Swift Vocals]Christopher Rowe
Written-ByRyan Tedder, Taylor Swift
A2Blank Space (Taylor's Version)
Acoustic Guitar, Electric Guitar, Keyboards [Synth Keyboards]Mike Meadows (3)
Backing VocalsChristopher Rowe, Taylor Swift
BassAmos Heller
Drum Programming, Bass [Synth Bass], SynthDan Burns
Drums, Programmed By [Percussion Programming]Brian Pruitt, Matt Billingslea
Electric Guitar, Keyboards [Synth Keyboards]Max Bernstein (2)
Engineer [Additional Engineering]Dan Burns
Engineer [For Mix]Bryce Bordone
Engineer, Edited By [Digital Editing], Programmed By [Additional Programming]Derek Garten
Mastered ByRandy Merrill
Mastered By [Vinyl Mastering]Ryan Smith (2)
Mixed BySerban Ghenea
Recorded By [Taylor Swift Vocals]Christopher Rowe, Sam Holland
A3Style (Taylor's Version)
Acoustic Guitar, Electric Guitar, Keyboards [Synth Keyboards]Mike Meadows (3)
BassAmos Heller
Drum Programming, Bass [Synth Bass], SynthDan Burns
Drums, Programmed By [Percussion Programming]Matt Billingslea
Electric Guitar, Keyboards [Synth Keyboards], Acoustic GuitarMax Bernstein (2)
Engineer [Additional Engineering], Programmed By [Additional Programming]Dan Burns
Engineer [For Mix]Bryce Bordone
Engineer, Edited By [Digital Editing], Programmed By [Additional Programming]Derek Garten
Lead Vocals, Backing VocalsTaylor Swift
Mastered ByRandy Merrill
Mastered By [Vinyl Mastering]Ryan Smith (2)
Mixed BySerban Ghenea
Recorded By [Taylor Swift Vocals]Christopher Rowe
A4Out Of The Woods (Taylor's Version)
Acoustic Guitar, Electric Guitar, Backing Vocals, Programmed By [Programming], SynthMikey Freedom Hart
Engineer [Assistant Engineering]Jack Manning (9), Joey Miller (7), Jon Sher, Jozef Caldwell, Megan Searl
Engineer [For Mix]Bryce Bordone
Lead Vocals, Backing VocalsTaylor Swift
Mastered ByRandy Merrill
Mastered By [Vinyl Mastering]Ryan Smith (2)
Mixed BySerban Ghenea
Recorded By [Evan Smith's Performance Recorded By]Evan Smith (2)
Recorded By [Michael Riddleberg's Performance Recorded By]Sean Hutchinson (3)
Recorded By [Mikey Freedom Hart's Performance Recorded By]David Hart, Mikey Freedom Hart
Recorded By [Sean Hutchinson's Performance Recorded By]Michael Riddleberger
Recorded By [Zem Audu's Performance Recorded By]Zem Audu
SynthZem Audu
Synth, Programmed By [Programming], Backing Vocals, Drums, Bass, Acoustic Guitar, Electric GuitarJack Antonoff
Synth, Programmed By [Programming], Backing Vocals, Synthesizer [Juno]Evan Smith (2)
Written-ByJack Antonoff, Taylor Swift
A5All You Had To Do Was Stay (Taylor's Version)
Acoustic Guitar, Keyboards [Synth Keyboards]Mike Meadows (3)
BassAmos Heller
Drum Programming, Bass [Synth Bass], SynthDan Burns
Drums, Programmed By [Percussion Programming]Brian Pruitt, Matt Billingslea
Electric GuitarMax Bernstein (2)
Engineer [Assistant Engineering]Dan Burns
Engineer [For Mix]Bryce Bordone
Engineer, Edited By [Digital Editing], Programmed By [Additional Programming]Derek Garten
Lead Vocals, Backing VocalsTaylor Swift
Mastered ByRandy Merrill
Mastered By [Vinyl Mastering]Ryan Smith (2)
Mixed BySerban Ghenea
Recorded By [Taylor Swift Vocals]Christopher Rowe
Written-ByMax Martin, Taylor Swift
A6Shake It Off (Taylor's Version)
Alto Saxophone, Baritone SaxophoneWojtek Goral
