Screaming Trees – Sweet Oblivion
| Label: | Epic – EK 48996 |
|---|---|
| Format: | CD, Album |
| Country: | US |
| Released: | |
| Genre: | Rock |
| Style: | Alternative Rock |
Tracklist
| 1 | Shadow Of The Season | 4:34 | |
| 2 | Nearly Lost You | 4:07 | |
| 3 | Dollar Bill | 4:35 | |
| 4 | More Or Less | 3:11 | |
| 5 | Butterfly | 3:22 | |
| 6 | For Celebrations Past | 4:09 | |
| 7 | The Secret Kind | 3:08 | |
| 8 | Winter Song | 3:43 | |
| 9 | Troubled Times | 5:20 | |
| 10 | No One Knows | 5:13 | |
| 11 | Julie Paradise | 5:05 |
Companies, etc.
- Manufactured By – Epic
- Copyright © – Sony Music Entertainment Inc.
- Phonographic Copyright ℗ – Sony Music Entertainment Inc.
- Produced For – Instant Mayhem Productions
- Recorded At – Baby Monster Studios
- Recorded At – Sear Sound
- Mixed At – Quantum Sound Studios
- Mastered At – Masterdisk
- Published By – Sony Songs Inc.
- Published By – Glowing Eel Music
- Published By – Ripplestick Music
- Published By – Solomon Grundy Music
- Published By – Wrecking Ball Music
- Pressed By – DADC – DIDP-077957
Credits
- A&R – Bob Pfeifer
- Art Direction – David Coleman (5)
- Bass – Van Conner
- Drums – Barrett Martin
- Guitar – Gary Lee Conner
- Management – Kim White (3)
- Management [Booking] – Steve Kaul
- Management [Legal Representation] – Rosemary Carroll
- Mastered By – Howie Weinberg
- Mixed By – Andy Wallace
- Photography By – Michael Lavine
- Producer – Don Fleming
- Recorded By – John Agnello
- Vocals – Mark Lanegan
- Written-By – B. Martin* (tracks: 6, 7, 9), L. Conner* (tracks: 1, 2, 4 to 10), M. Lanegan*, V. Conner* (tracks: 2 to 7, 9, 11)
Notes
Recorded at Baby Monster, NYC & Sear Sound, NYC.
Mixed at Quantum, Jersey City, NJ.
Track #6 is a bonus track.
Publishers:
1, 8, 10; Sony Songs Inc./Glowing Eel Music/Ripplestick Music (BMI)
2, 4; Sony Songs Inc./Solomon Grundy Music/Ripplestick Music/Glowing Eel Music (BMI)
3, 5, 11; Sony Songs Inc./Ripplestick Music/Solomon Grundy Music (BMI)
6, 7; Sony Songs Inc./Glowing Eel Music/Ripplestick Music/Solomon Grundy Music/Wrecking Ball Music (BMI)
9; Sony Songs Inc./Solomon Grundy Music/Ripplestick Music/Glowing Eel Music/Wrecking Ball Music (BMI)
© 1992 ℗ 1992.
Tracks duration not mentioned on the release.
Mixed at Quantum, Jersey City, NJ.
Track #6 is a bonus track.
Publishers:
1, 8, 10; Sony Songs Inc./Glowing Eel Music/Ripplestick Music (BMI)
2, 4; Sony Songs Inc./Solomon Grundy Music/Ripplestick Music/Glowing Eel Music (BMI)
3, 5, 11; Sony Songs Inc./Ripplestick Music/Solomon Grundy Music (BMI)
6, 7; Sony Songs Inc./Glowing Eel Music/Ripplestick Music/Solomon Grundy Music/Wrecking Ball Music (BMI)
9; Sony Songs Inc./Solomon Grundy Music/Ripplestick Music/Glowing Eel Music/Wrecking Ball Music (BMI)
© 1992 ℗ 1992.
Tracks duration not mentioned on the release.
Barcode and Other Identifiers
- Barcode (Text): 0 7464-48996-2
- Barcode (String): 07464489962
- Matrix / Runout: DIDP-077957 1
- Other (Inner Plastic Ring Data): [DADC logo]
- Other (DADC Code): DIDP 077957
Other Versions (5 of 46)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| Sweet Oblivion (LP, Album) | Epic, Epic | 471724 1, EPC 471724 1 | Europe | 1992 | |||
Recently Edited | Sweet Oblivion (CD, Album) | Epic, Epic | 471724 2, EPC 471724 2 | Europe | 1992 | ||
New Submission | Sweet Oblivion (LP, Album) | Epic | E48996 | US | 1992 | ||
New Submission | Sweet Oblivion (Cassette, Album) | Epic, Epic, Epic | ET 48996, ET48996, 48996 | US | 1992 | ||
| Sweet Oblivion (CD, Album) | Epic | EK 48996 | US | 1992 |
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Reviews
- RIP Mark, you absolute legend. Thank you for the music!
Pulled this disc out as part of my "grunge" revisitation. Years ago, I enjoyed this album quite a bit, but it never was a favorite. I played the singles from the album quite a bit but never got too deep into the rest. Surprisingly, I have enjoyed my revisitation of this album more than I ever enjoyed it in the past. While the production is a bit cleaner than my tastes in this style of music, it still fits the songs so well. The band is so tight and cranks out damn near perfect performances of these instrumentals. Lanegan does his thing as usual, and while he's not my favorite vocalist, the talent is obvious. The way he picks his spots to insert his dominant voice into the instrumentals is very calculated and wise. There are some really great psychedelic/fuzzy guitar flourishes on here too, much like Lanegan's vocals, it picks its spots to add some flavor to the instrumentals. The aforementioned clean production accentuates these moments and makes the fantastic playing even more prominent in the mix.
As hinted at before, I find the album to be a bit tame and pop-oriented for my tastes at times, but the previously mentioned strengths nearly nullify any sterility. Also, the songwriting is just so damn good. Nearly every track is perfectly crafted and finds itself burned into your brain after a few listens. I'll enjoy pop-stylings all day when they're done this well.- One of the best records in my collection. Lanegan helps me to 'breath' better in this fuckin world.......
Release
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