|A3||I Owe You|
|B3||Der Geruch Von Gummi In Meiner Taucherbrille|
|C1||Tout Se Complique|
|C2||Djamel At Jamshid|
- Edited By [Reedited] – (tracks: A1, A3, C3, D3), (tracks: A1, A3, C3, D3)
- Music By [Music Maker] –
Some early copies had a transparent yellow 7" included with two tracks (one each side). One side has an hand written hal 9000\13 silver writing. Cat. number etched: AO 17442
Made in EEC
Made in EEC
- Matrix / Runout (Side A): PLAYHOUSE 38-A SNB
- Matrix / Runout (Side B): PLAYHOUSE 38-B SNB
- Matrix / Runout (Side C): PLAYHOUSE 38-C SNB
- Matrix / Runout (Side D): PLAYHOUSE 38-D SNB
|Rest (CD, Album)||Playhouse||playhouse cd.001||Germany||2000|
|Rest (2×LP, Album, White Label)||Playhouse||playhouse nr.38||Germany||2000|
|Rest (CD, Album, Reissue, Remastered)||Playhouse, Playhouse||cd 001, Play CD 001||Germany||2005|
|Rest (2×LP, Album, Reissue)||Playhouse||play 38||Germany||2006|
|Rest (CD, Album, Reissue, Digipak)||Pampa Records||pampacd003||Germany||2011|
- I like "Rest" as much as I like the rest of the Isolee albums, but I always wonder: why Isolee specifically was the one microhouse/dubby house producer that went into the mainstream and got popular? Where was the push that got this kind of acid techno that was around everywhere but specifically worked with in Ultramarine's "A User's Guide" suddenly super popular and demanded? It happens to me as with the Gui Boratto first album, which I also like, but I cannot see much of a difference with the rest of the Kompakt catalogue at the time.
In any case a very cool album whose relatives are counted with my fingers (Juju&Jordash, Ultramarine, Further Details) and which is as playful as the first Antonelli Electr productions, but also with a foot on the more minimal side of techno that would be so prevalent (and so boring usually) on a big part of the 00s.
- I can't believe this was released in 2000. Well done.
- Edited 15 years agoThis album deserves a comment-scratch that, this album deserves a purchase. On sight. Like the description says it's House, Techno, Minimal. Its also electronica/IDM, dubby, glitchy and even dancefloor-y. All about five years before hipsters decided this was the kind of musical aesthetic to move to Berlin and look cool to. Except this is far better than all that minimal hype, and even surpasses Isolee's much-loved 'We Are Monster' LP.
One of those albums you pick up and think 'never heard anything like this before'. Highlights are Gallus and Der Geruch..., the last an astonishing exercise in bass and atmosphere