BassAmos Heller
DrumsJohan Schuster
Electric GuitarPaul Sidoti
Engineer [For Mix]Bryce Bordone
Engineer, Edited By [Digital Editing], Programmed By [Additional Programming]Derek Garten, Lowell Reynolds
Horns [Synth Horns]Max Bernstein (2)
Horns [Synthesizer Horns], ConductorMattias Bylund
Lead VocalsTaylor Swift
Mastered ByRandy Merrill
Mastered By [Vinyl Mastering]Ryan Smith (2)
Mixed BySerban Ghenea
PercussionMatt Billingslea
Performer [Stomps And Claps]Robert Allen (9), Taylor Swift
Recorded By [Horns], Edited By [Horns]Mattias Bylund
Recorded By [Taylor Swift Vocals]Christopher Rowe, Sam Holland
SynthesizerMike Meadows (3)
Tenor Saxophone, Baritone SaxophoneTomas Jonsson (4)
Trombone, TubaPeter Noos Johansson
B7I Wish You Would (Taylor's Version)
Drums, Bass, Programmed By [Programming], Synth, GuitarJack Antonoff
Engineer [Assistant Engineering]Jack Manning (9), Joey Miller (7), Jon Sher, Jozef Caldwell, Megan Searl
Engineer [For Mix]Bryce Bordone
Lead VocalsTaylor Swift
Mastered ByRandy Merrill
Mastered By [Vinyl Mastering]Ryan Smith (2)
Mixed BySerban Ghenea
Programmed By [Programming], Synth, Guitar, Backing VocalsMikey Freedom Hart
Recorded By [Evan Smith's Performance Recorded By]Evan Smith (2)
Recorded By [Michael Riddleberg's Performance Recorded By]Sean Hutchinson (3)
Recorded By [Mikey Freedom Hart's Performance Recorded By]David Hart, Mikey Freedom Hart
Recorded By [Sean Hutchinson's Performance Recorded By]Michael Riddleberger
Recorded By [Zem Audu's Performance Recorded By]Zem Audu
SynthZem Audu
Written-ByJack Antonoff, Taylor Swift
B8Bad Blood (Taylor's Version)
Acoustic Guitar, SynthesizerMike Meadows (3)
Backing VocalsChristopher Rowe
Drum Programming, Bass [Synth Bass], SynthDan Burns
Drums, Programmed By [Percussion Programming]Matt Billingslea
Engineer [Additional Engineering]Dan Burns
Engineer [For Mix]Bryce Bordone
Engineer, Edited By [Digital Editing], Programmed By [Additional Programming]Derek Garten
Lead Vocals, Backing VocalsTaylor Swift
Mastered ByRandy Merrill
Mastered By [Vinyl Mastering]Ryan Smith (2)
Mixed BySerban Ghenea
Recorded By [Taylor Swift Vocals]Christopher Rowe
Synth [Bass Synth]Amos Heller
SynthesizerMax Bernstein (2)
B9Wildest Dreams (Taylor's Version)
Arranged By [Strings]Mattias Bylund
BassAmos Heller
Drums, PercussionMatt Billingslea
EngineerJohn Hanes
Lead VocalsTaylor Swift
Mastered ByRandy Merrill
Mastered By [Vinyl Mastering]Ryan Smith (2)
Mixed BySerban Ghenea
Programmed By [Synth Programming]Dan Burns, Max Bernstein (2), Mike Meadows (3)
Recorded By [Strings], Edited By [Strings]Mattias Bylund
Recorded By [Taylor Swift Vocals]Christopher Rowe
Strings [Synthesizer Strings]Mattias Bylund
B10How You Get The Girl (Taylor's Version)
Acoustic Guitar, Keyboards [Synth Keyboards]Mike Meadows (3)
BassAmos Heller
Drum Programming, Bass [Synth Bass], SynthDan Burns
Drums, Programmed By [Percussion Programming]Brian Pruitt, Matt Billingslea
Electric Guitar, Keyboards [Synth Keyboards]Max Bernstein (2)
Engineer [Additional Engineering]Dan Burns
Engineer [For Mix]Bryce Bordone
Engineer, Edited By [Digital Editing], Programmed By [Additional Programming]Derek Garten
Lead Vocals, Backing VocalsTaylor Swift
