Stephen Schwartz – Wicked (The Soundtrack)
Label: | Republic Records – 602475112280, Universal Studios – 602475112280, Verve Records – 602475112280 |
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Format: | |
Country: | US |
Released: | |
Genre: | Stage & Screen |
Style: | Musical, Soundtrack |
Tracklist
A1 | Ariana Grande Ft. Andy Nyman, Courtney Mae-Briggs*, Jeff Goldblum, Sharon D. Clarke* & Jenna Boyd– | No One Mourns The Wicked |
A2 | Shiz University Choir Ft. Ariana Grande– | Dear Old Shiz |
A3 | Cynthia Erivo Ft. Michelle Yeoh– | The Wizard And I |
B1 | Ariana Grande & Cynthia Erivo– | What Is This Feeling? |
B2 | Peter Dinklage Ft. Cynthia Erivo– | Something Bad |
B3 | Jonathan Bailey (6) Ft. Ariana Grande, Ethan Slater, Marissa Bode & Cynthia Erivo– | Dancing Through Life |
C1 | Ariana Grande– | Popular |
C2 | Cynthia Erivo– | I'm Not That Girl |
C3 | Cynthia Erivo, Ariana Grande, Kristin Chenoweth & Idina Menzel Ft. Michael McCorry Rose– | One Short Day |
D1 | Jeff Goldblum– | A Sentimental Man |
D2 | Cynthia Erivo Ft. Ariana Grande– | Defying Gravity |
Companies, etc.
- Phonographic Copyright ℗ – Universal Studios
- Copyright © – Universal Studios
- Phonographic Copyright ℗ – Republic Records
- Copyright © – Republic Records
- Record Company – UMG Recordings, Inc.
- Phonographic Copyright ℗ – Verve Label Group
- Copyright © – Verve Label Group
- Distributed By – UMG Commercial Services
- Mastered At – Record Technology Incorporated – 44881
- Pressed By – Vantiva, Guadalajara, Mexico – 1281377
- Pressed By – Vantiva, Guadalajara, Mexico – 1281378
- Pressed By – Vantiva, Guadalajara, Mexico – 1281379
- Pressed By – Vantiva, Guadalajara, Mexico – 1281380
- Recorded At – Air Lyndhurst Studios
- Recorded At – Ozdustland Studio
- Recorded At – Power Station
- Mixed At – McLean Stage
- Mixed At – Robert Wise Stage
- Lacquer Cut At – Sterling Sound
- Exclusive Retailer – Target (11)
Credits
- Arranged By [Arranger], Orchestrated By [Orchestrator] – Jeff Atmajian
- Arranged By [Arrangers] – Dominick Amendum, Greg Wells, Stephen Oremus
- Art Direction, Design – Annie Stoll, Emily Woodfield, Joe Spix
- Bassoon – Emma Harding, Gavin McNaughton, Rachel Simms, Simon Chiswell
- Cello – Adrian Bradbury, Bozidar Vukotic, David Lale (2), Frank Schaefer, Nick Cooper, Paul Kegg, Rachael Lander, Sophie Harris, Tim Gill*, Tony Woollard, Vicky Matthews
- Clarinet – Anthony Pike, Duncan Ashby, Jon Carnac, Nick Rodwell
- Conductor – Stephen Oremus
- Contractor [Orchestra Contractor] – Isobel Griffiths Ltd.
- Contractor [Vocal Contractor] – Jasper Randall
- Coordinator [Soundtrack Coordination] – Maggie Gaus
- Double Bass – Ben Russell, Beth Symmons, Dominic Worsley, Laurence Ungless, Lucy Shaw, Mary Scully, Paul Kimber, Roger Linley, Rupert Ring, Steve Mair, Steve Rossell
- Editor [Supervising Music Editors], Supervised By – Catherine Wilson (6), Jack Dolman
- Engineer [Assistant Song Engineer] – Jason Soudah
- Engineer [Assistante Engineers] – Eve Morris (5), George Lloyd-Owen, Laura Beck (2), Sean Phelan, Wil Jones
- Engineer [Choir Recording Engineer] – Ian Kagey
- Engineer [Recording Engineer], Mixed By [Orchestral Mixer] – Nick Wollage
- Engineer [Recordist] – John Prestage
- Ensemble – Allsun O'Malley, Alyssa Fox, Ashley Brown (8), Caitlyn Gallogly, Danny Drewes, Derrick Williams (2), Desi Oakley, Jesse JP Johnson, Julie Garnyé*, Kara Lindsay, Kristoffer Cusick, Larkin Bogan, Marissa Rosen, Meg Doherty, Michael McCorry Rose, Michael Seelbach, Nicholas Ward (4), Nikki Renee Daniels, Pablo David Laucerica, Ross Lekites, Shayna Steele, Troy Iwata, Wendi Bergamini
- Ensemble [Children's Vocal Ensemble] – Annika Reese Franklin, Austin Elle Fisher, Isabella Ye, Jackson Hayes, Max Chambers, Nora Winer, Scarlett Diviney*, Skylar Bohon Oremus, Spencer Lincoln, Theo Lowenstein (2)
