The Velvet Underground & Nico (3) – The Velvet Underground & Nico
Label: | Verve Records – 823 290-1 Y-1, Verve Records – V6 5008 |
---|---|
Format: | Vinyl, LP, Album, Reissue, Remastered |
Country: | US |
Released: | |
Genre: | Rock |
Style: | Art Rock, Psychedelic Rock, Experimental |
Tracklist
A1 | Sunday Morning | 2:53 | |
A2 | I'm Waiting For The Man | 4:37 | |
A3 | Femme Fatale | 2:35 | |
A4 | Venus In Furs | 5:07 | |
A5 | Run Run Run | 4:18 | |
A6 | All Tomorrow's Parties | 5:55 | |
B1 | Heroin | 7:05 | |
B2 | There She Goes Again | 2:30 | |
B3 | I'll Be Your Mirror | 2:01 | |
B4 | The Black Angel's Death Song | 3:10 | |
B5 | European Son | 7:40 |
Companies, etc.
- Manufactured By – Polygram Records
- Marketed By – Polygram Records
- Pressed By – Hauppauge Record Manufacturing Ltd.
- Remastered At – Sterling Sound
Credits
- Arranged By – The Velvet Underground
- Cover, Design – Acy R. Lehma*
- Edited By, Mixed By [Remixed] – David Greene, Gene Radice
- Engineer – Omi Haden*
- Engineer [Director Of Engineering] – Val Valentin
- Lead Guitar, Guitar [Ostrich Guitar], Vocals – Lou Reed
- Liner Notes – Kurt Loder
- Percussion – Maureen Tucker*
- Photography By – Gerard Malanga
- Photography By [Color Show] – Hugo (38)
- Photography By [Cover] – Andy Warhol
- Photography By [Liner Photos] – Billy Linich, Nat Finkelstein
- Photography By [Portraits] – Paul Morrisey*
- Producer – Andy Warhol (tracks: A2 to B5), Tom Wilson (2) (tracks: A1)
- Remastered By – Greg Calbi
- Rhythm Guitar, Bass Guitar – Sterling Morrison
- Supervised By [Edited And Remixed Under The Supervision Of] – Tom Wilson (2)
- Viola [Electric], Piano, Bass Guitar – John Cale
- Vocals [Chanteuse] – Nico (3)
Notes
1985 remastered reissue characterized by:
a) Special Low Price on cover
b) Black Verve labels (otherwise identical version with red Polydor labels: The Velvet Underground & Nico (3) - The Velvet Underground & Nico
c) Sterling stampers in runout.
d) Kurt Loder penned notes on inner sleeve
Pressed by Hauppauge Record Manufacturing Ltd., as indicated by "53" in label rim text and "HRM"/horizontal triangle with dot in the runouts.
a) Special Low Price on cover
b) Black Verve labels (otherwise identical version with red Polydor labels: The Velvet Underground & Nico (3) - The Velvet Underground & Nico
c) Sterling stampers in runout.
d) Kurt Loder penned notes on inner sleeve
Pressed by Hauppauge Record Manufacturing Ltd., as indicated by "53" in label rim text and "HRM"/horizontal triangle with dot in the runouts.
Barcode and Other Identifiers
- Barcode (Text): 0 422-823290-1
- Barcode (Scanned): 042282329011
- Matrix / Runout (Side A, etched exc. "STERLING" & triangle, variant 1): 422823.290-1-AS- A̶L̶D̶ HRM STERLING Ⓗ A-2 [triangle w/ dot]
- Matrix / Runout (Side B, etched exc. "STERLING" & triangle, variant 1): 422823.290-1-BS-HRM 1 STERLING B-1 [triangle w/ dot]
- Matrix / Runout (Side A, etched exc. "STERLING" & triangle, variant 2): 422823.290-1-AS- A̶L̶D̶ HRM STERLING Ⓗ A-1 [triangle w/ dot]
- Matrix / Runout (Side B, etched exc. "STERLING" & triangle, variant 2): 422823.290-1-BS-HRM 1 STERLING B-1 [triangle w/ dot]
Other Versions (5 of 402)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
New Submission | The Velvet Underground & Nico (2×LP, Single Sided, Album, Test Pressing, Stereo) | Verve Records | V6-5008 | US | 1966 | ||
Recently Edited | The Velvet Underground & Nico (LP, Album, Stereo, West Coast Pressing) | Verve Records, Verve Records | V6-5008, V6/5008 | US | 1967 | ||
Recently Edited | The Velvet Underground & Nico (LP, Album, Mono, East Coast Pressing, Emerson Lawsuit Threat Sticker) | Verve Records | V-5008 | US | 1967 | ||
Recently Edited | The Velvet Underground & Nico (LP, Album, Mono, West Coast pressing) | Verve Records, Verve Records | V-5008, V/5008 | US | 1967 | ||
New Submission | The Velvet Underground & Nico (LP, Album, Promo, Mono, East Coast Pressing) | Verve Records | V-5008 | US | 1967 |
Recommendations
Reviews
- Edited one year agoI landed on this pressing after doing mountains of reading through Steve Hoffman's forums. These are 100% analogue and sound much more natural than the popular 2012 pressing I had (which is sourced from a hi quality digital source). There's little nuances on this pressing I couldn't (or didn't) hear on the 2012 press or on Spotify. I guess a couple things were lost on the digital conversion.
My only complaint here is with the vinyl they used for this press, it's obviously cheap recycled wax (this was a budget press when it released).
I don't think we'll ever get a definitive AAA release of this album, but this isn't too far off.