Mastered ByRandy Merrill
Mastered By [Vinyl Mastering]Ryan Smith (2)
Mixed BySerban Ghenea
Recorded By [Taylor Swift Vocals]Christopher Rowe
B11This Love (Taylor's Version)
Acoustic GuitarMike Meadows (3)
Bass GuitarAmos Heller
Drum Programming, Bass [Synth Bass], SynthDan Burns
Electric GuitarPaul Sidoti
Engineer [Additional Engineering]Dan Burns
Engineer [Assistant Engineering], Edited By [Digital Editing]Lowell Reynolds
Engineer [For Mix]Bryce Bordone
Engineer, Edited By [Digital Editing], Programmed By [Additional Programming]Derek Garten
Lead Vocals, Backing VocalsTaylor Swift
Mastered ByRandy Merrill
Mastered By [Vinyl Mastering]Ryan Smith (2)
Mixed BySerban Ghenea
Recorded ByDavid Payne (10)
Recorded By [Taylor Swift Vocals]Christopher Rowe
SynthesizerMax Bernstein (2)
Written-ByTaylor Swift
C12I Know Places (Taylor's Version)
Acoustic Guitar, Electric Guitar, PianoRyan Tedder
Backing VocalsRyan Tedder
Drum ProgrammingNoel Zancanella, Ryan Tedder
Engineer [For Mix]Bryce Bordone
Lead VocalsTaylor Swift
Mastered ByRandy Merrill
Mastered By [Vinyl Mastering]Ryan Smith (2)
Mixed BySerban Ghenea
Recorded ByRich Rich, Ryan Tedder
Recorded By [Taylor Swift Vocals]Christopher Rowe
Synth [Additional], Programmed By [Programming]Noel Zancanella, Ryan Tedder
Written-ByRyan Tedder, Taylor Swift
C13Clean (Taylor's Version)
Backing VocalsImogen Heap
Engineer [For Mix]Bryce Bordone
Lead VocalsTaylor Swift
Mastered ByRandy Merrill
Mastered By [Vinyl Mastering]Ryan Smith (2)
Mixed BySerban Ghenea
Programmed By [Programming], KeyboardsImogen Heap
Recorded ByImogen Heap
Recorded By [Taylor Swift Vocals]Christopher Rowe
Vibraphone, Drums, Mbira, Percussion, PianoImogen Heap
Written-ByImogen Heap, Taylor Swift
C14Wonderland (Taylor's Version)
Acoustic Guitar, Electric Guitar, Keyboards [Synth Keyboards]Max Bernstein (2)
Acoustic Guitar, Keyboards [Synth Keyboards]Mike Meadows (3)
BassAmos Heller
Drum Programming, Bass [Synth Bass], SynthDan Burns
Drums, Programmed By [Percussion Programming]Brian Pruitt, Matt Billingslea
Engineer [Additional Engineering]Dan Burns
Engineer [For Mix]Bryce Bordone
Engineer, Edited By [Digital Editing], Programmed By [Additional Programming]Derek Garten
Lead Vocals, Backing VocalsTaylor Swift
Mastered ByRandy Merrill
Mastered By [Vinyl Mastering]Ryan Smith (2)
Mixed BySerban Ghenea
Recorded By [Taylor Swift Vocals]Christopher Rowe
C15You Are In Love (Taylor's Version)
Drums, Bass, Programmed By [Programming], Synth, GuitarJack Antonoff
Drums, PercussionMichael Riddleberger
Drums, Percussion, Programmed By [Programming]Sean Hutchinson (3)
Engineer [Assistant Engineering]Jack Manning (9), Joey Miller (7), Jon Sher, Jozef Caldwell, Megan Searl
Engineer [For Mix]Bryce Bordone
Lead VocalsTaylor Swift
Mastered ByRandy Merrill
Mastered By [Vinyl Mastering]Ryan Smith (2)
Mixed BySerban Ghenea
Programmed By [Programming], Synth, Acoustic Guitar, Electric GuitarMikey Freedom Hart
Recorded By [Evan Smith's Performance Recorded By]Evan Smith (2)
Recorded By [Michael Riddleberg's Performance Recorded By]Sean Hutchinson (3)
Recorded By [Mikey Freedom Hart's Performance Recorded By]David Hart, Mikey Freedom Hart
