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UR* Presents Galaxy 2 Galaxy – A Hitech Jazz Compilation
Label: | Soundscape (15) – SUBJPCD-004, Underground Resistance – SUBJPCD-004, Submerge Recordings – SUBJPCD-004 |
---|---|
Format: | 2 x CD, Compilation, Digipak |
Country: | Japan |
Released: | |
Genre: | Electronic |
Style: | House, Techno |
Tracklist
1-1 | Metamorphosis | 3:26 | |
1-2 | Transition | 6:23 | |
1-3 | The Theory (Mind Mix) | 2:25 | |
1-4 | Return Of The Dragons | 7:14 | |
1-5 | Big Stone Lake | 4:18 | |
1-6 | Sometimes I Feel Like | 6:14 | |
1-7 | Body And Soul | 5:32 | |
1-8 | Nation 2 Nation | 5:19 | |
1-9 | 303 Sunset | 3:25 | |
1-10 | A Moment In Time | 3:09 | |
1-11 | Jupiter Jazz | 4:30 | |
1-12 | Amazon | 4:36 | |
1-13 | Astral Apache | 5:20 | |
1-14 | Deep Space 9 | 5:46 | |
2-1 | Hi-Tech Jazz | 5:37 | |
2-2 | Journey Of The Dragons | 6:28 | |
2-3 | Star Sailing | 6:31 | |
2-4 | Windchime | 6:09 | |
2-5 | Timeline | 6:35 | |
2-6 | First Galactic Baptist Church | 7:11 | |
2-7 | Inspiration | 6:31 | |
2-8 | Momma's Basement | 7:09 | |
2-9 | Afro's, Arps And Minimoogs | 6:48 |
Companies, etc.
- Licensed From – Submerge Recordings
- Phonographic Copyright ℗ – Submerge Recordings
- Copyright © – Submerge Recordings
- Manufactured By – Soundscape (15)
- Distributed By – Cisco International Corp.
- Published By – Sound Of Detroit
- Mastered At – Electrofunk
Credits
- Artwork [Center Panel] – Abdul Haqq
- Design, Layout [Graphics] – Chuck Gibson
- Edited By – Jeff Mills, DJ S2*
- Executive-Producer – Michael Mike*, Mr. De'
- Photography By – Joefuss*, Kumiko Nakata
- Presenter, Producer – UR* (tracks: 1-01 to 2-04, 2-06, 2-07, 2-09)
- Words By – The Unknown Writer
Notes
Track 2-06 spelled as "First Galactic 'Bapist' Church".
Barcode and Other Identifiers
- Barcode (Text): 4 545710 001474
- Matrix / Runout: SUBJPCD-004A MT C01
- Mastering SID Code: IFPI L263
- Mould SID Code: IFPI 4489
- Matrix / Runout: SUBJPCD-004B MT B01
- Mastering SID Code: IFPI L262
- Mould SID Code: IFPI 4489
- Rights Society: JASRAC
Other Versions (5 of 7)View All
Title (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
A Hitech Jazz Compilation (2×CD, Compilation) | Submerge Recordings | SUBCD-3010-2 | US | 2005 | |||
A Hitech Jazz Compilation (2×12", Compilation, 33 ⅓ RPM) | Submerge Recordings | SUBLP-3010-1 | US | 2005 | |||
New Submission | A Hitech Jazz Compilation (2×12", 33 ⅓ RPM, Compilation, White Label) | Submerge Recordings | SUBLP-3010-1 | US | 2005 | ||
A Hitech Jazz Compilation (2×CD, Compilation, Digipak) | UWe, Underground Resistance | UWe193 | Europe | 2006 | |||
Recently Edited | A Hitech Jazz Compilation (2×CDr, Compilation, Reissue, Jewel Case) | Submerge Recordings | SUBJPCD-004 | US | 2008 |
Recommendations
- UR*
Reviews

Simply stunning! If you get it you won't regret. I really enjoyed this compilation. Good luck finding it at a reasonable price though.

Hey guys, what's with a lot of these songs being shorter than the version on the record? Seems like a reason to not buy this CD, right?

Edited 12 years ago
Basically, this is a re-release of some older UR tracks from the early 90s combined together with some more recent work, all of it being under the Hi-Tech Jazz theme.
For a long time I wasn't into the more melodic, jazzy side of UR. When I first heard some of it, I thought it sounded horribly cheesy and dated. 5-6 years later my opinion has completely changed after I actually sat down and gave some of it a chance. Today I would rank the best tracks here up there with the best techno music of the 90s and some of the very best Detroit techno ever made.
Here, the focus is more on keyboard melodies that are probably inspired by the stuff 70s and 80s jazz greats did when they were starting to experiment with electronics. In some ways, it even makes me think of Stevie Wonder's best work from the 70s when he was incorporating electronics as well. Occasionally, live jazz instruments pop up also, like in the fan favorite "Hi Tech Jazz". At some points it almost veers towards classic Chicago house, but I think this is more sophisticated and has aged better also. When a track comes to a little breakdown of hi-hats and handclaps, and the jazzy melodic keyboard hooks set in, then kick drum hits, it really doesn't get any better than this. Very soulful stuff.
Over two longs discs, there are a few weaker tracks, but even those are pretty enjoyable to listen to. Some of the more recent tracks on here actually surprised a lot, though my favorites are definitely the ones from the early 90s. If you like UR and are willing to give their softer side a shot, you can't go wrong in picking this up.
Note: some of the currently stocked U.S. pressings of this album are apparently pro-pressed CDRs. If that bothers you, be sure to ask before buying. I think the actual CD version may be harder to find but there are still copies floating around. You may have better luck if you are willing to shell out for a Euro or Japanese pressing from an overseas seller.
For a long time I wasn't into the more melodic, jazzy side of UR. When I first heard some of it, I thought it sounded horribly cheesy and dated. 5-6 years later my opinion has completely changed after I actually sat down and gave some of it a chance. Today I would rank the best tracks here up there with the best techno music of the 90s and some of the very best Detroit techno ever made.
Here, the focus is more on keyboard melodies that are probably inspired by the stuff 70s and 80s jazz greats did when they were starting to experiment with electronics. In some ways, it even makes me think of Stevie Wonder's best work from the 70s when he was incorporating electronics as well. Occasionally, live jazz instruments pop up also, like in the fan favorite "Hi Tech Jazz". At some points it almost veers towards classic Chicago house, but I think this is more sophisticated and has aged better also. When a track comes to a little breakdown of hi-hats and handclaps, and the jazzy melodic keyboard hooks set in, then kick drum hits, it really doesn't get any better than this. Very soulful stuff.
Over two longs discs, there are a few weaker tracks, but even those are pretty enjoyable to listen to. Some of the more recent tracks on here actually surprised a lot, though my favorites are definitely the ones from the early 90s. If you like UR and are willing to give their softer side a shot, you can't go wrong in picking this up.
Note: some of the currently stocked U.S. pressings of this album are apparently pro-pressed CDRs. If that bothers you, be sure to ask before buying. I think the actual CD version may be harder to find but there are still copies floating around. You may have better luck if you are willing to shell out for a Euro or Japanese pressing from an overseas seller.