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Cressida (3) – Trapped In Time: The Lost Tapes
Label: | Esoteric Recordings – ECLEC2347 |
---|---|
Format: | CD, Album, Remastered |
Country: | UK |
Released: | |
Genre: | Rock |
Style: | Prog Rock |
Tracklist
1 | To Play Your Little Game | 3:09 | |
2 | Winter Is Coming Again | 3:51 | |
3 | Cressida | 4:03 | |
4 | Depression | 3:30 | |
5 | Sad Eyed Fairy | 3:15 | |
6 | Lights In My Mind | 3:15 | |
7 | Let Them Come When They Will | 3:40 | |
8 | Situation | 3:26 | |
9 | Only Earthman In Town | 3:40 | |
10 | Down Down | 4:29 | |
11 | Mental State | 3:39 | |
12 | Silent Light | 5:03 | |
13 | Situation (Alternate Version) | 3:43 |
Companies, etc.
- Phonographic Copyright ℗ – Cressida Music Ltd.
- Copyright © – Cherry Red Records Ltd.
- Licensed From – Cressida Music Ltd.
- Recorded At – Central Sound Studios, London
- Mastered At – Fluid Mastering
Credits
- Artwork [Cover Painting] – Rob Henson (3)
- Bass – Kevin McCarthy (3)
- Coordinator [Original Project] – Ian Shirley
- Design – Paul McEvoy Art Dept*
- Drums – Iain Clark
- Engineer – Robin Thompson
- Guitar – John Culley (tracks: 13), John Heyworth (tracks: 1 to 12)
- Keyboards – Peter Jennings (tracks: 9 to 11, 13)
- Lacquer Cut By [Original Vinyl LP] – Tim Debney
- Liner Notes – Ian Shirley
- Organ [Hammond] – Lol Coker (tracks: 1 to 8, 12)
- Producer – Ossie Byrne
- Remastered By – Nick Watson
- Vocals – Angus Cullen
- Written-By – Angus Cullen (tracks: 3 to 5, 12), John Heyworth (tracks: 1, 2, 6 to 11, 13)
Notes
All tracks recorded live at Central Sound Studios, Denmark Street, London 1969
First released November 2011 by Record Collector Magazine under their Rare Vinyl Series.
Tracks 12 & 13 are bonus tracks.
First released November 2011 by Record Collector Magazine under their Rare Vinyl Series.
Tracks 12 & 13 are bonus tracks.
Barcode and Other Identifiers
- Barcode (Printed Text): 5 013929 434745 >
- Barcode (Scanned): 5013929434745
- Matrix / Runout: | ECLEC2347 | *055742 |
- Mastering SID Code: IFPI LD11
- Mould SID Code: IFPI 5Q92
Other Versions (3)View All
Title (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Needs Changes | Trapped In Time: The Lost Tapes (LP, Limited Edition, Numbered) | Record Collector Magazine | RCLP002 | UK | 2011 | ||
New Submission | Choices (LP, Album, Compilation) | Mellotronen | MELLOLP 15 | Sweden | 2013 | ||
New Submission | Trapped In Time: The Lost Tapes (CD, Album, Reissue, Remastered, SHM-CD, Mini LP sleeve) | Belle Antique | BELLE 172716 | Japan | 2017 |
Recommendations
Reviews

Edited one year ago
I thought it would sound a lot better because of the remaster. It's close to AM radio or like listening in front of an old portable reel-to-reel tape recorder. (And that's where these recordings are from.) But it has its own charm. And once you get into the sound it is such a great album. Such beautiful, driving demo recordings packed full of energy with so many haunting melodies. I guess almost every track was recorded live. Meanwhile I prefer this one much over the official albums!
It features the guitar a bit more prominent. Some chords and vocals vary from the later albums. 'Depression' and 'Let Them Come When They Will' are much more focused. So great! 'Sad Eyed Fairy' is a pop tune that's close to the Moody Blues (even though the bridge always gives me that 'We're Going Wrong' Cream feeling). 'Situation' comes twice in a totally different arrangement. The first one (written and played by John Heyworth) has a nice middle section with a driving guitar/bass meldody that was later omitted. The second recording of the track is the only song here played by later guitar player John Culley who added a more straight intro. This later 'Situation' was a recording for a single that was never released, the sound is a bit better - I presume it could be from an acetat.
It features the guitar a bit more prominent. Some chords and vocals vary from the later albums. 'Depression' and 'Let Them Come When They Will' are much more focused. So great! 'Sad Eyed Fairy' is a pop tune that's close to the Moody Blues (even though the bridge always gives me that 'We're Going Wrong' Cream feeling). 'Situation' comes twice in a totally different arrangement. The first one (written and played by John Heyworth) has a nice middle section with a driving guitar/bass meldody that was later omitted. The second recording of the track is the only song here played by later guitar player John Culley who added a more straight intro. This later 'Situation' was a recording for a single that was never released, the sound is a bit better - I presume it could be from an acetat.