Recorded By [Sean Hutchinson's Performance Recorded By]Michael Riddleberger
Recorded By [Zem Audu's Performance Recorded By]Zem Audu
SynthZem Audu
Synthesizer [OB8], Synth, Programmed By [Programming]Evan Smith (2)
Written-ByJack Antonoff, Taylor Swift
C16New Romantics (Taylor's Version)
BassAmos Heller
Drum Programming, Bass [Synth Bass], SynthDan Burns
Drums, Programmed By [Percussion Programming]Brian Pruitt, Matt Billingslea
Electric Guitar, Acoustic Guitar, Keyboards [Synth Keyboards]Max Bernstein (2), Mike Meadows (3)
Engineer [Additional Engineering]Dan Burns
Engineer [For Mix]Bryce Bordone
Engineer, Edited By [Digital Editing], Programmed By [Additional Programming]Derek Garten
Lead Vocals, Backing VocalsTaylor Swift
Mastered ByRandy Merrill
Mastered By [Vinyl Mastering]Ryan Smith (2)
Mixed BySerban Ghenea
Recorded By [Taylor Swift Vocals]Christopher Rowe
From The Vault
D17"Slut!" (Taylor's Version) (From The Vault)
Bass, Guitar, Synth, Synthesizer [OP-1], Programmed By [Programming], Synthesizer [Korg M1]Patrik Berger
Engineer [Assistant Engineering]Jack Manning (9), Jon Sher, Megan Searl
Engineer [For Mix]Bryce Bordone
Lead VocalsTaylor Swift
Mastered ByRandy Merrill
Mastered By [Vinyl Mastering]Ryan Smith (2)
Mixed BySerban Ghenea
Recorded ByJack Antonoff, Laura Sisk
Synthesizer [Moog], Synthesizer [Korg M1], Programmed By [Programming], Synthesizer [Juno 6], Backing VocalsJack Antonoff
D18Say Don't Go (Taylor's Version) (From The Vault)
Bass, Electric Guitar, Synthesizer [Guitar Synth], Electric Piano [Rhodes], Synthesizer [Moog], Synthesizer [OBXa], Synthesizer [Modular]Mikey Freedom Hart
Engineer [Assistant Engineering]Jack Manning (9), Jon Sher, Megan Searl
Engineer [For Mix]Bryce Bordone
Lead VocalsTaylor Swift
Mastered ByRandy Merrill
Mastered By [Vinyl Mastering]Ryan Smith (2)
Mixed BySerban Ghenea
Recorded ByJack Antonoff, Laura Sisk
Recorded By [Evan Smith's Performance Recorded By]Evan Smith (2)
Recorded By [Michael Riddleberg's Performance Recorded By]Sean Hutchinson (3)
Recorded By [Mikey Freedom Hart's Performance Recorded By]David Hart, Mikey Freedom Hart
Recorded By [Sean Hutchinson's Performance Recorded By]Michael Riddleberger
Recorded By [Zem Audu's Performance Recorded By]Zem Audu
Saxophone [Saxes], Synth, Programmed By [Programming]Evan Smith (2)
SynthZem Audu
Synth, Synthesizer [Korg M1], Mellotron, Percussion, Acoustic Guitar, Electric Guitar, Programmed By [Programming], Synthesizer [Juno 6], Synthesizer [DX100], Backing VocalsJack Antonoff
Written-ByDiane Warren, Taylor Swift
D19Now That We Don't Talk (Taylor's Version) (From The Vault)
Bass, Electric Guitar, Synth [Guitar Synth], Electric Piano [Rhodes], Synthesizer [Moog], Synthesizer [OBXa], Synthesizer [Modular]Mikey Freedom Hart
Engineer [Assistant Engineering]Jack Manning (9), Jon Sher, Megan Searl
Engineer [For Mix]Bryce Bordone
Lead VocalsTaylor Swift
Mastered ByRandy Merrill
Mastered By [Vinyl Mastering]Ryan Smith (2)
Mixed BySerban Ghenea
Recorded ByJack Antonoff, Laura Sisk
Recorded By [Evan Smith's Performance Recorded By]Evan Smith (2)
Recorded By [Michael Riddleberg's Performance Recorded By]Sean Hutchinson (3)
Recorded By [Mikey Freedom Hart's Performance Recorded By]David Hart, Mikey Freedom Hart
