Tracklist Hide Credits
| A1 | –Squarepusher / AFX* |
Freeman Hardy & Willis AcidWritten-By – James*, Jenkinson* |
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| A2 | –Boards Of Canada |
Orange RomedaWritten-By – Eoin*, Sandison* |
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| B3 | –Broadcast |
Hammer Without A MasterWritten-By – Broadcast |
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| B4 | –Plaid |
IlasasWritten-By – Turner*, Handley* |
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| C5 | –Autechre |
Stop Look ListenWritten-By – Brown*, Booth* |
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| C6 | –Plone |
PlaythingWritten-By – Cancellara*, Johnstone*, Bainbridge* |
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| D7 | –Nightmares On Wax |
Fishtail ParkerWritten-By – Evelyn*, Taylor-Firth* |
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| D8 | –Jimi Tenor |
Wear My BikiniWritten-By – Jimi Tenor |
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| E9 | –Two Lone Swordsmen |
CirculationWritten-By – Weatherall*, Tenniswood* |
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| E10 | –Red Snapper |
4 Dead Monks (Original Demo)Written-By – Friend*, Ayers*, Thair* |
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| F11 | –Mira Calix |
Umchunga LocksWritten-By – Mira Calix |
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| F12 | –Mark Bell |
A Salute To Those People Who Say Fuck YouWritten-By – Mark Bell |
Companies, etc.
- Phonographic Copyright (p) – Warp Records Limited
- Copyright (c) – Warp Records Limited
- Published By – Warp-EMI Music Publishing
- Published By – Chrysalis Music
- Published By – Island Music
- Published By – Copyright Control
- Published By – BMG Music
- Published By – MCA Music
Credits
- Artwork – www.thedesignersrepublic.com*
- Mastered By – F.A.*
Notes
Gatefold cover.
Tracks listed sequentially.
All tracks ℗ 1998 Warp Records Ltd.
This compilation ℗ 1998 Warp Records Ltd.
© 1998 Warp Records Ltd.
Made in England
Publishers:
A1 - Warp Music/EMI Music/Chrysalis Music
A2 & C6 - Copyright Control
B3 - Island Music
B4, C5, D8 & E10 to F12 - Warp Music/EMI Music
D7 - Warp Music/EMI Music/BMG Music
E9 - MCA Music
Trivia: Some copies were sold by independent shops in a plastic bag advertising the LP
Tracks listed sequentially.
All tracks ℗ 1998 Warp Records Ltd.
This compilation ℗ 1998 Warp Records Ltd.
© 1998 Warp Records Ltd.
Made in England
Publishers:
A1 - Warp Music/EMI Music/Chrysalis Music
A2 & C6 - Copyright Control
B3 - Island Music
B4, C5, D8 & E10 to F12 - Warp Music/EMI Music
D7 - Warp Music/EMI Music/BMG Music
E9 - MCA Music
Trivia: Some copies were sold by independent shops in a plastic bag advertising the LP
Other Versions (5 of 9) View All
| Cat# | Artist | Title (Format) | Label | Cat# | Country | Year | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| WAP 100CD, RTD 126.3469.2 | Various | We Are Reasonable People (CD, Comp) | Warp Records, Rough Trade | WAP 100CD, RTD 126.3469.2 | Germany | 1998 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| WAP100CDP | Various | We Are Reasonable People (CD, Comp, Promo) | Warp Records | WAP100CDP | UK | 1998 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| 678.0100.020, WAP 100 | Various | We Are Reasonable People (CD, Comp) | [PIAS], Warp Records | 678.0100.020, WAP 100 | Europe | 1998 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| WAP100CD, WAP 100CD | Various | We Are Reasonable People (CD, Comp) | Warp Records, Warp Records | WAP100CD, WAP 100CD | UK | 1998 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| AICT 12 | Various | We Are Reasonable People (CD, Comp) | Warp Records | AICT 12 | Japan | 1998 | Sell This Version | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Recommendations
Reviews Show All 10 Reviews
baj
August 18, 2018
I passed on this the first time around, because it was $35 or something, but I always loved the Mark Bell track, because I love fists in the air banging techno. And it has his signature elements of swing, off kilter melodies and distorted drums.... Loved the BoC as well. I actually think it's one of their best tunes. Plaid track nice if you like Plaid but nothing remarkable from them. Same with Aphex/squarepusher.
theaussiefloydian
October 18, 2017
My uncle bought me this CD for my 17th birthday, and I am grateful to him that he did. Through this album I have come to love the work of WARP Records, and all it has to offer.
The contents of this CD itself are inconsistent in quality, something that is to be expected. The opening track is still a favourite of mine to this day, as is the track by Broadcast. The only one I actively dislike is the Autechre track - it drives me insane. Otherwise, tracks are either good (BoC, Plaid, Plone), stupid but somehow enjoyable (Jimi Tenor) or just OK (the rest of the CD). Despite all this it works as a compilation, and that's what really matters.
The contents of this CD itself are inconsistent in quality, something that is to be expected. The opening track is still a favourite of mine to this day, as is the track by Broadcast. The only one I actively dislike is the Autechre track - it drives me insane. Otherwise, tracks are either good (BoC, Plaid, Plone), stupid but somehow enjoyable (Jimi Tenor) or just OK (the rest of the CD). Despite all this it works as a compilation, and that's what really matters.
presmach
September 12, 2012
great compilation, personal favorites are the BoC, Broadcast, Jimi Tenor and Red Snapper tracks, although heavyweights Autechre and AFX/Squarepusher both pull their own weight. not to be missed
GalaxyExplorer
January 25, 2010
Highly overrated mid-era Warp compilation. Really the only good and memorable track here is by the then-ascendant Boards of Canada. ("Orange Romeda" is probably just a footnote, however, when one examines their entire catalogue.) The rest is either dull and/or forgettable.
The Autechre track finds them in the early stages of their maddening decade-long exploration of non-music. Nightmares on Wax was near his creative peak when WAP100 was released, yet "Fishtail Parker" is just a goofy repetitive song with little to offer; similar results hamper the Jimi Tenor and Red Snapper tracks. Plaid, also in the midst of some very solid creative output, appears with one of their weakest tracks ever. The Plone track is just a sad reminder of Warp's ill-conceived (but thankfully short-lived) experiment with that outfit.
Certainly almost all these artists have done great things. It's just as if none of them wanted to part with their best work for this compilation. Perhaps this album is foreshadowing the decline in which Warp would soon find themselves. Avoid.
The Autechre track finds them in the early stages of their maddening decade-long exploration of non-music. Nightmares on Wax was near his creative peak when WAP100 was released, yet "Fishtail Parker" is just a goofy repetitive song with little to offer; similar results hamper the Jimi Tenor and Red Snapper tracks. Plaid, also in the midst of some very solid creative output, appears with one of their weakest tracks ever. The Plone track is just a sad reminder of Warp's ill-conceived (but thankfully short-lived) experiment with that outfit.
Certainly almost all these artists have done great things. It's just as if none of them wanted to part with their best work for this compilation. Perhaps this album is foreshadowing the decline in which Warp would soon find themselves. Avoid.
ursa
October 1, 2020