- Executive-Producer [Executive Album Producer] – Jon M. Chu, Marc Platt*
- Executive-Producer [Executive In Charge of Music] – Michael Knobloch
- Flute – David Cuthbert, Eliza Marshall, Helen Keen, Karen Jones (3)
- French Horn – Alexei Watkins, Corinne Bailey, Diego Incertis, Henry Ward (6), Nigel Black, Phillippa Koushk-Jalali, Richard Watkins
- Guitar, Bass, Rhythm Section – Greg Wells
- Harp – Bryn Lewis, Hugh Webb
- Keyboards – Dominick Amendum, Greg Wells
- Lacquer Cut By – JN-H*
- Leader [Orchestra Leader] – Jeremy Isaac
- Legal [Music Business & Legal Affairs] – Sarah Hallbauer, Tanya Perara
- Management [Business Affairs] – Christina Suarez, Samantha Finkel
- Marketing – Donna Gryn, Jess Lechtenberg, Stephanie Perez
- Marketing [Digital] – Kristen Shelley, Sarah Gaupel
- Marketing [International Marketing] – Michael Alexander (11), Zoe Briggs
- Marketing [Soundtrack Marketing & Production] – Nikki Walsh
- Mixed By [Additional Mixing] – Laurence Anslow
- Mixed By [Mixer] – Greg Wells
- Music By, Lyrics By – Stephen Schwartz
- Music Librarian [Librarian] – Jill Streater
- Musical Assistance [Assistant to Music Supervisor] – Lucy Evans (2)
- Musical Assistance [Lead Music Preparation] – Jordan Cox
- Musical Assistance [Music Assistant] – Bronwen Chan
- Musical Assistance [Music Assistants to Mr. Schwartz] – Aaron Kenny, John Angier (3)
- Musical Assistance [Music Associate] – Benjamin Holder
- Musical Assistance [Music Preparation] – Aiden Davis, Brad Ritchie (2), Global Music Service*, James Reagan (3)
- Musical Assistance [Music Trainees] – Sarah Burrell
- Musical Assistance [Musical Production Assistant] – Millie Davies
- Oboe – Janey Miller, John Anderson (4), Sue Bohling, Tim Rundle
- Orchestrated By [Additional Orchestrations] – Ed Trybeck, Henri Wilkinson, Jonathan Beard*
- Orchestrated By [Orchestration Mockups] – Douglas Romayne, Kevin Kliesch
- Percussion – Frank Ricotti, Gary Kettel, Julian Poole (2)
- Piano – Simon Chamberlain
- Producer [Album Produced By] – Greg Wells, Stephen Oremus, Stephen Schwartz
- Producer [Music Production] – Marisa Torbert
- Producer [Vocal Production] – Ariana Grande, Cynthia Erivo
- Saxophone – Colin Skinner, Jamie Talbot, Nick Moss (2), Paul Booth (2), Sam Mayne
- Score Editor [Orchestra Editing] – Ashley Andrew-Jones
- Supervised By [Music Supervisor] – Maggie Rodford
- Supervised By [Production Music Supervised by] – Dominick Amendum
- Supervised By [Supervising Vocal Editor & Engineer], Editor, Engineer – Robin Baynton
- Timpani – Chris Baron
- Trombone – Andy Wood (2), Barry Clements, Chris Augustine, Ed Tarrant, Jon Stokes, Phil White*
- Trumpet, Flugelhorn – Christian Barraclough, Daniel Newell, Gareth Small (2), Kate Moore, Patrick White (2), Phillip Cobb*
- Tuba, Tuba [Cimbasso] – Owen Slade
- Viola – Andy Parker (19), Bruce White, Catherine Bradshaw, Clive Howard, Fiona Leggat, Helen Kamminga, Kate Musker, Laurie Anderson (5), Lydia Lowndes-Northcott, Martin Humbey, Nick Barr, Peter Lale, Reiad Chibah, Sue Dench
- Violin – Anna Szabo, Bea Lovejoy*, Ben Buckton*, Cathy Thompson, Charlie Brown (18), Christina Emanuel, Clare Thompson, Dai Emanuel, Daniel Bhattacharya, Debbie Widdup, Dorina Markoff, Emil Chakalov, Everton Nelson, Fenella Barton, Ian Humphries, John Mills (8), Jonathan Evans-Jones, Kathy Gowers, Kotono Sato, Laura Melhuish, Marianne Haynes, Mark Berrow, Martyn Jackson (2), Matthew Ward (3), Michael Trainor, Natalia Bonner, Nina Foster, Odile Ollagnon, Oscar Perks, Patrick Kiernan, Philippe Honore*, Raja Halder, Ralph de Souza*, Richard George, Sarah Sexton, Steve Morris, Thomas Bowes, Tom Pigott-Smith, Warren Zielinski
Notes
Issued in a gatefold jacket with printed inner sleeves.