Recorded By [Sean Hutchinson's Performance Recorded By]Michael Riddleberger
Recorded By [Zem Audu's Performance Recorded By]Zem Audu
Saxophone [Saxes], Synth, Programmed By [Programming]Evan Smith (2)
SynthZem Audu
Synth, Programmed By [Programming], Synthesizer [Juno 6], Synthesizer [DX100], Backing Vocals, Guitar [Ebow Guitar]Jack Antonoff
Written-ByJack Antonoff, Taylor Swift
D20Suburban Legends (Taylor's Version) (From The Vault)
Electric Organ [Farfisa], Synth, GuitarMikey Freedom Hart
Engineer [Assistant Engineering]Jack Manning (9), Jon Sher, Megan Searl
Engineer [For Mix]Bryce Bordone
Lead VocalsTaylor Swift
Mastered ByRandy Merrill
Mastered By [Vinyl Mastering]Ryan Smith (2)
Mixed BySerban Ghenea
Recorded ByJack Antonoff, Laura Sisk
Recorded By [Evan Smith's Performance Recorded By]Evan Smith (2)
Recorded By [Michael Riddleberg's Performance Recorded By]Sean Hutchinson (3)
Recorded By [Mikey Freedom Hart's Performance Recorded By]David Hart, Mikey Freedom Hart
Recorded By [Sean Hutchinson's Performance Recorded By]Michael Riddleberger
Recorded By [Zem Audu's Performance Recorded By]Zem Audu
Saxophone [Saxes], Synth, GuitarEvan Smith (2)
SynthZem Audu
Synth, Programmed By [Programming], Synthesizer [Juno 6], Synthesizer [DX100], Backing VocalsJack Antonoff
Written-ByJack Antonoff, Taylor Swift
D21Is It Over Now? (Taylor's Version) (From The Vault)
Engineer [Assistant Engineering]Jack Manning (9), Jon Sher, Megan Searl
Engineer [For Mix]Bryce Bordone
Lead VocalsTaylor Swift
Mastered ByRandy Merrill
Mastered By [Vinyl Mastering]Ryan Smith (2)
Mixed BySerban Ghenea
Recorded ByJack Antonoff, Laura Sisk
Recorded By [Evan Smith's Performance Recorded By]Evan Smith (2)
Recorded By [Michael Riddleberg's Performance Recorded By]Sean Hutchinson (3)
Recorded By [Mikey Freedom Hart's Performance Recorded By]David Hart, Mikey Freedom Hart
Recorded By [Sean Hutchinson's Performance Recorded By]Michael Riddleberger
Recorded By [Zem Audu's Performance Recorded By]Zem Audu
Saxophone [Saxes]Zem Audu
Saxophone [Saxes], SynthEvan Smith (2)
Synth, Programmed By [Programming], Synthesizer [Juno 6], Synthesizer [DX100], Backing VocalsJack Antonoff
Synthesizer [PolySix], Synthesizer [DX7], Synthesizer [M1], Synthesizer [Moog]Mikey Freedom Hart
Written-ByJack Antonoff, Taylor Swift
Bonus Track
D22Sweeter Than Fiction (Taylor’s Version)
Engineer [Assistant Engineering]Jack Manning (9), Joey Miller (7), Jon Sher, Jozef Caldwell, Megan Searl
Engineer [For Mix]Bryce Bordone
Lead VocalsTaylor Swift
Mastered ByRandy Merrill
Mastered By [Vinyl Mastering]Ryan Smith (2)
Mixed BySerban Ghenea
Recorded By [Evan Smith's Performance Recorded By]Evan Smith (2)
Recorded By [Michael Riddleberg's Performance Recorded By]Sean Hutchinson (3)
Recorded By [Mikey Freedom Hart's Performance Recorded By]David Hart, Mikey Freedom Hart
Recorded By [Sean Hutchinson's Performance Recorded By]Michael Riddleberger
Recorded By [Zem Audu's Performance Recorded By]Zem Audu
Synth, Guitar, Programmed By [Programming]Jack Antonoff, Mikey Freedom Hart
Written-ByJack Antonoff, Taylor Swift
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Companies, etc.

