Skrol – Dances And Marches For The Orphan Age

To make a body of music you have to bring parts and create a fusion, an alchemy of sounds to create form, that is Integrated music as Hirsch reveal, but in reality this is music in its purest more intimate reality. The expression that join knowledge with sentiments.

A Frankenstein body form with dissimilar compounds, for example the obfuscating pulse of industrial machinery as a hammering drum set, blasted metals and clangour that reminisces Prokofiev inside afactory. Electrifying drones charging the atmosphere with tension, the aspect of modernity, the pain of our age expressed in the definitive imprinted sound of our age, the synthesis. And the variation displayed with human voices, resemblance of the spiritual chants of the Slavic spirituality, the sacred, reminisce of Arvo Part.

Skrol DaMftOA reflects the traits of youthful impulses, its yearnings and despairs, the searching for spiritual goals through the ordeal of a harsh despiritualized scenario. As usual with most Hirsch projects, this is a journey searching for the potential of a well refined soul, a transit through fire and physical sublimation. Harsh, merciless, though, like a book of Cioran.