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Irmin SchmidtFilmmusik

Label:Spoon Records – SPOON 003, Spoon Records – Spoon 003
Format:
Vinyl, LP, Album, Stereo
Country:Germany
Released:
Genre:Electronic, Rock, Stage & Screen
Style:Soundtrack, Krautrock, Experimental

Tracklist

A1Im Herzen Des Hurrican (Titelmusik)
BassPeter Keiser
Drums, Cymbal [Paiste-Cymbals]Walter Keiser
Electric Guitar [E-Guit.], Acoustic Guitar [Ak-Guit.]Max Lässer
Synth [Synths.], KeyboardsIrmin Schmidt
5:12
A2Der Tote Bin Ich (Solo)
Synth [Synths.], KeyboardsIrmin Schmidt
Tenor Saxophone [Tenor-Sax]Bruno Spoerri
5:41
A3Im Herzen Des Hurrican (Verfolgung)
BassPeter Keiser
Drums, Cymbal [Paiste-Cymbals]Walter Keiser
Electric Guitar [E-Guit.], Acoustic Guitar [Ak-Guit.]Max Lässer
Lead Guitar [Zusätzliche Solo-Guit.]Michael Karoli
Synth [Synths.], KeyboardsIrmin Schmidt
7:46
B1Der Tote Bin Ich (Titelmusik)
Synth [Synths.], KeyboardsIrmin Schmidt
Tenor Saxophone [Tenor-Sax]Bruno Spoerri
3:09
B2Im Herzen Des Hurrican (Der Elch)
BassPeter Keiser
Drums, Cymbal [Paiste-Cymbals]Walter Keiser
Electric Guitar [E-Guit.], Acoustic Guitar [Ak-Guit.]Max Lässer
Synth [Synths.], KeyboardsIrmin Schmidt
5:01
B3Messer Im Kopf (Koto)
Synth [Synths.], KeyboardsIrmin Schmidt
1:48
B4Messer Im Kopf (Titelmusik)
Synth [Synths.], KeyboardsIrmin Schmidt
4:59
B5Im Herzen Des Hurrican (No. 5)
BassPeter Keiser
Drums, Cymbal [Paiste-Cymbals]Walter Keiser
Electric Guitar [E-Guit.], Acoustic Guitar [Ak-Guit.]Max Lässer
Lead Guitar [Zusätzliche Solo-Guit.]Michael Karoli
Synth [Synths.], KeyboardsIrmin Schmidt
4:06
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Credits

Notes

Im Herzen des Hurrican (Hark Bohm)
Messer im Kopf (Reinhard Hauff)
Der Tote bin ich (Alexander von Eschwege)

Aufgenommen und gemischt im Studio Spoerri, Zürich, Toning. Ron Kurz,
außer "Messer Im Kopf" aufgenommen im Inner Space Studio, bei Köln, Toning. René Tinner.

Michael Karoli Zusätzliche Solo-Guit. auf Nr.3-Seite 1, und Nr.5-Seite 2 [Additional solo guitar on A3 and B5].

Der Filmtitel: "Im Herzen Des Hurrican" wurde geändert in: "Nicht Mit Uns".

Catalogue number variations are: SPOON 003 on cover, Spoon 003 on labels.

Runouts are etched except for 'Manufactured in Germany' which is stamped.

Barcode and Other Identifiers

  • Rights Society (Boxed): GEMA
  • Matrix / Runout (Side A label): 66.22 185-01-1
  • Matrix / Runout (Side B label): 66.22 185-01-2
  • Matrix / Runout (Side A runout): SPOON 003-A-1 Manufactured in Germany
  • Matrix / Runout (Side B runout): SPOON 003-B-1 Manufactured in Germany

Other Versions (4)

View All
Title (Format)LabelCat#CountryYear
New Submission
Filmmusik (LP)Base RecordSPOON 003Italy1980
New Submission
Filmmusik (LP)Celluloid, Spoon RecordsCEL 6603, SPOON 003France1981
Recently Edited
Filmmusik (LP, Album, Repress)Spoon Records, Spoon RecordsSPOON 003, Spoon 003GermanyUnknown
Filmmusik (LP, Album, Repress, Witten Address)Spoon RecordsSPOON 003GermanyUnknown

Reviews

  • Goatlordlord's avatar
    Goatlordlord
    My copy is different from the ones listed here. On the label it has a different adress (Postf. 7044 - 5810 Witten), but on the sleeve it has the normal one. SPOON 003-A-1 and SPOON 003-B-1 is etched on the runout, but no 66.22 185-01-1 or 66.22 185-01-2 like on the other German releases, only a 9 on side 1 and a 7 on side 2. Does anyone know anything about this one? I'm sorry but I don't have equipment to take photos :(
    • ultimathulerecords's avatar
      We've both been avid Can fans for some tine now, so you can imagine the excitement when we found out that Irmin was to release some solo work. To our surprise though, neither of the 2 platters turned out to be what we expected.First is FILMMUSIK, which is a selection from 3 soundtracks. For ease of description we've decided to deal with each soundtrack as a whole. "In Herzen des Hurrican" (tracks 1,3,5 & 8) was recorded with a group format, Irmin being helped by Max Lasser (guitar), Peter & Walter Keiser (bass & drums respectively) plus a couple of appearances by Michael Karoli. All these 4 cuts sound amazingly like Can, circa LANDED. Irmin is generally low key in these pieces, leaving plenty of room for lots of guitar solos, as in Verfolfgung which is like a re-run of Vernal Equinox. "Der Tote bin ich" (tracks 2 & 4) was recorded by Irmin on keyboards & Bruno Spoerri on sax. These cuts are made up of simple sequencer rhythms & synthi overlays, with lots of room left for Bruno's excellent sax playing. "Messer im Kopf" (tracks 6 &7) is Irmin solo. The first cut is an E.F.S. for/of the koto: whether it was performed on the said instrument is left to the listener's discretion. The Titelmusik sees Irmin in full splendour as a multi-keyboard player; the most unusual aspect of this piece is that the lead instrument is piano, backed by synths (unlike Cluster for instance), conjuring up a sense of mystique that is quite compelling, and very unusual.
      by Alan & Steve Freeman, first published in Neumusik ca. 1981

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