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Tracklist
| A1 | Lou Harrison– | Sonata No. 2 Harpsichord – Susan Summerfield | 2:43 |
| A2 | Terry Riley– | The Ethereal Time Shadow (Excerpt) Voice, Synthesizer – Terry Riley | 9:20 |
| A3 | Luciano Berio– | Chamber Music Cello – Bonnie Hampton Clarinet – Donald O'Brien Conductor – Jean-Louis LeRoux Harp – Marcella DeCray Mezzo-soprano Vocals – Olivia Stapp Performer – Mills Performing Group | 7:10 |
| A4 | Dave Brubeck– | Summer Song Arranged By [Orchestral Setting], Conductor – Howard Brubeck Bass – Eugene Wright Concertmaster – Max Pollikoff Drums – Joe Morello Performer – The Dave Brubeck Quartet With Orchestra* Piano – Dave Brubeck Saxophone – Paul Desmond | 2:56 |
| B1 | David Rosenboom– | In The Beginning: Etude I (Trombones) Computer [Macintosh Computer Program For Just Intonation Guide Tones] – Scot Gresham-Lancaster Trombone – Toyoji Tomita | 9:48 |
| B2 | Robert Ashley– | Flying Saucer Dialogue Keyboards, Engineer [Sound Design], Mixed By, Producer – Paul Shorr Producer – Lawrence Brickman Voice – Jacqueline Humbert Voice, Keyboards, Producer – Robert Ashley | 7:14 |
| B3 | Anthony Braxton– | Composition No. 62 ( + 30 + 96) Soprano Saxophone – Anthony Braxton Synthesizer [Kurzweil 250 Digital Synthesizer] – David Rosenboom | 5:48 |
| C1 | David Behrman– | Interspecies Smalltalk, Part 2 (Excerpt) Computer [Computer Music System], Producer – David Behrman Engineer [Recording], Producer – Steve Cellum Violin – Takehisa Kosugi | 5:42 |
| C2 | Elinor Armer– | Thaw Piano – Lois Brandwynne | 5:51 |
| C3 | Steve Reich– | Melodica | 10:43 |
| D1 | Maggi Payne– | Subterranean Network (Excerpt) | 7:21 |
| D2 | Darius Milhaud– | Segoviana Guitar – Paul Binkley | 3:14 |
| D3 | Pauline Oliveros– | Alien Bog (Excerpt) | 6:22 |
| D4 | Anthony Gnazzo– | Asparagas | 4:49 |
| E1 | Katrina Krimsky– | Apparitions | 9:15 |
| E2 | Larry Polansky– | Four Voice Cannon # 3 | 1:49 |
| E3 | Pandit Pran Nath– | Dira Dira Tā Nā: Tarānā, Tīn-Tāl, Madhya-Layal Raga Bhairavī (Excerpt) Tabla – Benjamin Wertheimer* Tambura – Shabda Kahn Tambura, Voice – Terry Riley Voice – Pandit Pran Nath | 12:29 |
| F1 | Janice Giteck– | Breathing Songs From A Turning Sky (Excerpt) Bassoon – Bruce Grainger Cello, Producer – Walter Gray Clarinet – William McColl Engineer [Recording] – Albert Swanson* Flute – Jane Lenoir Performer – The New Performance Group Piano – Roger Nelson | 7:29 |
| F2 | Robert Sheff– | Remembering Composed By – Robert Sheff Voice, Electronics – "Blue" Gene Tyranny | 2:27 |
| F3 | Ramon Sender– | Audition (Excerpt) Dilruba [Modified Dalruba] – Ramon Sender Morningstar* | 2:54 |
| F4 | Morton Subotnick– | The Key To Songs (Excerpt) Electronics [Yamaha Tx-816 And Qx-1 Electronic Music System] – Morton Subotnick | 8:29 |
Companies, etc.
- Mastered At – Wakefield Manufacturing
Credits
- Compilation Producer, Compiled By – David Rosenboom
- Cover [Cover Image] – Jasper Johns
- Design – Tony Agpoon
- Engineer [Recording] – Richard Povall (tracks: A1, B1, B3, D2)
- Management [Administrative Assistance] – Jody Diamond, Larry Polansky, Mary Hill (2), Theony Condos
- Producer [Recording Studio Production], Edited By [Tape Editing] – Richard Povall
Notes
Released in celebration of the centennial of the chartering of Mills College 1885 - 1985.
