Natasha Barrett – Bouteilles De Klein
Label: | Empreintes DIGITALes – IMED10104/105 |
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Format: | |
Country: | Canada |
Released: | |
Genre: | Electronic |
Style: | Musique Concrète, Experimental |
Tracklist
1-1 | Sub Terra Cycle: Sub Terra | 16:26 | |
1-2 | Avoid Being Eaten By Mimicking Other Less Palatable Species (ABEMOLPAS) | 10:50 | |
Microclimates III-VI | (23:32) | ||
1-3 | Glacial Loop (Microclimate III) | 5:48 | |
1-4 | Wet Face (Microclimate IV) | 6:46 | |
1-5 | Water Fall (Microclimate V) | 4:46 | |
1-6 | Remote Gale (Microclimate VI) | 6:06 | |
1-7 | Mobilis In Mobili | 8:08 | |
1-8 | Rhizaria (Barely: Part-4) | 12:54 | |
1-9 | Gentle Sediment (Barely: Part-3) | 9:35 | |
Installation | |||
2-1 | Sub Terra Cycle: Kongsberg Silver Mines | 7:16 | |
2-2 | Sub Terra Cycle: Under The Sea Floor (Coring And Strata) | 6:30 | |
2-3 | Sub Terra Cycle: Sand Island | 5:22 | |
2-4 | The Barely Project: Barely: Part-1 | 38:58 |
Credits
- Art Direction [Artistic Direction] – Jean-François Denis
- Authoring [DVD-V Authoring] – Frédérick Rousseau
- Design [Graphic], Cover – Luc Beauchemin
- Liner Notes [English Translation] – François Couture
- Photography By [Portrait] – Svein Berge
Notes
The four works of the "Sub Terra Cycle" were realized in 2007-08 in the composer’s studio and premiered on the 4 September 2008 during the Numusic Festival 2008 in Stavanger (Norway).
"Avoid Being Eaten By Mimicking Other Less Palatable Species (ABEMOLPAS)" was realized in 2003-04 in the composer’s studio and premiered on the 27 April 2004 during the Sonorities Festival at Sonic Arts Research Centre (SARC) — Queen’s University in Belfast (Northern Ireland, UK).
"Microclimates III-VI" was realized in 2007 in the composer’s studio and premiered on the 1 September 2007 during the Sleppet project in Bergen (Norway). The work was first released in 2009 on the disc Sleppet, +3DB (3DB 006).
"Mobilis in Mobili" was realized in 2006 in the composer’s studio and premiered on 8 June 2006 during Synthèse, the 36th Bourges Electronic Music and Creation International Festival (France).
"Rhizaria (Barely: part-4)" was realized in 2007-08 in the composer’s studio and premiered by Tanja Orning and Natasha Barrett on the 7 December 2008 during the Kick-Off Festival presented by Electric Audio Unit at the Apen Theatre in Oslo (Norway). The present version was recorded at the NoTAM (Norwegian network for Technology, Acoustics and Music) in Oslo (Norway) in May 2009 and mixed in the composer’s studio in June 2009. The work was researched and composed during a stipend from the Norsk kulturråd (Arts Council Norway), 2006-08.
"Gentle Sediment (Barely: part-3)" was realized in 2008 in the composer’s studio and premiered by Natasha Barrett on the 4 June 2008 during the 38th Synthèse festival in Bourges (France). The work was researched and composed during a stipend from the Norsk kulturråd (Arts Council Norway), 2006-08.
The audio of "Barely: part-1" was realized in 2006-07 in the composer’s studio and the installation was premiered on the 9 October 2007 during the Ulitma Festival at Kanonhallen in Oslo (Norway). The installation was made possible by support from the Norsk kulturråd (Arts Council Norway), NoTAM (Norwegian network for Technology, Acoustics and Music), Fond for Utovender Kunstnere, and the Ultima Festival. On Bouteilles de Klein "Barely: part-1" has been remixed and reduced to 39 minutes in 2008 in the composer’s studio and is intended to create a background sound environment. The work was researched and composed during a stipend from the Norsk kulturråd (Arts Council Norway), 2006-08.
"Avoid Being Eaten By Mimicking Other Less Palatable Species (ABEMOLPAS)" was realized in 2003-04 in the composer’s studio and premiered on the 27 April 2004 during the Sonorities Festival at Sonic Arts Research Centre (SARC) — Queen’s University in Belfast (Northern Ireland, UK).
"Microclimates III-VI" was realized in 2007 in the composer’s studio and premiered on the 1 September 2007 during the Sleppet project in Bergen (Norway). The work was first released in 2009 on the disc Sleppet, +3DB (3DB 006).
"Mobilis in Mobili" was realized in 2006 in the composer’s studio and premiered on 8 June 2006 during Synthèse, the 36th Bourges Electronic Music and Creation International Festival (France).
"Rhizaria (Barely: part-4)" was realized in 2007-08 in the composer’s studio and premiered by Tanja Orning and Natasha Barrett on the 7 December 2008 during the Kick-Off Festival presented by Electric Audio Unit at the Apen Theatre in Oslo (Norway). The present version was recorded at the NoTAM (Norwegian network for Technology, Acoustics and Music) in Oslo (Norway) in May 2009 and mixed in the composer’s studio in June 2009. The work was researched and composed during a stipend from the Norsk kulturråd (Arts Council Norway), 2006-08.
"Gentle Sediment (Barely: part-3)" was realized in 2008 in the composer’s studio and premiered by Natasha Barrett on the 4 June 2008 during the 38th Synthèse festival in Bourges (France). The work was researched and composed during a stipend from the Norsk kulturråd (Arts Council Norway), 2006-08.
The audio of "Barely: part-1" was realized in 2006-07 in the composer’s studio and the installation was premiered on the 9 October 2007 during the Ulitma Festival at Kanonhallen in Oslo (Norway). The installation was made possible by support from the Norsk kulturråd (Arts Council Norway), NoTAM (Norwegian network for Technology, Acoustics and Music), Fond for Utovender Kunstnere, and the Ultima Festival. On Bouteilles de Klein "Barely: part-1" has been remixed and reduced to 39 minutes in 2008 in the composer’s studio and is intended to create a background sound environment. The work was researched and composed during a stipend from the Norsk kulturråd (Arts Council Norway), 2006-08.
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