The Cinematic Orchestra – Every Day
Label: | Ninja Tune – zen CD59, Ninja Tune – zen CD 59 |
|---|---|
Format: | CD, Album |
Country: | UK |
Released: | |
Genre: | Electronic |
Style: | Future Jazz, Downtempo |
Tracklist
| 1 | All That You Give | 6:40 | |
| 2 | Burn Out | 9:30 | |
| 3 | Flite | 6:30 | |
| 4 | Evolution | 6:30 | |
| 5 | Man With The Movie Camera | 9:15 | |
| 6 | All Things To All Men | 11:10 | |
| 7 | Everyday | 10:00 |
Companies, etc.
- Distributed By – Vital (2)
- Mixed At – Soho Recording Studios
- Mastered At – Sony Music Studios
- Manufactured By – Universal M & L, UK
- Glass Mastered At – Impress (2)
Credits
- Design – Openmind
- Drums – Luke Flowers
- Lacquer Cut By [Vinyl Cut] – Martin Giles
- Liner Notes – Gilles Peterson
- Mastered By – John Davis (4)
- Mixed By – Alan Mawdsley, J.Swinscoe*
- Mixed By [Assistant] – Chris Willcock
- Photography By – Carl Fox
- Producer – J.Swinscoe*, Phil France (tracks: 1, 4 to 6)
- Supervised By [Sound Supervision] – The Soca Casual
- Written-By – J.Swinscoe*, Phil France, Rodney Smith (tracks: 6)
Notes
All tracks recorded at Blows Yard Studios, except vocals on tracks 1 and 4 recorded at 4 Seasons Media Productions L.L.C., St, Louis; drums on track 3 recorded at Moolah Rouge Studios, Stockport; electric piano on track 4 recorded at Aim Studios, London; electronics on track 4 recorded at Soho Recording Studios, London. All tracks mixed at Soho Recording Studio, London. Mastered at Sony Music Studios. Vinyl cut at Alchemy Soho, London.
Photos shot on location at the Rivoli Ballroom, London.
Not mentioned on this version of the release:
Track 1 incorporates elements of the composition "Angel of Air" written by D. C Santana and T. Coster.
Track 3 contains a sample of "Quiet Departures" performed by Eberhard Weber.
Track 6 incorporates elements of "Petulia" by John Barry and Carolyn Leigh.
Track 7 incorporates elements of "Katumbo" performed by Les Troubadours du Roi Baudouin and arranged by Pater Guido Haazen.
An otherwise identical version of this release with different credits inside the booklet can be found here: Every Day
Photos shot on location at the Rivoli Ballroom, London.
Not mentioned on this version of the release:
Track 1 incorporates elements of the composition "Angel of Air" written by D. C Santana and T. Coster.
Track 3 contains a sample of "Quiet Departures" performed by Eberhard Weber.
Track 6 incorporates elements of "Petulia" by John Barry and Carolyn Leigh.
Track 7 incorporates elements of "Katumbo" performed by Les Troubadours du Roi Baudouin and arranged by Pater Guido Haazen.
An otherwise identical version of this release with different credits inside the booklet can be found here: Every Day
Barcode and Other Identifiers
- Barcode (Text): 5 021392 245126
- Barcode (Scanned): 5021392245126
- Matrix / Runout (Variant 1): IMPRESS ZENCD59 03 5
- Matrix / Runout (Variant 1): MADE IN THE UK BY UNIVERSAL M & L
- Mastering SID Code (Variant 1): IFPI L135
- Mould SID Code (Variant 1): IFPI 04H1
- Matrix / Runout (Variant 2): IMPRESS ZENCD59 06 6
- Matrix / Runout (Variant 2): MANUFACTURED IN THE UK BY UNIVERSAL M & L
- Mastering SID Code (Variant 2): IFPI L136
- Mould SID Code (Variant 2): IFPI 04H3
- Matrix / Runout (Variant 3): IMPRESS ZENCD59 06 6
- Matrix / Runout (Variant 3): MANUFACTURED IN THE UK BY UNIVERSAL M & L
- Mastering SID Code (Variant 3): IFPI L136
- Mould SID Code (Variant 3): IFPI 04F8
- Matrix / Runout (Variant 4): IMPRESS ZENCD59 06 6
- Matrix / Runout (Variant 4): MADE IN THE UK BY UNIVERSAL M & L
- Mastering SID Code (Variant 4): IFPI L136
- Mould SID Code (Variant 4): IFPI 04G3
- Matrix / Runout (Variant 5): IMPRESS ZENCD59 06 6
- Matrix / Runout (Variant 5): MADE IN THE UK BY UNIVERSAL M & L
- Mastering SID Code (Variant 5): IFPI L136
- Mould SID Code (Variant 5): IFPI 04G9
- Matrix / Runout (Variant 6): IMPRESS ZENCD59 06 6
- Matrix / Runout (Variant 6): MADE IN THE UK BY UNIVERSAL M & L
- Mastering SID Code (Variant 6): IFPI L136
- Mould SID Code (Variant 6): IFPI 04H1
Other Versions (5 of 22)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
Recently Edited | Every Day (2×LP, Album, Tip-On Jacket) | Ninja Tune | ZEN 59 | UK | 2002 | ||
Recently Edited | Every Day (CD, Album) | Beat Records | BRC-54 | Japan | 2002 | ||
Recently Edited | Every Day (CD, Album, Reissue) | Ninja Tune | ZEN CD59B | UK | 2002 | ||
Recently Edited | Every Day (2×LP, Album, Stereo) | Ninja Tune | ZEN 59 X | UK | 2002 | ||
| Every Day (CD, Album, Reissue, Misprint) | Ninja Tune | ZENCD 59 B | USA & Canada | 2002 |
Recommendations
Reviews
Incredible LP... Surreal, Dreamlike, and Mesmerizing. What more can I say.- Without a really good audio setup you will get distortions when playing this album... "All thing to all men" is recorded amazingly.
- Edited 17 years agoThe last track 'Every day' features a sample of a congalese choir from a 1958 album Missa Luba by Les Troubadours Du Roi Baudouin. What really spun me out is I found a copy of Missa Luba from a charity shop for 25p in 2001 and used the exact same track on a mix tape I did and had the idea of sampling it once I got the equipment... A year later and Cinematic Orchestra had beaten me to it! Not that I was dissapointed, to me it's pure synchronicity.
- <I>Everyday</I>, the second album by the Cinematic Orchestra, finds them simultaneously condensing and expanding their sound. Their examination of mood is much more focused, but their song structure is more relaxed, allowing them to explore different riffs. Their addition of Fontella Bass to the roster lends a melancholy heft to “All That You Give,” while “Burn Out” is all about the delayed fireworks of the horn section. “Flite” picks up the tempo a bit, then “Evolution” gives us a funkified jazz spoken-word jam. “Man with the Movie Camera” is a direct descendant from <I>Motion</I>, while “Everyday” is an extended and moody work. A brilliant and evocative musical journey.
- this music has a feature to flow - very consequent and "connecting". a masterpiece that involves, seduces and in a way imprisons. the most bewitching track - 2nd perhaps, super make-it-jazz (with fontella bass vocal - can't replace with any other) tracks - 1st and 4th ones, trippy and gracious 6th track led by roots manuva. tracks that left fill up the holes perfectly. some treat it as the best album of 2002 acid jazz/downtempo/wha'eva field.
Release
For sale on Discogs
Sell a copy54 copies from $1.05