Michael Jackson – Thriller
Label: | Epic – QE 38112 |
---|---|
Format: | Vinyl, LP, Album, Stereo, Pitman Pressing, Gatefold |
Country: | US |
Released: | |
Genre: | Funk / Soul, Pop |
Style: | Contemporary R&B, Disco, Soul |
Tracklist
A1 | Wanna Be Startin' Somethin' | 6:02 | |
A2 | Baby Be Mine | 4:20 | |
A3 | The Girl Is Mine | 3:42 | |
A4 | Thriller | 5:57 | |
B1 | Beat It | 4:17 | |
B2 | Billie Jean | 4:57 | |
B3 | Human Nature | 4:05 | |
B4 | P.Y.T. (Pretty Young Thing) | 3:58 | |
B5 | The Lady In My Life | 4:57 |
Companies, etc.
- Manufactured By – Epic Records
- Manufactured By – CBS Inc.
- Pressed By – Columbia Records Pressing Plant, Pitman
- Mastered At – Customatrix
- Phonographic Copyright ℗ – CBS Inc.
- Copyright © – CBS Inc.
- Recorded At – Westlake Audio
- Produced For – Quincy Jones Productions
- Recorded At – Ocean Way Recording
Credits
- Backing Vocals – Becky Lopez (tracks: A1, B4), Bunny Hull (tracks: A1, B4), Howard Hewett (tracks: B4), James Ingram (tracks: A1, B4), Janet Jackson (tracks: B4), Julia Waters (tracks: A1), LaToya Jackson* (tracks: B4), Maxine Waters (tracks: A1), Oren Waters (tracks: A1)
- Bass – Louis Johnson (tracks: A1, B5), Louis Johnson (tracks: A3, B2, B4), Steve Lukather (tracks: B1)
- Drums – Jeff Porcaro (tracks: A3, B1, B3, B5), Ndugu Chancler* (tracks: A2, B2, B4)
- Engineer [Assistant] – Mark Ettel, Steve Bates
- Engineer [Technical], Recorded By [Additional Sound Sources] – Matt Forger
- Guitar – David Williams (4) (tracks: A1, A2, A4, B2), Dean Parks (tracks: A3), Paul Jackson* (tracks: B1, B4, B5), Steve Lukather (tracks: A3, B1, B3)
- Handclaps – Greg Phillinganes (tracks: B4), James Ingram (tracks: B4), Louis Johnson (tracks: B4), Steven Ray (2) (tracks: B4)
- Illustration [Drawings On Inner Sleeve] – Michael Jackson
- Keyboards – Greg Phillinganes (tracks: A1 to B2, B4, B5), James Ingram (tracks: B4), Tom Bahler (tracks: B1)
- Lettering – Mac James
- Management – DeMann Entertainment, Joe Jackson (5), Weisner*
- Mastered By – Bernie Grundman
- Other [Styling] – Valadé / Design Pool
- Percussion – Paulinho Da Costa (tracks: A1, B3)
- Performer [Bathroom Stomp Board] – Nelson Hayes (tracks: A1), Steven Ray (2) (tracks: A1)
- Photography By – Dick Zimmerman (3)
- Piano – David Paich (tracks: A3)
- Producer – Quincy Jones
- Recorded By – Don Landee* (tracks: B1)
- Recorded By [Additional Sound Sources] – Humberto Gatica
- Recorded By, Mixed By – Bruce Swedien
- Saxophone, Flute – Larry Williams (tracks: A1, A2, A4)
- Synthesizer – Anthony Marinelli (tracks: A2, A4), Bill Wolfer (tracks: A1, B1, B2), Brian Banks (tracks: A2, A4), David Foster (tracks: A3), David Paich (tracks: A2, B3, B5), Greg Smith (tracks: B2), Michael Boddicker (tracks: A1, A2, B2 to B5), Rod Temperton (tracks: A4), Steve Porcaro (tracks: A2, A3, B1, B3, B4)
- Synthesizer [Synergy] – Greg Smith (tracks: B1)
- Trombone – Bill Reichenbach (2) (tracks: A1, A2, A4)
- Trumpet, Flugelhorn – Gary Grant (tracks: A1, A2, A4), Jerry Hey (tracks: A1, A2, A4)
Notes
Columbia Records Pressing Plant, Pitman pressing denoted by "P" identifier in runouts.
Customatrix mastering denoted by "o" identifier in runout.
All runouts are etched except the pressing plant and mastering identifiers "P" and "o" which are stamped.
1st US pressing: this sleeve version DOES NOT list Michael Jackson as a co-producer on back cover.
For versions with Michael Jackson credit as co-producer see e.g. Thriller and Thriller.
Promo copies exist with golden stamp "For Promotion Only" on back cover, some also include press info.
