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Jean-Luc Ponty – Storytelling
| Label: | Columbia – FC 45252, Columbia – C 45252 |
|---|---|
| Format: | Vinyl, LP, Album |
| Country: | US |
| Released: | |
| Genre: | Electronic, Jazz |
| Style: | Contemporary Jazz |
Tracklist
| A1 | In The Fast Lane | 4:09 | |
| A2 | Tender Memories | 5:20 | |
| A3 | Spring Episode | 5:51 | |
| A4 | Pastoral Harmony | 4:20 | |
| B1 | The Story Teller | 4:24 | |
| B2 | The Amazon Forest | 4:25 | |
| B3 | After The Storm | 4:20 | |
| B4 | A Journey's End | 4:19 | |
| B5 | Chopin Prelude No. 20 (With Violin Improvisation) | 2:59 |
Credits
- Bass – Baron Browne
- Coordinator [Production] – John Cutcliffe
- Drums, Percussion – Rayford Griffin
- Guitar – Jamie Glaser
- Mixed By – Brian Malouf
- Percussion – Kurt Wortman (tracks: B2)
- Piano – Clara Ponty (tracks: B5)
- Piano, Keyboards – Wally Minko
- Producer, Violin, Written-By – Jean-Luc Ponty
- Soprano Saxophone – Grover Washington, Jr. (tracks: A2)
- Synthesizer – Patrice Rushen (tracks: A2, B3)
Barcode and Other Identifiers
- Barcode (Scanned): 074644525212
- Barcode (Text): 0 7464-45252-1
Other Versions (5 of 12)View All
| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
Recently Edited | Storytelling (CD, Album, Pitman Pressing) | Columbia | CK 45252 | US | 1989 | ||
New Submission | Storytelling (LP, Album) | CBS | 465602 1 | Netherlands | 1989 | ||
New Submission | Storytelling (LP, Album) | CBS | JZ-20082 | Venezuela | 1989 | ||
New Submission | Storytelling (CD, Album) | CBS | 465602 2 | Europe | 1989 | ||
New Submission | Storytelling (LP, Album) | CBS | 465602 1 | Netherlands | 1989 |
Recommendations
Reviews
Edited 16 years ago
Rare as hell. The track "In The Fast Lane" is the jazz-fusion composition that the term 'Acid Jazz' was first coined by Gilles Peterson/Paul Murphy that fateful early morning in spring 1989 when after going on after the acid house DJ, Gilles & Murphy shouted "Fuck Acid House, here's some Acid Jazz". Dare I say... the rest is history. (oh dear, I did didn't I ! )
The rest of the LP isn't as interesting, but still, it's worth it for containing THAT Acid House/Acid Jazz crossover track, and in so doing, proving to be one of the most important records of the era.
The rest of the LP isn't as interesting, but still, it's worth it for containing THAT Acid House/Acid Jazz crossover track, and in so doing, proving to be one of the most important records of the era.