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A Tribe Called QuestThe Low End Theory

Label:

Jive – 01241-41418-1

Format:

2 x Vinyl, LP, Album, Reissue, Remastered, B&W Label

Country:

US

Released:

Genre:

Hip Hop

Style:

Conscious, Jazzy Hip-Hop

Tracklist

A1Excursions3:53
A2Buggin' Out3:38
A3Rap Promoter2:13
A4Butter2:13
B1Verses From The Abstract
BassRon Carter
VocalsMs. Vinia*
3:59
B2Show Business
Co-producerA Tribe Called Quest
FeaturingDiamond D, Lord Jamar, Sadat X
ProducerSkeff Anselm
3:53
B3Vibes And Stuff4:18
C1The Infamous Date Rape2:54
C2Check The Rhime3:36
C3Everything Is Fair2:59
D1Jazz (We've Got)4:09
D2Skypager2:13
D3What?2:29
D4Scenario4:10
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Companies, etc.

  • Manufactured ByZomba Recording Corporation
  • Produced ForSkeffington Productions, Inc.
  • Phonographic Copyright ℗Zomba Recording Corporation
  • Copyright ©Zomba Recording Corporation
  • Pressed ByUnited Record Pressing
  • Published ByZomba Enterprises, Inc.
  • Published ByJazz Merchant Music
  • Published ByBrand Nubian Publishing
  • Published ByDusty Fingers Music
  • Published ByNew School Publishing
  • Published ByJoe's Songs
  • Published ByBridgeport Music, Inc.
  • Recorded AtBattery Studios, New York
  • Recorded AtGreene St. Recording
  • Recorded AtSoundtrack Studios
  • Mixed AtBattery Studios, New York
  • Mixed AtGreene St. Recording
  • Mixed AtSoundtrack Studios
  • Mastered AtAbsolute Audio

Credits

  • Arranged By, Written-ByA Tribe Called Quest
  • DesignJK (7), ZombArt
  • Engineer [Additional–Battery]Anthony Saunders, Eric Gast, Gerard Julien, Marc Singleton, Pete Christensen, Tim Latham
  • Engineer [Additional–Greene Street]Chris Shaw, Dan Wood, Jamey Staub*, Rod Hui
  • Engineer [Additional–Soundtrack]Jim Kvoriak
  • Make-Up [Group Members]Kim Young (6)
  • Make-Up [Special Effects Make-up: Model]Paddy Crofton
  • ManagementChris Lighty, Violator Management
  • Mastered ByTom Coyne
  • Photography ByJoe Grant (2)
  • ProducerA Tribe Called Quest (tracks: A1 to B1, B3 to D4)
  • Recorded By, Mixed ByA Tribe Called Quest, Bob Power

Notes

Issued with black & white disc labels, unlike A Tribe Called Quest - The Low End Theory. Current sealed copies are likely A Tribe Called Quest - The Low End Theory, which has NRP and RE3 in runouts.

Recorded and mixed at Battery Studios, Greene Street Studios and Soundtrack Studios. "Show Business" and "Everything Is Fair" programmed at Jazzy Jay's Studio. Additional engineering at Battery, Greene Street and Soundtrack.

Original 1996 copy gets mixed up with 2016 MRP pressing. Original 1996 pressing incorrectly states on label that “Butter” is 2:13 but is 3:39.

Management/Direction: Chris Lighty for Violator Management

℗ 1991 Zomba Recording Corp. © 1991, 1996 Zomba Recording Corporation. Manufactured in the United States by Zomba Recording Corporation, 137-139 West 25th Street, New York, NY 10001

Barcode and Other Identifiers

  • Barcode (Text): 0 1241-41418-1 1
  • Barcode (String): 012414141811
  • Matrix / Runout (Side A runout - etched): 01241-41418-1 A Ⓤ
  • Matrix / Runout (Side B runout - etched): 01241-41418-1-B1 AA Ⓤ
  • Matrix / Runout (Side C runout - etched): 01241-41418-1-C1 AA
  • Matrix / Runout (Side D runout - etched): 01241-41418-1-D1 AA
  • Pressing Plant ID (URP [etched]):
  • Rights Society: ASCAP / BMI

Other Versions (5 of 70)

View All
Title (Format)LabelCat#CountryYear
Recently Edited
The Low End Theory (CD, Album, DISC MFG)Jive1418-2-JUS1991
Recently Edited
The Low End Theory (LP, Album)JiveZL 74940Europe1991
Recently Edited
The Low End Theory (LP, Album, Stereo)JiveHIP 117UK1991
Recently Edited
The Low End Theory (CD, Album)Jive, JiveZD 74940, ZD74940UK & Europe1991
Recently Edited
The Low End Theory (CD, Album)Jive, Jive(7) 051 351-2, CHIP 117UK1991

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Reviews

  • Saw-Wave-Circuits's avatar
    One of the best-sounding records in my collection. Massive low end…very appropriate.
    • prmarx's avatar
      prmarx
      Does anyone know if there are versions of this pressing that do not have the Ⓤ markings in the A/B side runouts?
      • BRinaldi's avatar
        BRinaldi
        I always thought I had the 2016 pressing, but it’s actually this 1996 version. I had to recheck the runouts. The first disc on my copy is badly warped and I remember it arriving in the mail that way. Luckily it plays fine and sounds great.
        • max_samhain's avatar
          max_samhain
          that pressing is great. Much better than the recent reissues beinig sold under this entry.

          Cant someone stop these sellers selling inferior copies here under the same entry?
          • ConorS's avatar
            ConorS
            I’ve got the 2016 copy and it sounds great, no problems whatsoever. It did come with an extra side A/B though for some reason
            • ConorS's avatar
              ConorS
              I’ve got the 2016 copy and it sounds great, no problems whatsoever. It did come with an extra side A/B though for some reason
              • cousincole's avatar
                cousincole
                This pressing sounds great, the bad reviews must be confused people with the 2016 pressing... i mean look when all of them were posted lol
                • peemef's avatar
                  peemef
                  The easiest way to distinguish this pressing from the others is a typo on the back where it states that Butter runs as long Rap Promoter (2:13)
                  • boblintaywhistle's avatar
                    Not sure why so many people can't see that this entry is for the 1996 pressings, not the current/new millennium ones.
                    • knickstaped's avatar
                      knickstaped
                      Just bought this pressing and I gotta say I'm pleasantly surprised with it! My pressing didn't have any of the glaring issues pointed out by the previous reviewers. Not a perfect pressing by any means, some parts did sound a lil distorted at times but overall a very solid repressing! No skips and very minimal surface noise, even during the quiet sections. My only gripe with this is the relatively dull packaging. Plain paper inner sleeves with no pictures or inserts.

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