The War On DrugsSlave Ambient

Label:

Secretly Canadian – SC190

Format:

2 x Vinyl, 12", 45 RPM, Album

Country:

US

Released:

Genre:

Rock

Style:

Indie Rock

Tracklist

A1Best Night
BassDave Hartley*
DrumsSteven Urgo
Electric GuitarKurt Vile
PianoRobbie Bennett
Vocals, Acoustic Guitar, Electric Guitar [Electric Phased Guitars], Guitar [Animator Guitars], Piano [Tom Thumb Piano], Sampler, HarmonicaA. Granduciel*
A2Brothers
Drums, PercussionMike Zanghi*
Guitar [Nashville Guitar], Bass, Synthesizer [Voyager]Dave Hartley*
Piano, Acoustic GuitarRobbie Bennett
Vocals, Electric Guitar, Effects [Harmonizer]A. Granduciel*
A3I Was There
DrumsJeff Ryan (10)
Synthesizer [Juno 60]Dave Hartley*
Upright PianoChad Stockslager
Vocals, Harmonica, Electric Guitar, BassA. Granduciel*
B1Your Love Is Calling My Name
Drum Programming, Effects [Harmonizers], Electronics [Patch Bay]Jeff Zeigler
Drums [Hayman], Drums [Pig]Mike Zanghi*
Effects [Eventide], Synthesizer [Modular Moog Treatments]Michael Johnson (9)
Vocals, Guitar, Synthesizer [Siel OR400], Synthesizer [ARP Omni I], Organ [Farfisa], Effects [Animator], Harmonica, Effects [Harmonizers], Sampler, TapeA. Granduciel*
B2The Animator
Effects [Harmonizer Settings]Michael Johnson (9)
Effects [SPX90], Electronics [Patch Bay]Jeff Zeigler
Organ, Synthesizer [Siel OR400], Synthesizer [Mono/Poly], Tape [Cassettes], Effects [Eventide], Effects [Moogerfooger]A. Granduciel*
SaxophoneJesse Trbovich
B3Come To The City
Bass, Drums, Twelve-String GuitarDave Hartley*
Drums, PercussionMike Zanghi*
Vocals, Harmonica, Organ, Synthesizer [Voyager], Effects [Animator], Sampler, TapeA. Granduciel*
C1Come For It
Synthesizer, TapeA. Granduciel*
C2It's Your Destiny
Bass, Electric GuitarDave Hartley*
Electric GuitarKurt Vile
PianoRobbie Bennett
Vocals, Sampler, Synthesizer [Siel OR400], Synthesizer [ARP Omni], Guitar [Jazzmaster], PercussionA. Granduciel*
C3City Reprise #12
Synthesizer [Siel OR400], Effects [Harmonizer], Drum Machine, Tape [CAssettes]A. Granduciel*
D1Baby Missiles
Bass, Guitar [Stratocaster], Autoharp [Electric Autoharp]Dave Hartley*
Drums, Percussion, Effects [Mutron Bi-Phase]Mike Zanghi*
Mixed ByBrian McTear
Vocals, Harmonica, Electric Guitar, Keyboards, Effects [Filters]A. Granduciel*
D2Original Slave
Effects [Dubs], Harmonica, Tape [Cassettes]A. Granduciel*
D3Black Water Falls
Bass, Twelve-String Guitar [Acoustic 12-String]Dave Hartley*
Drums, PercussionMike Zanghi*
PianoKim Roney
Synthesizer [ARP Omni II]Robbie Bennett
Synthesizer [Voyager]John Ashley
Vocals, Electric Guitar, Drums, OrganA. Granduciel*

Companies, etc.

  • Copyright ©Secretly Canadian
  • Phonographic Copyright ℗Secretly Canadian
  • Recorded AtUniform Recording
  • Recorded AtEcho Mountain Recording
  • Mastered AtSalt Mastering
  • Published BySea Formation Music

Credits

  • DesignDaniel Murphy (3)
  • Engineer [Additional Engineering]Dave Hartley*, John Congleton, Michael Johnson (9)
  • Mastered ByPaul Gold
  • Photography ByA. Granduciel*
  • ProducerAdam Granduciel, Jeff Zeigler
  • Recorded ByA. Granduciel*, Jeff Zeigler, John Ashley
  • Words By, Music ByAdam Granduciel, Hartley* (tracks: A2, B3), Zanghi* (tracks: A2), Bennett* (tracks: A2, C2)

Notes

Includes a download card for a free high-quality digital version.
Each record is in a printed inner sleeve.

©&℗ 2011 Secretly Canadian

Recorded 2008-2011 at Uniform Studio (Philly), Echo Mountain (Asheville, NC), AG's joint in Philly.

