Marty Stuart And His Fabulous Superlatives – Nashville, Volume 1: Tear The Woodpile Down

More images

Label:	Sugar Hill Records (2) – SUG-CD-4082, Superlatone Records – SUG-CD-4082
Format:	CD, Album
Country:	US
Released:	2012
Genre:	Folk, World, & Country
Style:	Country

Tracklist

1	Tear The Woodpile Down Banjo [Electric] – Buck Trent Written-By – Marty Stuart	3:02
2	Sundown In Nashville Written-By – Dwayne Warwick	3:00
3	A Matter Of Time Fiddle – Kenny Lovelace Written-By – Marty Stuart	3:12
4	Hollywood Boogie Written-By – Harry Stinson, Kenny Vaughan (2), Marty Stuart, Paul Martin (34)	1:31
5	Holding On To Nothing Banjo [Electric] – Buck Trent Written-By – Jerry Chesnut	2:32
6	Truck Driver's Blues Written-By – Marty Stuart	3:45
7	Going, Going, Gone Written-By – Marty Stuart	3:22
8	The Lonely Kind Written-By – Marty Stuart	4:06
9	A Song Of Sadness Vocals – Lorrie Carter Bennett Written-By – Marty Stuart	3:22
10	Picture From Life's Other Side Acoustic Guitar – Hank 3* Written-By – Hiriam Hank Williams*	3:59

Companies, etc.

Recorded At – OmniSound Studios
Recorded At – RCA Victor Studios, Nashville
Recorded At – Apostle Paul's Clubhouse Recording
Mixed At – Apostle Paul's Clubhouse Recording
Mixed At – Mighty Mick's Log Palace
Mastered At – Apostle Paul's Clubhouse Recording
Mastered At – Mighty Mick's Log Palace

Credits

Art Direction – Karen Cronin
Bass [Guest] – Brian Glenn
Bass, Backing Vocals – Apostle Paul*
Drums, Backing Vocals – Handsome Harry*
Engineer [Assistant] – Justin Croft (tracks: 1), Rory Rositas (tracks: 2 to 10), Sean Davidson (tracks: 1)
Engineer [Recording] – Taylor Pollert (tracks: 1)
Fiddle [Guest] – Hank Singer
Guitar, Backing Vocals – Cuzin Kenny*
Mastered By, Engineer [Recording And Mixing] – Mick Conley
Photography By [Cover] – Anthony Scarlati
Steel Guitar [Guest] – Gary Carter (2), Robby Turner
Supervised By [Production Coordinator] – Maria-Elena Orbea
Vocals, Guitar, Producer, Design [Art Direction] – Marty Stuart

Notes

I came to Nashville from the land of Jimmie Rodgers, looking for a place, a place to belong inside the world of country music. That was Labor Day Weekend, 1972. The main musical difference that I see in now and when I first came to town is, back then it seemed that the most outlaw thing you could possibly do around here was to take country music and blow it up into rock & roll. Mission accomplished! Today the most outlaw thing you can possibly do in Nashville, Tennessee is play country music. So therefore I say, Tear the Woodpile Down. -- Marty Stuart, 2012

Recorded at OmniSound Nashville, RCA Studio B, Nashville, Apostle Paul's Clubhouse Recording, Hendersonville, Tn and Mighty Mick's Log Palace , Pegram, Tn.(Mixed and Mastered at Apostle Paul's Clubhouse and Mighty Mick's Log Palace)