Annea Lockwood – A Sound Map Of The Housatonic River
Label: | 3LEAVES – 3L018 |
---|---|
Format: | CDr, Limited Edition |
Country: | Hungary |
Released: | |
Genre: | Non-Music |
Style: | Field Recording |
Tracklist
1 | Untitled | 20:50 | |
2 | Untitled | 21:35 | |
3 | Untitled | 18:34 | |
4 | Untitled | 11:52 |
Notes
Limited edition of 200.
Originally intended as a quadraphonic sound installation that was accompanied by a large wall map and time/location captions, which are also reproduced on the fold-out cover.
The CD is enclosed in a single folded sheet, 280x422mm size, with the map and recording captions printed on one side and the ‘front’ cover image and background texts on the other.
Originally intended as a quadraphonic sound installation that was accompanied by a large wall map and time/location captions, which are also reproduced on the fold-out cover.
The CD is enclosed in a single folded sheet, 280x422mm size, with the map and recording captions printed on one side and the ‘front’ cover image and background texts on the other.
Recommendations
Reviews
- "It's not so much the Housatonic River sounds that make this recording by Annea Lockwood (born 1939, New Zealand) worth investigating, as it's hardly the first field recordings-based project to document water-related phenomena (in fact, it's Lockwood's third river study, having been preceded by 1982's A Sound Map of the Hudson River and 2005's A Sound Map of the Danube). What recommends the release (available in 200 copies) is that instead of presenting a generalized representation of a particular site, Lockwood's is a sound map that's accompanied by a cartographic display that enables the listener to identify the precise locations of the recorded sounds while listening to the seventy-three-minute recording. So while the dribbling water sounds under other presentation circumstances might have originated from any number of places, we know that Lockwood recorded them at Richmond Pond on May 17, 2008. Enabling the listener to participate more fully in the project as a north-to-south travelogue and imagine the scene in visual and aural terms makes The Sound Map of the Housatonic River an absorbing experience.
Springs, streams, ponds, and tributaries along the 224 km-long Housatonic River (from the Berkshire mountains of Western Massachusetts to the river's mouth at Milford Point, Long Island Sound in Connecticut) are included, and, in addition to the varying water sounds, one also hears birds (loons, woodpeckers), insects, and even a nearby train. Using both microphone and hydrophone devices, Lockwood recorded water sounds at the surface level and underwater along the riverbank at multiple sites, and the listener is consequently brought as close to the river, sometimes rapidly flowing and other times peaceful and still, as possible.
Episodes of violent intensity are heard (such as when an old dam at Lenox Avenue, Pittsfield and The Great Falls are visited), but the general mood is one of pastoral calm. The sonic impression left is of a verdant and unsoiled setting home to numerous bird and insect species—an impression that turns out to be fairly accurate: though the river was industrialized and polluted (with PCBs and other toxic substances) during the late-19th and 20th centuries, the river environment and its water quality have improved since a Wetlands Protection Act (Massachusetts) went into effect in 1972."
— Ron Schepper, Textura Magazine - "I am fascinated by the multi-layered complexity of the sounds created by fast flowing rivers and have been exploring them for many years. An aural scan is a different experience from a visual scan - more intimate, I find. The energy flow of a river can be sensed very directly through the sounds created by the friction between current and riverbanks, current and riverbed.
This is a sonic map tracing the course of the 224 km Housatonic River, from the sources in the Berkshire mountains of Western Massachusetts to the river’s mouth at Milford, Long Island Sound (Connecticut, USA), recorded both at the surface and underwater, not from boats but along the riverbank at many sites, thus mirroring the changing river-created environment. I recorded using a Sound Devices recorder, a Shure VP88 microphone and an Offshore Acoustics hydrophone very kindly lent to me by composer Maggi Payne. Processing is minimal: some equalization was applied in the quieter sites."
— Annea Lockwood
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