All words and music by Adam Granduciel/Seaformation Music (ASCAP) except Brothers (Granduciel/Hartley/Zanghi/Bennett), Come To The City (Granduciel/Hartley), It's Your Destiny (Granduciel/Bennett)

Photography:
Cover - Zaragoza, Spain, Drugs Tour, July 2009
Inside - Livingston, MT. Violators Tour, October 2009

Barcode and Other Identifiers

  • Barcode: 656605019017
  • Matrix / Runout (Side A runout): SC190LP A
  • Matrix / Runout (Side B runout): SC190LP B Salt
  • Matrix / Runout (Side C runout): SC190LP C
  • Matrix / Runout (Side D runout): SC190LP D Salt
  • Rights Society: ASCAP

Other Versions (5 of 13)

View All
Title (Format)LabelCat#CountryYear
Recently Edited
Slave Ambient (2×12", 45 RPM, Limited Edition, Red)Secretly CanadianSC190US2011
Recently Edited
Slave Ambient (CD, Album)Secretly CanadianSC190US2011
New Submission
Slave Ambient (Cassette, Album, C94)Secretly Canadian, Mirror Universe TapesSC190, MU16US2011
Recently Edited
Slave Ambient (CD, Album, Promo)Secretly CanadianSC190US2011
New Submission
Slave Ambient (CD, Album)Hostess Entertainment UnlimitedHSE-69059Japan2011

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Reviews

  • RecordsFromHome's avatar
    Edited 8 months ago
    Bought this off their merch table in a small venue as soon as it came out. I hadn’t played it in years and thought this pressing had a bad rep, so I finally pulled it out and spin cleaned it just now. Comparing it to Tidal on a Cambridge streamer the vinyl is the clear winner with the digital sounding MUCH more digital and frail in comparison. It’s not exactly UHQR but we have somewhat quiet vinyl and the soundstage is deep and wide. Drums sound large and punchy, vocals are verbed out of course but stand out clearly always. Not the most dynamic recording, obviously it’s more of a wall of sound, but you do get some elements coming out at you here and there. Anyway, it’s the best I’ve heard it apart from those live gigs at the time!
    • dolphzski's avatar
      dolphzski
      My pressing sounds fantastic, quiet, dynamic, and no off center issue that others are complaining about.
      • brittdigs's avatar
        brittdigs
        I purchased this album third, after purchasing "I Don't Live Here Anymore" and "Lost in the Dream" and out of the three in my collection I'd say this is my least favorite-but I do like the evolution it highlights in the band. Since this was made years before the other two mentioned...it makes sense it would be a more "atmospheric" and "mellow-er" album- so for that, I do enjoy giving it a spin.

        It's just not the first thing I'm going to reach for when I'm looking for my WOD fix.
        • .Richard.
          If you want the currently best pressing of this, I’m afraid it’s the vinyl me please pressing. It’s a better pressing quality (although done at GZ, most Secretly Canadian pressings are worse) and the mastering sounds better than the original Salt cut.
          • GRanalli's avatar
            GRanalli
            Edited 3 years ago
            I have no issues with this album. Cut at 45rpm which gives it a bit more space, heavy, flat vinyl. Both LPs are a touch off center, but does not impact playback one bit. I think LITD is their best sounding vinyl, but I have no issues with this at all.
            • LeSilencedeLaRue64's avatar
              I’m sitting here listening on my Vintage McIntosh 240 amp C20 Pre amp a Thorens TD 160 with an Ortofon Bronze cartridge and I gotta say it sounds sublime. I’d be curious to know the setups of the folks who are complaining of the sound. Not trying to be an ass but equipment is everything for great playback
              • tellittokellett's avatar
                Frickin garbage pressing! What the hell!! The needle moves from here to Canada every rotation. What a disappointment. Love this album but it feels like I’m in a damn drunk fever dream listening to it
                • zubidoo's avatar
                  zubidoo
                  I thought this pressing sounded excellent to be honest. Would def recommend
                  • ddrtatsujin's avatar
                    ddrtatsujin
                    Edited 6 years ago
                    Why the hell did they do this at 45 RPM? To be annoying? To stand out? It's stupid.
                    • SwitcherooU's avatar
                      SwitcherooU
                      Edited 7 years ago
                      This is the least essential piece of The War on Drugs' catalog, and to make matters worse, the pressing is poor. Secretly Canadian is pretty reliable, but this is a miss. And better versions of many of these songs can be found on the Future Weather EP (although you might want to be careful with that pressing as well). Thankfully, the rest of the band's LPs sound terrific on vinyl.

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