Credits

Notes

Issued in gatefold sleeve. Includes inner picture sleeves with credits, lyrics, and photos.

There are two variants to this submission: the Target exclusive released in the US and one released in Europe featuring a different sticker.

Custom hype sticker variations with album imagery on front of shrink-wrap:
Target (US) hype sticker reads:
"[Target logo]
Bonus Track
2 LP's on tangerine vinyl"

European hype sticker reads:
"Bonus Track
Collect all 5 special editions
2 LP's on tangerine vinyl
5 previously unreleased songs from The Vault
Unique photos"

℗ © 2023 Taylor Swift.

Barcode sticker and "Made in Germany" sticker affixed on rear shrink-wrap.
For the "Made in France" pressing, see: 1989 (Taylor's Version).

On all variants "STERLING" is stamped in the runouts while the rest is etched.
These parts of the runouts are mirrored or upside down, respectively for sides A to D:
For variant 1: "31△", "4#", "z=" and "+h"
For variant 2: "1T", "V1", "1+" and "=1"
For variant 3: "311", "31△", none and "31△"

Barcode and Other Identifiers

  • Barcode (Text): 6 02455 54218 2
  • Barcode (Scanned): 602455542182
  • Rights Society: BMI
  • Rights Society: GMR
  • Rights Society: STIM
  • Rights Society: PRS
  • Rights Society: ASCAP
  • Other (Hype sticker, US): 0245554218
  • Other (Hype sticker, EU): 0245586636
  • Matrix / Runout (Side A runout, variant 1): BN02524-01 A1 245554218-A (2) 31△ RKS Sterling
  • Matrix / Runout (Side B runout, variant 1): BN02524-01 B1 245554218-B (2) 4# RKS Sterling
  • Matrix / Runout (Side C runout, variant 1): BN02524-02 C1 | 245554218-C (2) z= RKS Sterling
  • Matrix / Runout (Side D runout, variant 1): BN02524-02 D1 | 245554218-D2 RE1 (2) RKS +h Sterling
  • Matrix / Runout (Side A runout, variant 2): 245554218-A (2) 1T RKS STERLING BN02524-01 A1
  • Matrix / Runout (Side B runout, variant 2): 245554218-B (2) RKS STERLING BN02524 01 B1 V1
  • Matrix / Runout (Side C runout, variant 2): RKS STERLING 245554218-C (2) BN02524-02 C1 1+
  • Matrix / Runout (Side D runout, variant 2): 245554218-D-RE1 (2) RKS STERLING BN02524-02 D1 =1
  • Matrix / Runout (Side A runout, variant 3): BN 02524-01 A1 245554218-A (2) RKS Sterling 311
  • Matrix / Runout (Side B runout, variant 3): BN 02524-01 B1 31△ 245554218-B (2) RKS STERLING
  • Matrix / Runout (Side C runout, variant 3): 245554218-C (2) 3=▽ BN 02524-02 C1 RKS STERLING
  • Matrix / Runout (Side D runout, variant 3): BN 02524-02 D1 245554218-D2RE 1 (2) 31△ RKS STERLING

Other Versions (5 of 38)

View All
Title (Format)LabelCat#CountryYear
Recently Edited
1989 (Taylor's Version) (2×LP, Album, Special Edition, Blue [Crystal Skies Blue])Republic Records0245554214Worldwide2023
Recently Edited
1989 (Taylor's Version) (2×LP, Album, Special Edition, Tangerine, MPO Pressing)Republic Records0245554218Worldwide2023
Recently Edited
1989 (Taylor's Version) (CD, Album, Special Edition, Crystal Skies Blue Edition)Republic Records0245597656Europe2023
New Submission
1989 (Taylor's Version) (21×File, AAC, Album, 256 kbps)Republic RecordsnoneWorldwide2023
1989 (Taylor's Version) (2×LP, Album, Special Edition, Pink [Rose Garden Pink])Republic Records0245554215Worldwide2023

Recommendations

Reviews

  • summer_makeout's avatar
    Edited 14 days ago
    I found a brand new copy for $35 shipped from Ebay. Shop around.
    Don't order online from Target unless you like crushed jackets. They ship in literal bags. BAGS.
    You can check online if they have stock at your local store before making the trip.

    My German copy is completely opaque, with no marbling even when held up to bright light.
    It's flat as a pancake, and just a tiny bit off-center. I've never had issues playing off-center or slightly warped records though.
    In reality, you shouldn't have problems either unless a dish warp is so severe that your stylus is nearly tracking sideways, or if a ripple is so pronounced that it's bouncing your stylus out of the groove.
    Remember that analog will always be imperfect. Just shake it off.

