Moritz Von Oswald Trio – Fetch
Label: | Honest Jon's Records – HJRLP67 |
---|---|
Format: | |
Country: | UK |
Released: | |
Genre: | Electronic, Jazz |
Style: | Dub, Dub Techno, Experimental |
Tracklist
A | Jam | 17:31 | |
B | Dark | 7:06 | |
C | Club | 11:56 | |
D | Yangissa | 14:10 |
Companies, etc.
- Phonographic Copyright ℗ – Honest Jon's Records
- Copyright © – Honest Jon's Records
- Mastered At – Eastside Mastering Studios
- Lacquer Cut At – Abbey Road Studios
Credits
- Arranged By, Directed By, Producer – M.v.Oswald*
- Bass – Marc Muellbauer
- Keyboards [String Boards], Electric Piano – Moritz von Oswald
- Lacquer Cut By [Runout Etching i...i] – Sean Magee
- Mastered By – Götz Rieth*
- Percussion [Otherworld Objects] – Vladislav Delay
- Photography By – Claus Richter, Cosima Von Bonin
- Recorded By [Additional] – Teo Schulte
- Recorded By, Mixed By – Tobias Freund
- Saxophone, Bass Clarinet, Flute – Jonas Schoen
- Synthesizer – Max Loderbauer
- Trumpet – Sebastian Studnitzky
Notes
Mastered at Eastside, Berlin.
Thanks to Laurens and the Oswald family, Cosima von Bonin, Honest Jon's and Hard Wax, Carl Craig.
Comes in a gatefold cover.
Track durations don't appear on the release.
Thanks to Laurens and the Oswald family, Cosima von Bonin, Honest Jon's and Hard Wax, Carl Craig.
Comes in a gatefold cover.
Track durations don't appear on the release.
Barcode and Other Identifiers
- Matrix / Runout (Side A): HJRLP67A
- Matrix / Runout (Side B): HJRLP67B i...i
- Matrix / Runout (Side C): HJRLP67C
- Matrix / Runout (Side D): HJRLP67D i...i
- Barcode (Scanned): 827670411314
Other Versions (3)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Fetch (4×File, WAV) | Honest Jon's Records | HJRCD 67 | UK | 2012 | |||
Recently Edited | Fetch (CD, Album) | Honest Jon's Records | HJRCD67 | UK | 2012 | ||
Fetch (CD, Album) | P-Vine Records | PCD-93559 | Japan | 2012 |
Recommendations
Reviews
- Edited 9 years agoDisappointed with this release. I bought it for home listening but I find it too jarring to relax to. The underlying themes are awesome and then out of nowhere, loud outbursts of what sounds like a piano falling down a flight of stairs.
- One of my most favourite home-listening albums. It is something more than just electronic jams. All of these tracks has some astral almost mystical magic, which is concluded somewhere between a hidden tape hiss and spatial sounds of Delay's percussion. To follow Hoene Wronsky sentence: "music as the corporealization of the intelligence that is in sounds". Perfect match.
Release
For sale on Discogs
Sell a copy39 copies from $13.00
Statistics
Videos (4)
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