LP housed inside a dust sleeve with lyrics and drawings by Michael Jackson.
Some copies were stuffed with fan club Thriller merchandise sheet.
℗ © 1982 CBS Inc. Manufactured by Epic Records/CBS Inc.
Customatrix mastering denoted by "o" identifier in runout.
All runouts are etched except the pressing plant and mastering identifiers "P" and "o" which are stamped.
1st US pressing: this sleeve version DOES NOT list Michael Jackson as a co-producer on back cover.
For versions with Michael Jackson credit as co-producer see e.g. Thriller and Thriller.
Promo copies exist with golden stamp "For Promotion Only" on back cover, some also include press info.
LP housed inside a dust sleeve with lyrics and drawings by Michael Jackson.
Some copies were stuffed with fan club Thriller merchandise sheet.
℗ © 1982 CBS Inc. Manufactured by Epic Records/CBS Inc.
Barcode and Other Identifiers
- Barcode (Text): 0 7464-38112-1
- Barcode (Scanned): 074643811217
- Pressing Plant ID (Small "ᴘ" stamped on both sides): P
- Matrix / Runout (Customatrix "o" stamped on both sides): o
- Matrix / Runout (A-side label): AL 38112
- Matrix / Runout (B-side label): BL 38112
- Matrix / Runout (A-side runout, variant 1): PAL 38112-2D P o
- Matrix / Runout (B-side runout, variant 1): PBL-38112-2C P o
- Matrix / Runout (A-side runout, variant 2): PAL 38112-2CF P o
- Matrix / Runout (B-side runout, variant 2): PBL 38112-2CN P o
- Matrix / Runout (A-side runout, variant 3): PAL 38112-2BJ P o
- Matrix / Runout (B-side runout, variant 3): PBL 38112-2CN P o
- Matrix / Runout (A-side runout, variant 4): PAL 38112-2D P o
- Matrix / Runout (B-side runout, variant 4): PBL 38112-2AD A P o
- Matrix / Runout (A-side runout, variant 5): PAL 38112-2A P P o
- Matrix / Runout (B-side runout, variant 5): PBL 38112-2AH P o
- Matrix / Runout (A-side runout, variant 6): PAL 38112-2A P o
- Matrix / Runout (B-side runout, variant 6): PBL 38112-2C P o
- Matrix / Runout (A-side runout, variant 7): PAL 38112-2A P o
- Matrix / Runout (B-side runout, variant 7): PBL 38112-2B P o
- Matrix / Runout (A-side runout, variant 8): PAL 38112-2B P o
- Matrix / Runout (B-side runout, variant 8): PBL 38112-2B P o
- Matrix / Runout (A-side runout, variant 9): PAL 38112-2EC P o
- Matrix / Runout (B-side runout, variant 9): PBL 38112-3J o
- Matrix / Runout (A-side runout, variant 10): PAL 38112-2A D P o
- Matrix / Runout (B-side runout, variant 10): PBL 38112-2B P o
- Matrix / Runout (A-side runout, variant 11): PBL 38112-1H P o
- Matrix / Runout (B-side runout, variant 11): PBL 38112-1G P o
- Matrix / Runout (A-side runout, variant 12): PAL 38112-1F P o
- Matrix / Runout (B-side runout, variant 12): PBL 38112-1G P o
- Matrix / Runout (A-side runout, variant 13): PAL 38112-2A p P o
- Matrix / Runout (B-side runout, variant 13): PBL 38112-2AA P o
- Matrix / Runout (A-side runout, variant 14): PAL 38112-2EF P o
- Matrix / Runout (B-side runout, variant 14): PBL 38112-3B P o
- Matrix / Runout (A-side runout, variant 15): PAL 38112-2CA o
- Matrix / Runout (B-side runout, variant 15): PAL 38112-2DE o
- Matrix / Runout (A-side runout, variant 16): PAL 38112-2C P o
- Matrix / Runout (B-side runout, variant 16): PBL 38112-2B P o
- Matrix / Runout (A-side runout, variant 17): PAL 38112-2CF P o
- Matrix / Runout (B-side runout, variant 17): PBL 38112-2CM P o
- Matrix / Runout (A-side runout, variant 18): PAL-38112-2EB P o
- Matrix / Runout (B-side runout, variant 18): PBL-38112-3D P o
- Matrix / Runout (A-side runout, variant 19): PAL 38112-2C P o
- Matrix / Runout (B-side runout, variant 19): PBL 38112-2D P o
- Matrix / Runout (A-side runout, variant 20): PAL 38112-1E P o
- Matrix / Runout (B-side runout, variant 20): PAL 38112-1G P o
- Matrix / Runout (A-side runout, variant 21): PAL 38112-2D P p o
- Matrix / Runout (B-side runout, variant 21): PBL 38112-2D D P p o
- Matrix / Runout (A-side runout, variant 22): PAL 38112-2A P o
- Matrix / Runout (B-side runout, variant 22): PBL 38112-2K P o
- Matrix / Runout (A-side runout, variant 23): PAL 38112-1E C o P
- Matrix / Runout (B-side runout, variant 23): PBL 38112-1F 1 C P o
Other Versions (5 of 729)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Thriller (LP, Album, Stereo, Gatefold) | Epic, Epic, Epic | EPC 85930, 85930, QE 38112 | Europe | 1982 | |||
Thriller (LP, Album, Stereo) | Epic, Epic | 144776, 144.776 | Brazil | 1982 | |||
