Various – Lowercase

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Label:	Bremsstrahlung – blung001
Format:	4 x CD, Compilation
Country:	US
Released:	Aug 2000
Genre:	Electronic
Style:	Abstract, Experimental, Ambient

Tracklist

1-1	Roel Meelkop–	1 (Beegee)	5:06
1-2	Artificial Memory Trace–	Infover Composed By – Slavek Kwi	5:59
1-3	Bernhard Günter–	In Her Dream / Mu Is Running / Autumn Moon (Haiku For Mu) Recorded By, Edited By, Sounds [Additional, Bowed Ventilator], Mixed By, Mastered By – BG*	10:54
1-4	Richard Chartier–	3particles	5:02
1-5	Nosei Sakata / *0–	Cochler	5:41
1-6	Jason Lescalleet–	Needles	6:06
1-7	Howard Stelzer–	Bend Or Fold Recorded By [Source] – David Dougan* Tape – HS* Trumpet – Greg Kelley	5:46
1-8	Steve Roden / In Be Tween Noise–	8 Windows (First Version)	8:37
1-9	Josh Russell–	1000x	8:02
1-10	Pimmon–	Finja Falso Peixes	3:33
1-11	Brekekekexkoaxkoax–	For Gerard Klauder	3:13
1-12	Michael Northam–	Kapla (An Except)	5:26
2-1	Taylor Deupree–	Dopticn	5:43
2-2	Matthew Thomas + Oren Ambarchi–	Stratagem (Distortus)	1:24
2-3	Quockenzocker–	Wonthaggi	1:12
2-4	Ios Smolders*–	Sequenzen (Somehow Inspired By Kh Stockhausen)	6:32
2-5	Kid 606*–	Done/Start	3:28
2-6	Adrian Lee (7)–	(u)n(-)t(i)t(l)e(d)	6:07
2-7	Warsaw (1921)–	Sonarchy Sounding Dilruba, Edited By – Mike Shannon (2) Recorded By – Doug Haire Voice – Miroslaw Rajkowski* Voice, Bullroarer – Jeph Jerman Voice, Sounds [Sonorous Objects] – Suzie Kozawa* Voice, Strings [Stringboards] – Dave Knott	7:17
2-8	Colin Jenkinson + Kevin Schwartz–	Duoic Ecneirepxe	5:02
2-9	Lt Caramel*–	Music Pour Parking Payant	6:05
2-10	Joseph Zitt–	Mouth.midnight	3:52
2-11	Ecclesiastical Scaffolding–	By Winter. It Had To Come To An End	3:58
2-12	Richard Cochrane–	Las Bas (Lower Depths)	3:06
2-13	Dale Anderson (3)–	Lost Velo	3:36
2-14	Rod Stasick–	Obeliskrying	3:47
2-15	Tone Speak–	Tone Shifter	4:50
		Bonus Set
3-1	Roel Meelkop–	1 (Beegee)	5:06
3-2	Artificial Memory Trace–	Infover Composed By – Slavek Kwi	5:59
3-3	Bernhard Günter–	In Her Dream / Mu Is Running / Autumn Moon (Haiku For Mu) Recorded By, Edited By, Sounds [Additional, Bowed Ventilator], Mixed By, Mastered By – BG*	10:54
3-4	Richard Chartier–	3particles	5:02
3-5	Nosei Sakata / *0–	Cochler	5:41
3-6	Jason Lescalleet–	Needles	6:06
3-7	Howard Stelzer–	Bend Or Fold Recorded By [Source] – David Dougan* Tape – HS* Trumpet – Greg Kelley	5:46
3-8	Steve Roden / In Be Tween Noise–	8 Windows (First Version)	8:37
3-9	Josh Russell–	1000x	8:02
3-10	Pimmon–	Finja Falso Peixes	3:33
3-11	Brekekekexkoaxkoax–	For Gerard Klauder	3:13
3-12	Michael Northam–	Kapla (An Except)	5:26
4-1	Taylor Deupree–	Dopticn	5:43
4-2	Matthew Thomas + Oren Ambarchi–	Stratagem (Distortus)	1:24
4-3	Quockenzocker–	Wonthaggi	1:12
4-4	Ios Smolders*–	Sequenzen (Somehow Inspired By Kh Stockhausen)	6:32
4-5	Kid 606*–	Done/Start	3:28
4-6	Adrian Lee (7)–	(u)n(-)t(i)t(l)e(d)	6:07
4-7	Warsaw (1921)–	Sonarchy Sounding Dilruba, Edited By – Mike Shannon (2) Recorded By – Doug Haire Voice – Miroslaw Rajkowski* Voice, Bullroarer – Jeph Jerman Voice, Sounds [Sonorous Objects] – Suzie Kozawa* Voice, Strings [Stringboards] – Dave Knott	7:17
4-8	Colin Jenkinson + Kevin Schwartz–	Duoic Ecneirepxe	5:02
4-9	Lt Caramel*–	Music Pour Parking Payant	6:05
4-10	Joseph Zitt–	Mouth.midnight	3:52
4-11	Ecclesiastical Scaffolding–	By Winter. It Had To Come To An End	3:58
4-12	Richard Cochrane–	Las Bas (Lower Depths)	3:06
4-13	Dale Anderson (3)–	Lost Velo	3:36
4-14	Rod Stasick–	Obeliskrying	3:37
4-15	Tone Speak–	Tone Shifter	4:50

Credits

Artwork – Josh Russell, Richard Chartier, Steve Roden
Design – Richard Chartier
Photography By – Carmen Resendez

Notes

Discs 3 and 4 are copies of 1 and 2, to "please pass on to another curious listener."
Also includes 30 index cards: one for each of the CD tracks, containing biographical info on the musicians involved, and three with illustrations. Everything is packaged in a special paper box.

1-2 composed in Studios C&C (Antwerp) and Crfmw (Liege), 1998, Belgium.
1-3 recording, editing, additional sounds, mixing, mastering at trente oiseaux studio, 1999.
1-4 formed + recorded, August 1999.
1-5 is credited to Nosei Sakata (*0).
1-7 recorded Summer 1999 at Intransitive; based on a performance at WMFO, Tufts University Radio; dedicated to James Coleman and Richard Chartier.
1-8 excerpt from 43 min work; first presented as an installation at the ASU Art Museum Tempe AZ, 1999.
1-9 played live with Zoom Sampletrack ST-224 with prerecorded samples of laboratory equipment recorded with a high-gain surveillance contact microphone; dedicated to Sandy, who made it all possible.
1-11 thanks to Trey Jones for use of his computer.
1-12 small speakers emitting wire drones and incidental movements recorded in a mine shaft located near Kingston, New Mexico; mastered at the Watershed, Austin, Texas; thanks to Joe and Suzanne for the invitation to the Kingston dome.
2-1 constructed with a combination of analog modular synthesizer and synthesis software on a Macintosh G3.
2-3 conceived at night, executed by day…
2-5 made with a guitar and a Mac 3beam, September 1999.
2-6 made over a two day period using a Macintosh G3 with Cubase software, one Digetec Quad 2 and a cheap Walkman.
2-7 recorded live for the 90.3 FM Sonarchy radio broadcast at the Jack Straw Foundation studios, Seattle, WA.
2-10 recorded on the night of 08/20-21/1999.
2-13 created with tracking software/special process.