Hype sticker on front top left shrinkwrap.
℗ & © 2024 Universal Studios, Republic Records, a division of UMG Recordings, Inc. & Verve Label Group, a division of UMG recordings, Inc., except for track 10, ℗ 2024 Universal Studios.
In the runouts, the Vantiva matrix and "STERLING" are laser-etched, while the rest is hand-etched.
Hype sticker on front top left shrinkwrap.
℗ & © 2024 Universal Studios, Republic Records, a division of UMG Recordings, Inc. & Verve Label Group, a division of UMG recordings, Inc., except for track 10, ℗ 2024 Universal Studios.
In the runouts, the Vantiva matrix and "STERLING" are laser-etched, while the rest is hand-etched.
Barcode and Other Identifiers
- Barcode (Text): 6 02475 11228 0
- Barcode (Scanned): 602475112280
- Other (Side A label): 602475112280A
- Other (Side B label): 602475112280B
- Other (Side C label): 602475112280C
- Other (Side D label): 602475112280D
- Other (LP1 sleeve): 602475112280-1.1
- Other (LP2 sleeve): 602475112280-2.1
- Matrix / Runout (Side A runout): 44881.1(3)... 602475112372 - A (1) (1281377) 01010214 JN-H STERLING
- Matrix / Runout (Side B runout): 44881.2(3)... (1281378) 01010115 602475112372 - B (1) JN-H STERLING
- Matrix / Runout (Side C runout): (1281379) 01010231 44881.3(3)... 602475112372 - C (1) JN-H STERLING
- Matrix / Runout (Side D runout): (1281380) 01010130 44881.4(3)... 602475112372 - D (1) JN-H STERLING
Other Versions (5 of 21)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Wicked (The Soundtrack) (CD, Album, Stereo) | Republic Records, Republic Records | 602475112181.1, 602475112181 | USA, Canada & Europe | 2024 | |||
New Submission | Wicked (The Soundtrack) (2×LP, Album, Green Marbled) | Republic Records, Universal Studios, Verve Records | 602475112235 | US | 2024 | ||
New Submission | Wicked (The Soundtrack) (2×LP, Album, Picture Disc, Stereo) | Republic Records, Universal Studios, Verve Records | 602475112242 | Worldwide | 2024 | ||
New Submission | Wicked: The Soundtrack (13×File, AAC, Album, 256 kbps) | Universal Studios, Republic Records, Verve Records | none | Worldwide | 2024 | ||
New Submission | Wicked (The Soundtrack) (2×LP, Album, Pink Splatter) | Republic Records, Universal Studios, Verve Records | 602475112228 | Worldwide | 2024 |
Recommendations
- 2023 Worldwide
Vinyl —LP, Album, Record Store Day, Reissue
Reviews
- Too noisy for a true audiophile but for a casual collector who likes colored vinyl, it's listenable and enjoyable. These were pressed in Mexico.
- Beautiful pressing. Although it's not perfect, mine is not unlistenable. I do believe the soundtrack wasn't properly mixed for this format (The Wizard and I sounds really compressed). Overall a great item for collectors and fans of the movie 💚🩷.
8/10 - Abysmal pressing. Surface noise throughout and defects all over the vinyl. Even a skip present on our copy. Obviously rushed. Doubt they even tested these.
- Way too much static that doesn't come off with cleaning! And on Ariana and Idina's beautiful arias... I exchanged the first copy for a second copy and one disc was super scratchy both times (Side C the first time, Side A the second time). YMMV: my Target was super nice and gave me back store credit, but technically their system is not allowed to give returns for opened vinyl records. But of course, how would we know to return it unless we open it to see that it's defective... Buy another pressing if you want better audio quality! I'm quite disappointed because the blended color scheme was my favorite disc design.
- Good dynamic and the color looks really nice. But definitely some surface noise. It’s pretty annoying that there was constant ticking heard in the beginning of Dancing Through Life when Jonathan started singing. Every syllable was followed by a ticking sound.
- Edited 2 months agoThis was my go-to pressing because of the color split, which looks great. The records play flat and the dynamics are fantastic, albeit with some surface noise. My inner sleeves came a little roughed up and the quality on the gatefold isn't so great though, and not as nice as some European manufacturers.
- Edited 2 months agoNoisy as HELL. Came so dirty, covered in white fuzz. Impossible to clean with just distilled water and a cloth or brush. Nearly unlistenable. Need to clean in an ultrasonic cleaner (which is ridiculous as most people don’t have them). I hope that helps. So mad because both of the musical pressings (B&N and green 20th anniversary) are noisy as crap too.
Release
For sale on Discogs
Sell a copy25 copies from $42.00