Porno For Pyros – Good God's Urge
Label: | Warner Bros. Records – 9 46126-2 |
|---|---|
Format: | CD, Album |
Country: | US |
Released: | |
Genre: | Rock |
Style: | Alternative Rock, Psychedelic Rock |
Tracklist
| 1 | Porpoise Head | 4:14 | |
| 2 | 100 Ways | 3:42 | |
| 3 | Tahitian Moon | 3:47 | |
| 4 | Kimberly Austin | 3:13 | |
| 5 | Thick Of It All | 4:43 | |
| 6 | Good God's://Urge! | 3:52 | |
| 7 | Wishing Well | 3:40 | |
| 8 | Dogs Rule The Night | 3:22 | |
| 9 | Freeway | 4:23 | |
| 10 | Bali Eyes | 3:26 |
Companies, etc.
- Record Company – Time Warner
- Phonographic Copyright ℗ – Warner Bros. Records Inc.
- Copyright © – Warner Bros. Records Inc.
- Manufactured By – WEA Manufacturing
- Recorded At – Shangri-La, Malibu, CA
- Mixed At – Shangri-La, Malibu, CA
- Recorded At – Record Plant, Los Angeles
- Mixed At – Record Plant, Los Angeles
- Mastered At – A&M Studios
- Published By – I'll Hit You Back Music
- Published By – EMI Virgin Songs, Inc.
- Glass Mastered At – Technicolor, Camarillo, CA – 114625
Credits
- Art Direction – Deborah Norcross
- Bass – Martyn LeNoble, Mike Watt
- Design – Deborah Norcross, Perry Farrell
- Drums, Percussion, Sampler [Samples], Backing Vocals – Stephen Perkins
- Engineer – Thomas Johnson
- Engineer [Assistant] – Brandon Harris, James Saez
- Engineer [Guitar Tones By] – John Flannery
- Guitar, Sampler [Samples], Backing Vocals – Peter DiStefano
- Lyrics By – Perry Farrell
- Management [For Cloudbreak Management] – Paul V., Roger Leonard (2)
- Mastered By – Dave Collins, Perry Farrell, Thomas Johnson
- Model [Cover Goddess] – Christine Cagle
- Music By – Porno For Pyros
- Photography By [Cover Photo/Sleeve Photos], CGI Artist [Computer Imaging] – John Eder
- Producer – Matt Hyde (tracks: 3, 8, 10), Perry Farrell, Thomas Johnson (tracks: 1, 2, 4 to 7, 9)
- Sampler [Samples], Sounds – Thomas Johnson
- Stylist – Juan Manuel (19)
- Vocals, Percussion, Sampler [Samples], Harp, Keyboards – Perry Farrell
Notes
Recorded and mixed in Zuma Beach, California at Shangri-La Studios, with additional recording and mixing at The Record Plant/Los Angeles.
Mastered at A&M Studios.
Publishing: © 1996 I'll Hit You Back Music/Virgin-EMI Songs BMI
Warner Bros. Records Inc., a Time Warner company.
© ℗ 1996 Warner Bros. Records Inc. for the U.S. and WEA International Inc. for the world outside of the U.S.
Made in U.S.A.
Mfg. by WEA Manufacturing.
Mastered at A&M Studios.
Publishing: © 1996 I'll Hit You Back Music/Virgin-EMI Songs BMI
Warner Bros. Records Inc., a Time Warner company.
© ℗ 1996 Warner Bros. Records Inc. for the U.S. and WEA International Inc. for the world outside of the U.S.
Made in U.S.A.
Mfg. by WEA Manufacturing.
Barcode and Other Identifiers
- Barcode (Text): 0 9362-46126-2 9
- Barcode (Scanned): 093624612629
- Matrix / Runout: D1 46126 R1 C2 114625-01
- Mastering SID Code: IFPI L892
- Mould SID Code: IFPI 2T12
- Rights Society: BMI
Other Versions (5 of 30)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
Recently Edited | Good God's Urge (CD, Album) | Warner Bros. Records | 9362-46126-2 | Europe | 1996 | ||
New Submission | Good God's Urge (CD, Album, Club Edition) | Warner Bros. Records | 9 46126-2 | US | 1996 | ||
| Good God's Urge (CD, Album) | Warner Bros. Records | CDW 46126 | Canada | 1996 | |||
New Submission | Good God's Urge (CD, Advance, Album, Promo) | Warner Bros. Records | 2-46126-A | US | 1996 | ||
New Submission | Good God's Urge (CD, Album) | Warner Bros. Records | 9362461262 | Australia | 1996 |
Recommendations
Reviews
- Edited 19 years agoThis album is brilliant. Yes, it's that simple. Highlights include tracks 5 and 10. They're the more mellow tunes. The rest is also pure brilliance though and shows a diverse range of musical genres and performance levels throughout. I'd also go as far to say that the feel of this album is quite surreal. There's twists and turns and up and downs that will always surprise with each listen. It's like a tripped out roller-coaster ride that you'll rarely tire of.
Lastly, I reckon this album is far more musical than anything I've heard from Farrell's previous projects (e.g. compared to earlier tracks from Jane's Addiction). Thus, a person who appreciates more instrumental pieces, the usual chilling and sweet vocals from Perry, and experimental beats won't be disappointed with this album. Just forget about expecting coarse rock guitar and drums though. And yes that's a good thing. Turn it up!
Release
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