How To Destroy Angels – Welcome Oblivion
Label: | Columbia – 88765475461 |
|---|---|
Format: | CD, Album |
Country: | UK & Europe |
Released: | |
Genre: | Electronic, Rock |
Style: | Industrial, Electro |
Tracklist
| A1 | The Wake-Up | 1:43 | |
| A2 | Keep It Together | 4:27 | |
| A3 | And The Sky Began To Scream | 3:57 | |
| A4 | Ice Age | 6:52 | |
| B1 | Welcome Oblivion | 3:47 | |
| B2 | On The Wing | 4:52 | |
| B3 | Too Late, All Gone | 6:15 | |
| B4 | The Province Of Fear | 4:13 | |
| C1 | How Long? | 3:54 | |
| C2 | Strings And Attractors | 4:28 | |
| C3 | Recursive Self-Improvement | 6:28 | |
| C4 | Unintended Consequences | 5:18 | |
| D1 | We Fade Away | 6:41 | |
| D2 | The Loop Closes | 4:50 | |
| D3 | Hallowed Ground | 7:17 | |
| 1 | The Wake-Up | 1:43 | |
| 2 | Keep It Together | 4:27 | |
| 3 | And The Sky Began To Scream | 3:57 | |
| 4 | Ice Age | 6:52 | |
| 5 | Welcome Oblivion | 3:47 | |
| 6 | On The Wing | 4:52 | |
| 7 | Too Late, All Gone | 6:15 | |
| 8 | The Province Of Fear | 4:43 | |
| 9 | How Long? | 3:54 | |
| 10 | Strings And Attractors | 4:28 | |
| 11 | Recursive Self-Improvement | 6:28 | |
| 12 | Unintended Consequences | 5:18 | |
| 13 | We Fade Away | 6:41 | |
| 14 | The Loop Closes | 4:50 | |
| 15 | Hallowed Ground | 7:17 |
Companies, etc.
- Record Company – Sony Music
- Phonographic Copyright ℗ – HTDA, LLC
- Copyright © – HTDA, LLC
- Distributed By – Sony Music Entertainment
- Mastered At – Precision Mastering
- Published By – Cloudcover, Inc.
- Published By – M'aidez
- Published By – Songs In The Key Of Mink
- Published By – Songs of Universal, Inc.
- Pressed By – Optimal Media GmbH – BD02658
- Manufactured By – Optimal Media GmbH – AD02666
Credits
- Engineer [Additional Engineering] – Dustin Mosley, Jun Murakawa
- Management – Rebel Waltz
- Mastered By – Tom Baker (3)
- Mixed By – Alan Moulder
- Performer – Atticus Ross, Mariqueen Maandig, Rob Sheridan (2), Trent Reznor
- Recorded By – Blumpy
- Written-By, Arranged By, Programmed By, Performer, Producer, Artwork [Packaging] – How To Destroy Angels
Notes
Released in gatefold sleeve with two 180g vinyls, printed inner sleeves and 12"x12" insert with credits. Includes CD of the vinyl edition of the album.
Published by Cloudcover, Inc. (ASCAP), M'aidez (ASCAP) and Songs In The Key Of Mink, administered by Songs Of Universal, Inc. (BMI)
℗ 2013 & © 2012, 2013 HDTA, LLC
Published by Cloudcover, Inc. (ASCAP), M'aidez (ASCAP) and Songs In The Key Of Mink, administered by Songs Of Universal, Inc. (BMI)
℗ 2013 & © 2012, 2013 HDTA, LLC
Barcode and Other Identifiers
- Barcode: 887654754615
- Label Code: LC00162
- Matrix / Runout (Vinyl - Side A): BD02658-01 A1 MK
- Matrix / Runout (Vinyl - Side B): BD02658-01 B1 MK
- Matrix / Runout (Vinyl - Side C): BD02658-02 C1 MK
- Matrix / Runout (Vinyl - Side D): BD02658-02 D1 MK
- Matrix / Runout (CD): Manufactured by optimal media GmbH AD02666-01
- Mastering SID Code (CD): IFPIL574
- Mould SID Code (CD Variant 1): IFPI9704
- Mould SID Code (CD Variant 2): IFPI 9710
Other Versions (5 of 14)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| Welcome Oblivion (CD, Album) | Columbia, Columbia | Sigil 04cd, 88765475462 | Europe | 2013 | |||
Recently Edited | Welcome Oblivion (13×File, MP3, Album) | HTDA, LLC | none | US | 2013 | ||
New Submission | Welcome Oblivion (CD, Album, Digipak) | Columbia, Columbia | Sigil 04cd, 88765475462 | US | 2013 | ||
| Welcome Oblivion (2×LP, Album, Stereo, 180 gm, CD, Album) | Columbia | 88765475461 | US | 2013 | |||
New Submission | Welcome Oblivion (13×File, FLAC, Album, 24 bit, 96 kHz) | HTDA, LLC | none | US | 2013 |
Recommendations
Reviews
The comment below is nonsense: this pressing is absolutely awesome. Dead silent, dynamic, flat, sounds waaaaaaay better than the digital and cd versions: Optimal doesn’t fail, at least for years now.
And it fits perfectly with the music: every distorted weird sound comes from the music and not from surface noise or whatever.
And the music is great: Reznor getting closer to trip hop.- Edited 12 years agoMan, i am so disappointed with the sound on this vinyl! Expensive and low quality. I think they give you a free CD so you can really listen to the album, i don´t know why it lacks so much depth and has so much bass, it´s horrible to listen to. Don´t get me wrong, i love the album (minus How Long, cause it´s HORRIBLE) but i paid extra cash for a vinyl version, and it sucks to say the least. I thought that being a Columbia Records release it would have some great quality. Wrong. Of all the vinyls i got this week, this is the only one that seems to have been printed with the a ss. The illegal download you can get from the internet sounds miles better than this sh it. Apart from that, the inserts were badly handled and opening from factory seal, they came in bad shape, as if some idiot who don´t care just put them there while talking on the phone or something.
- Edited 12 years ago...i think Mr. Renzor needs a drummer here, a real drummer & some guitars...nice compositions, nice vocals but some songs have not to be so 'POP'....'how long' sounds like Madonna....
Release
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