Tracklist
| A1 | Untitled | 0:24 | |
| A2 | High Noon | 3:58 | |
| B1 | Devil's Advocate (Heaven V. Hell - Bonus Beat) | 4:20 | |
| B2 | Organ Donor (Extended Overhaul) | 4:25 | |
| B3 | Untitled | 0:19 |
Companies, etc.
- Recorded At – The Parlour Of Mystery
- Mixed At – The Glue Factory
- Phonographic Copyright ℗ – Mo Wax Recordings
- Phonographic Copyright ℗ – A&M Records Ltd.
- Copyright © – Mo Wax Recordings
- Copyright © – A&M Records Ltd.
- Published By – MCA Music Publishing
- Published By – Mo Wax Music Ltd.
- Published By – Lynes-Fairchild Music
- Record Company – MCA Records, Inc.
- Licensed From – Universal Special Markets Inc.
- Pressed By – DFI
Notes
Issued in a full picture sleeve with a plain red spine. Track durations are not printed on release.
Tracks A1 & B3 are unlisted on the release.
A2 contains a sample from "The Answer Is No" (E.Orosco) Published by Lynes Fairchild Music, ASCAP & performed by Giant Crab, used courtesy of MCA Records Inc. under license from Universal Special Markets Inc.
Recorded at The Parlor Of Mystery.
Mixed down at The Glue Factory.
Published by MCA Music Publishing/Mowax Music Ltd./ASCAP
(P) 1997 Mowax Recordings/A&M Recordings Ltd. London
(C) 1997 Mowax Recordings/A&M Recordings Ltd. London
Made in England
Tracks A1 & B3 are unlisted on the release.
A2 contains a sample from "The Answer Is No" (E.Orosco) Published by Lynes Fairchild Music, ASCAP & performed by Giant Crab, used courtesy of MCA Records Inc. under license from Universal Special Markets Inc.
Recorded at The Parlor Of Mystery.
Mixed down at The Glue Factory.
Published by MCA Music Publishing/Mowax Music Ltd./ASCAP
(P) 1997 Mowax Recordings/A&M Recordings Ltd. London
(C) 1997 Mowax Recordings/A&M Recordings Ltd. London
Made in England
Barcode and Other Identifiers
- Barcode (Text, on back sleeve): 0 731458 237112>
- Barcode (String): 0731458237112
- Rights Society: BIEM/MCPS
- Rights Society: ASCAP
- Matrix / Runout (Runout A, stamped): DFI 97 8 MW063 A2
- Matrix / Runout (Runout B, stamped): D FI-97 - 7 M W0 63 B1
Other Versions (5 of 18)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
Recently Edited | High Noon (12", 45 RPM, Single Sided, Promo) | Mo Wax | MW063DJ | UK | 1996 | ||
Recently Edited | High Noon (7", 45 RPM, Single, Limited Edition, Numbered) | Mo Wax, Mo Wax | MW063s, MW063S | UK | 1997 | ||
Recently Edited | High Noon (CD, Single) | Mo Wax | MW063CD | UK | 1997 | ||
Recently Edited | High Noon (CD, Single, Promo) | Mo Wax | MW063CDR | UK | 1997 | ||
Recently Edited | High Noon (CD, Maxi-Single) | Mo Wax | 582 371-2 | UK | 1997 |
Recommendations
Reviews
Edited 31 minutes ago"High Noon" is an uptempo breaks track built around a giant psych-rock guitar riff (Giant Crab's "The Answer Is No") and reverberating drums (Curtis Knight on Hendrix's "Flashing"). These are interweaved with gentler samples of folk-rock piano (Rena Sinakin's "Lover, I Love You"), jazz-rock organ (Hardin & York's "Cowboy") and ambient synthesizer (Michael Garrison's "Airborn") to produce an unusual mix of drama and elegance. (7)
"Organ Donor" is one of Shadow's best uptempo works and features his trademark dexterous turntablism. Giorgio Moroder's psych-orchestral "Tears" donated the organ, whilst the drums were loaned from New Breed's psych-pop "Someone". The "Extended Overhaul" single version is catchier than the album version, thanks to the rasping, zig-zaggy mouth organ melody from Supersister's prog-experimental "Judy Goes On Holiday". (7)
Both tracks fitted right in with the UK big beat scene of the time, with their loud, uptempo break-beats, eclectic sampling and pop-song structure. Reached #22 in the UK singles chart.
Organ Donor Extended is shadow at his absolute best. Nice loud pressing .
Curtis Knight on drums for High Noon . . Jimi Hendrix certainly let the drummer give it some! ;)
The cover is so horible I drew over mine with a black marker.- Edited 20 years agoOrgan donar is probably the best "short" DJ Shadow track, basically the organ sample off endtroducing stretched into a punchy dancefloor filler that sounds like nothing else and will have people demanding to know what it is.
Crap cover art, comes on the flimsiest vinyl I ever did see, and the tittle track aint much,
BUT
the overhaul/extension of Organ doner makes it worth the cash. This track (original and mix) highlights Shadows Genius to the fullest.
Release
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