    The disks looked pretty clean out of the box, but during first play my stylus dug enough lint out of the grooves to cause major static and distortion.
    If this happens to you, wipe down your records and brush off your stylus.
    Just keep your stylus clean in general. I give mine a quick brush every time I flip sides.

    I've experienced absolutely zero inner groove distortion, which is surprising given that this has 9 more tracks than the original vinyl did, but on the same 2 disks.
    It also means that you won't have to be up and down every 9 minutes to flip the record. I wish more artists did this. Less waste and less work. It can obviously be done well, as this pressing proves.

    Mastering is fine. I prefer whatever they did with Midnights, though.
    I have to adjust the volume on different tracks, and I experienced a bit of ear fatigue with the more energetic tracks.
    Still a good time all the way through, and sounds open and full.

    The French presses seem to outnumber the Germans by about 4 to 1.
    I don't think tracking down an Optimal (German) over an MPO (French) press is that big of a deal. They're both the same mix/master from the same laquer, so any perceived difference in sound will come down to a pressing defect or a dirty record.
    Sure, you MAY be less likely to receive a defective disk from Optimal. But if your MPO is already fine, you'll get no benefit from trading it in for an Optimal.
    And hey, at least they're not from GZ.

    Which hype sticker is on the shrink wrap depends on where it was sold - not where it was made.
    Albums sold in the US will have a Target Exclusive sticker. Outside of the US will have the basic "Tangerine Edition" sticker. This goes for both French and German variants.
    They also have different barcodes which you can scan using the Discogs search bar.
    When it doubt, the runouts will tell you for sure.

    I hope this answers some of the more common questions.

    Play-tested on the following equipment:
    AT-LP120X turntable
    VM95ML cartridge
    VMN95 microline stylus
    Rega Fono MM MK5 preamp
    Yamaha HS8 studio monitors
    Paradigm Reference Servo-15 subwoofer
    • nicky.collects's avatar
      My copy sounds excellent from start to finish, though the records feel a little flimsy. The color (not marbled) looks very pretty. Recommended!
      • aritergs's avatar
        aritergs
        Usually I'm not terribly impressed by Target vinyl, but this one is great. No surface noise at all, and the Made in France has GORGEOUS marbling. Target vinyl shipping is still awful, though, so go buy in store if possible.
        • mark.heyes69's avatar
          mark.heyes69
          Great pressing quality. No a pop or crackle to be heard on my.copy.
          • zephead4's avatar
            zephead4
            Target still has a truck load of this particular pressing for $39.99. I didn't buy it because I thought too expensive. Until I looked here!
            • witsaboutyou's avatar
              witsaboutyou
              My copy from Target's website was "Made In Germany" - I was ready to do a return because I prefer marbled vinyl, but this pressing is fantastic. I had NO surface noise at all. The French pressing (blue) that I have sounds a tad louder, but the German pressing is more dynamic and evenly pressed. You can adjust your treble and bass and make it sound fantastic where as the French pressing is loud and you have to compensate for a punchier pressing. Both are great sounding, but I will keep the Made In Germany just for the quality. The inner sleeves are SLIGHTLY different. German has a more matte finish, but it doesn't feel any more thick or thin then the French one. That being said --- I'm trying to find a marbled copy. Rofl.
              • redtv's avatar
                redtv
                is the opaque made in Germany the more common one?
                • uninvited97's avatar
                  uninvited97
                  My Target Exclusive copy has a "Made in France" sticker with a matrix number that slightly matched the MPO pressing on the website, however, the barcode and the hype sticker matches this pressing and not the MPO pressing. Does anybody else have the same thing as me?
                  • moriahmelody's avatar
                    moriahmelody
                    Edited one month ago
                    This listing is for the ones with the Made In Germany sticker. If your version says Made in France it’s the one in the below link from MPO. It doesn’t have the target sticker but the matrix numbers match the target made in France ones.

                    https://www.discogs.com/release/28638304-Taylor-Swift-1989-Taylors-Version
                    • red1981's avatar
                      red1981
                      I got this from the German webstore jpc.de
                      Listened to it after ultrasonic cleaning (don't know if that was neccessary). This is an almost perfect pressing. Absolutely quiet vinyl 98% of the time. Sound is good. Side D is cut a little quieter maybe because of the bonus track.

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