Recently Edited | Thriller (LP, Album, Stereo, Gatefold) | Epic | ELPS 4328 | Australia | 1982 | ||
Recently Edited | Thriller (LP, Album, Stereo, Carrollton Pressing, With Co-Producer Credits) | Epic | QE 38112 | US | 1982 | ||
Recently Edited | Thriller (LP, Album, Repress, Gatefold) | Epic, Epic/Sony | 25・3P-399 | Japan | 1982 |
Recommendations
- Released1984 — USVinyl —LP, Album
- Released1977 — USVinyl —LP, Album
- Released1979 — USVinyl —LP, Album, Stereo
- Released1984 — USVinyl —LP, Album, Stereo
- Released1973 — USVinyl —LP, Album
- Released1976 — USVinyl —LP, Album, Stereo
- Released1972 — USVinyl —LP, Album, Stereo
- Vinyl —LP, Album, Stereo
- Released1983 — USVinyl —LP, Album, Stereo
- Released1970 — USVinyl —LP, Album, Stereo
Reviews
- Not much to add to what others have already said about this album. I just picked up a near-mint copy of the first pressing (no co-producer credit for MJ on the back cover) for five bucks, and I can't imagine nobody ever played it, but it's ridiculously quiet and clean. Wore the cassette out 40 years ago, and it's fun to hear it on vinyl. This pressing has great dynamics, and while I hear a couple instances of sibilance, there's no way I'd play big bucks for an audiophile upgrade when this sounds so damn good.
- Sounds amazing, great pressing!!
This has to be the pressing I have, but my copy reads:
Side A - PAL 38112-1H P o
Side B - PBL 38112-1F P o - FORGET spending a hundred plus bucks on the digital Mofi One Step! THIS pressing is the one to own! The one that Michael and Quincy spent soooo much time mixing and remixing to get perfect! There’s no beating this cut, mastered by Bernie Grundman. Punchy, crystal clear all around. I’m lucky enough to have a Mint condition copy. But these are So easy to find cuz they were so mass produced! There’s plenty of them out there! Literally every house I walked into in 1982 had a copy. The greatest selling album of all time! That’s the only reason this isn’t worth hundreds of dollars. There’s simply no reason not to have this in your collection unless you don’t like music, history or great sounding vinyl. This record was mastered and pressed so well from the get go, that no reissue will beat it. None! It’s not only the best selling record of all time… it’s one of the best Sounding records of all time as well!
- This first pressing was recorded loud or hot as Bernie pointed out in an interview. In fact, it was redone on the following issues because some systems could not handle it. I also have a second edition copy. Both sound incredible. Depending on the system you have, you can make your pick. There is no need to purchase the MOFI copy when the originals sound amazing. It is an in your face dance recording. For what I heard MOFI reissue changed the whole concept and master it as if it were an audiophile recording. They missed the whole point! This is a dance record.
- Do yourself a favor: cancel your MoFi preorder, and get yourself this here original pressing. The sound is out of this world good. Deep bass, killer midrange, extended top end, and incredible dynamics. Everything is just right. This is the one to get. Forget MoFi and their not-so-great mastering, I don’t care if it’s DSD or AAA, they royally miss the mark these days. Bloated bass, dark highs, mushy mids round out the modern MoFi sound. (Yes, I’m aware the UD1S isn’t even out yet, but this copy just smokes!) This copy is the way “Thriller” was meant to be heard!!
- It's really funny, I've found 4 copies of this record in the last year while buying collections...3 of the 4 have had needle drag scratches and skip quite a bit... Impossible not to move to this one, just watch the damn table when the records spinning lol.
- Wow. I found a nearly perfect copy at my local record store, dead quite and sounds absolutely stunning. This is one of the best bang for your buck albums you can buy. Best $15 ever spent.
- The best sounding of the three #thriller albums. The very first press. 1st US pressing: this sleeve version DOES NOT list #michaeljackson as a co-producer on back cover. Analogue smooth and clear. #billiejean sounds awesome here.
Tested against the half speed mastered and the master sound DM japanese version.
Release
For Sale on Discogs
Sell a copy214 For Sale from $3.94
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