Pat Metheny & Lyle Mays – As Falls Wichita, So Falls Wichita Falls
Label: | ECM Records – ECM 1190, ECM Records – 2301 190 |
|---|---|
Format: | Vinyl, LP, Album |
Country: | Germany |
Released: | |
Genre: | Jazz, Folk, World, & Country |
Style: | Smooth Jazz, Fusion, Experimental, Contemporary Jazz |
Tracklist
| A | As Falls Wichita, So Falls Wichita Falls | 20:44 | |
| B1 | Ozark | 4:03 | |
| B2 | September Fifteenth (Dedicated To Bill Evans) | 7:44 | |
| B3 | "It's For You" | 8:20 | |
| B4 | Estupenda Graça | 2:40 |
Companies, etc.
- Phonographic Copyright ℗ – ECM Records GmbH
- Recorded At – Talent Studio
- Pressed By – PRS Hannover
- Lacquer Cut At – PRS Hannover
- Published By – Pat-Meth Music
- Published By – Lyle Mays Music
Credits
- Berimbau, Percussion, