Tracklist
1 | Intro | 0:24 | |
2 | Eat The Rich | 4:10 | |
3 | Get A Grip | 3:58 | |
4 | Fever | 4:14 | |
5 | Livin' On The Edge | 6:07 | |
6 | Flesh | 5:56 | |
7 | Walk On Down | 3:38 | |
8 | Shut Up And Dance | 4:56 | |
9 | Cryin' | 5:08 | |
10 | Gotta Love It | 5:58 | |
11 | Crazy | 5:17 | |
12 | Line Up | 4:03 | |
13 | Amazing | 5:56 | |
14 | Boogie Man | 2:15 |
Companies, etc.
- Distributed By – Uni Distribution Corp.
- Manufactured By – Uni Distribution Corp.
- Phonographic Copyright ℗ – Geffen Records, Inc.
- Copyright © – Geffen Records, Inc.
- Copyright © – Swag Song Music, Inc.
- Copyright © – Almo Music Corp.
- Copyright © – Testatyme Music
- Copyright © – MCA Music Publishing
- Copyright © – MCA Inc.
- Copyright © – Beef Puppet Music
- Copyright © – EMI April Music Inc.
- Copyright © – Desmobile Music Co., Inc.
- Copyright © – Tranquility Base Songs
- Copyright © – WB Music Corp.
- Copyright © – Ranch Rock Music
- Copyright © – Warner-Tamerlane Publishing Corp.
- Copyright © – Taylor Rhodes Songs
- Copyright © – Miss Bessie Music
- Copyright © – Colgems-EMI Music Inc.
- Copyright © – Super Supa Songs
- Record Company – Diogenes Productions Inc.
- Recorded At – Little Mountain Sound Studios
- Recorded At – A&M Studios
- Mixed At – Can-Am Recorders
- Mastered At – Masterdisk
- Glass Mastered At – DADC – DIDX-016485
Credits
- A&R [John Kalodner] – John Kalodner
- Arranged By [Polynesian Log Drums] – S. Tyler*
- Art Direction – Michael Golob
- Artwork [Mr. Humble (Pinhead) Assemblage], Photography By – Ed Colver
- Backing Vocals – Don Henley (tracks: 13)
- Booking [Agent] – Dan Weiner, Monterey Peninsula Artists
- Coordinator [Album Production] – Debra Shallman
- Crew [Aerosmith Tour Staff], Engineer [Pre-Production] – Tony Lentini
- Crew [Aerosmith Tour Staff], Production Manager – Jerry Gilleland
- Crew [Aerosmith Tour Staff], Saxophone [Live], Keyboards [Live], Backing Vocals [Live] – Thom Gimbel*
- Crew [Aerosmith Tour Staff], Technician [Additional Guitar Tech Services] – Danny Murphy (6)
- Crew [Aerosmith Tour Staff], Technician [Drum Tech] – Andy Gilman (The Prince Of Methuen)*
- Crew [Aerosmith Tour Staff], Technician [Guitar] – Frank Felder, Jim "Bubba" Survis*
- Crew [Aerosmith Tour Staff], Tour Manager [Extraordinaire] – Bob Dowd
- Design [Cover] – Hugh Syme
- Drums [Polynesian Log Drums] – Aladd Alatina Teofilo, Jr., Liainaiala Tagaloa, Mapuhi T. Tekurio, Melvin Liufau, Sandy Kanaeholo, Wesey Mamea
- Drums, Percussion – Joey Kramer
- Electric Bass – Tom Hamilton (2)
- Engineer – David Thoener (tracks: 1 to 4, 13, 14), Ken Lomas
- Engineer [Second Engineer] – Ed Korengo (tracks: 1 to 4, 13, 14), John "Geedis" Aguto* (tracks: 1 to 4, 13, 14), Mike Plotnikoff
- Guitar – Brad Whitford
- Guitar, Dulcimer, Vocals – Joe Perry
- Keyboards – Desmond Child (tracks: 11), Richie Supa* (tracks: 13)
- Keyboards, Programmed By – John Webster
- Lead Vocals, Keyboards, Harmonica, Mandolin – Steven Tyler
- Management – Collins Management*, Keith Garde, Tim Collins
- Management [Business] – Burt Goldstein*, Burton Goldstein And Company
- Management [Collins Management Staff] – Cyndi Sawyer, John Bionelli (2), Julie Duffy, Rob Falk, Susan Abt, Susanne Listro, Tim McGrath (4)
- Mastered By – Greg Fulginiti
- Merchandising – Giant Merchandising, Peter Lubin
- Mixed By – Brendan O'Brien
- Musician [Additional], Baritone Saxophone [The Margarita Horns] – Ian Putz
- Musician [Additional], Saxophone [The Margarita Horns] – Tom Keenlyside
- Musician [Additional], Trombone [The Margarita Horns] – Bob Rogers
- Musician [Additional], Trumpet [The Margarita Horns] – Bruce Fairbairn, Paul Baron (2)
- Percussion [Additional] – Steven Tyler
- Photography By [Band Photo] – William Hames
- Photography By [Gripping Couple] – Alison Dyer
- Producer – Bruce Fairbairn
- Supervised By [Mastering] – David Donnelly*
- Voice ["Come On Joe"] – Lenny Kravitz (tracks: 12)
Notes
Recorded at Little Mountain Sound Studio, Vancouver, BC, Canada and (tracks 1 to 4, 13, 14) A&M Studios, Los Angeles, CA.
Mixed at Can-Am Studios, Tarzana, CA
Mastered at Masterdisk, NYC
Publishers:
2, 3 - © 1992 Swag Song Music, Inc. / Almo Music Corp. / Testatyme Music ASCAP
4, 7 - © 1992 Swag Song Music, Inc. ASCAP
5, 10 - © 1992 Swag Song Music, Inc. / MCA Music Publishing, a division of MCA Inc. / Beef Puppet Music ASCAP
6, 11 - © 1992 Swag Song Music, Inc. / EMI April Music Inc. / Desmobile Music Co. Inc. ASCAP
8 - © 1992 Swag Song Music, Inc. / Tranquility Base Songs adm. by WB Music Corp. ASCAP / Ranch Rock Music adm. by Warner-Tamerlane Publishing Corp. BMI
9 - © 1992 Swag Song Music, Inc. / MCA Music Publishing, a division of MCA Inc. / Taylor Rhodes Songs ASCAP
12 - © 1992 Swag Song Music, Inc. / Miss Bessie Music ASCAP
13 - © 1992 Swag Song Music, Inc. / Colgems-EMI Music, Inc. / Super Supa Songs ASCAP. Special Thanks for "Who Threw The Whiskey In The Well" - it was the perfect touch! Written by Eddie DeLange/John Brooks/Lucky Millinder. Published by Warner Bros. Inc./Scarsdale Music Corp. ASCAP/Arnel Music Corp. ASCAP. All Rights on behalf of Scarsdale Music Corp. adm. by Warner Bros. Inc.
Made in U.S.A. ©℗ 1993 Geffen Records, Inc.
Mixed at Can-Am Studios, Tarzana, CA
Mastered at Masterdisk, NYC
Publishers:
2, 3 - © 1992 Swag Song Music, Inc. / Almo Music Corp. / Testatyme Music ASCAP
4, 7 - © 1992 Swag Song Music, Inc. ASCAP
5, 10 - © 1992 Swag Song Music, Inc. / MCA Music Publishing, a division of MCA Inc. / Beef Puppet Music ASCAP
6, 11 - © 1992 Swag Song Music, Inc. / EMI April Music Inc. / Desmobile Music Co. Inc. ASCAP
8 - © 1992 Swag Song Music, Inc. / Tranquility Base Songs adm. by WB Music Corp. ASCAP / Ranch Rock Music adm. by Warner-Tamerlane Publishing Corp. BMI
9 - © 1992 Swag Song Music, Inc. / MCA Music Publishing, a division of MCA Inc. / Taylor Rhodes Songs ASCAP
12 - © 1992 Swag Song Music, Inc. / Miss Bessie Music ASCAP
13 - © 1992 Swag Song Music, Inc. / Colgems-EMI Music, Inc. / Super Supa Songs ASCAP. Special Thanks for "Who Threw The Whiskey In The Well" - it was the perfect touch! Written by Eddie DeLange/John Brooks/Lucky Millinder. Published by Warner Bros. Inc./Scarsdale Music Corp. ASCAP/Arnel Music Corp. ASCAP. All Rights on behalf of Scarsdale Music Corp. adm. by Warner Bros. Inc.
Made in U.S.A. ©℗ 1993 Geffen Records, Inc.
Barcode and Other Identifiers
- Barcode (Printed): 7 2064-24455-2 5
- Barcode (Scanned): 720642445525
- Rights Society: ASCAP
- Rights Society (8): BMI
- SPARS Code: AAA
- Other (DADC code on disc face): DIDX 016485
- Matrix / Runout (Variant 1): DIDX-016485 5
- Matrix / Runout (Variant 2): DIDX-016485 7
- Matrix / Runout (Variant 3): DIDX-016485 8
- Matrix / Runout (Variant 4): DIDX-016485 6
- Matrix / Runout (Variant 5): DIDX-016485 2
Other Versions (5 of 194)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited | Get A Grip (CD, Album, Club Edition) | Geffen Records, Geffen Records | *GEFD-24455, GEFD-24455 | US | 1993 | ||
Get A Grip (CD, Album) | Geffen Records | GED24444 | Europe | 1993 | |||
Recently Edited | Get A Grip (CD, Album, Limited Edition) | Geffen Records, Geffen Records, Geffen Records | GED-24445, GEFD-24445, GEFD-24444 | US | 1993 | ||
Get A Grip (2×LP, Album) | Geffen Records | GEF 24444 | Europe | 1993 | |||
New Submission | Get A Grip (CD, Limited Edition, Album, Promo) | Geffen Records | GEFD-245530-DJ | US | 1993 |
Recommendations
Reviews
- Anyone noticed that on the back, it says AAA instead of AAD? It's above the Compact Disc Digital Audio logo on the back.
- Anyone got the black and white version Sound of Vinyl are selling? Looks like a different tracklist order for Gotta Love It and Fever, or is that just a mistake on the write up? And Don't Stop additional track.
- The copy of this that you want to track down is the 2lp original pressing. Thick fat analogue sound which slays the CD. This album is HIGHLY underrated by many and I have been an Aerosmith fan since the old days. Some smokin rockin tunes but with an extra polished production. Living in the Edge, Eat The Rich, Walk On Down, full of classics. 5 star album!
- The Beginning Of The End
Sure, 'Get A Grip' was a commercial success with a ton of airplay on the radio but the band had begun to cave in to the Geffen A&R machine at the point. Gone were the hard rocking, balls to the wall blues grooves of the seventies replaced by songs written by slick commercial writers and made even more successful by videos playing 24/7 on the MTV. If you are discovering Aerosmith for the first time then avoid buying this one out of the dollar bin at all costs and invest a little more by picking up 'Rocks', 'Toys In The Attic' or the debut 'Aerosmith' album instead. You'll pay more but at least you won't be using it as a coaster.
Release
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Sell a copy128 copies from $0.19
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