Includes a 4-page 12" square-sized booklet.
A1 is a part from "Six Sonatas For Cembalo", composed 1936-1940, recorded at the Center for Contemporary Music Recording Studio.
A2 composed 1981-82, recorded in concert by Südwestfunk Radio, Baden-Baden, Germany, May 1982.
A3 composed 1953, recorded in a Mills Performing Group concert, October 17, 1969.
A4 composed 1958, recorded in Summer, 1961.
B1 composed 1979, recorded at the Center for Contemporary Music Recording Studio.
B2 is part of the opera "Atalanta (Acts of God)", finished in 1985. The original sound materials are taken from an anecdote for videotape directed by Lawrence Brickman.
B3 composed 1976, recorded at the Center for Contemporary Music Recording Studio.
C1 recorded at Roulette, New York City, June 1985. Comissioned for Merce Cunningham's dance "Pictures" in 1984.
C2 composed 1975, recorded live in a Composers' Coop concert on June 8, 1975.
C3 composed 1966.
D1 composed 1985.
D2 composed 1957, recorded at the Center for Contemporary Music Recording Studio.
D3 composed 1967.
D4 composed 1978.
E1 composed 1984, recorded at Powerplay Recording Studios AG, Switzerland.
E2 composed 1975-76. Created at the Center for Computer Research in Music and Acoustics (CCRMA), Stanford University.
E3 recorded on April 8, 1979, at a concert in the Mills College Student Union.
F1 composed 1980, performed at Cornish Institute in Seattle, March 1984.
F2 composed 1974, recorded at the composer's home studio, Oakland 1974, partly reprocessed at the Center for Contemporary Music 1981.
F3 composed 1981, recorded live in the Mills College Concert Hall during a Mills Tape Music Center reunion concert on March 20, 1981.
F4 composed 1985.
The picture of the glasses on the front is of a sculpture by Jasper Johns. There is an edition of 200 signed and numbered by him.
Includes a 4-page 12" square-sized booklet.
A1 is a part from "Six Sonatas For Cembalo", composed 1936-1940, recorded at the Center for Contemporary Music Recording Studio.
A2 composed 1981-82, recorded in concert by Südwestfunk Radio, Baden-Baden, Germany, May 1982.
A3 composed 1953, recorded in a Mills Performing Group concert, October 17, 1969.
A4 composed 1958, recorded in Summer, 1961.
B1 composed 1979, recorded at the Center for Contemporary Music Recording Studio.
B2 is part of the opera "Atalanta (Acts of God)", finished in 1985. The original sound materials are taken from an anecdote for videotape directed by Lawrence Brickman.
B3 composed 1976, recorded at the Center for Contemporary Music Recording Studio.
C1 recorded at Roulette, New York City, June 1985. Comissioned for Merce Cunningham's dance "Pictures" in 1984.
C2 composed 1975, recorded live in a Composers' Coop concert on June 8, 1975.
C3 composed 1966.
D1 composed 1985.
D2 composed 1957, recorded at the Center for Contemporary Music Recording Studio.
D3 composed 1967.
D4 composed 1978.
E1 composed 1984, recorded at Powerplay Recording Studios AG, Switzerland.
E2 composed 1975-76. Created at the Center for Computer Research in Music and Acoustics (CCRMA), Stanford University.
E3 recorded on April 8, 1979, at a concert in the Mills College Student Union.
F1 composed 1980, performed at Cornish Institute in Seattle, March 1984.
F2 composed 1974, recorded at the composer's home studio, Oakland 1974, partly reprocessed at the Center for Contemporary Music 1981.
F3 composed 1981, recorded live in the Mills College Concert Hall during a Mills Tape Music Center reunion concert on March 20, 1981.
F4 composed 1985.
The picture of the glasses on the front is of a sculpture by Jasper Johns. There is an edition of 200 signed and numbered by him.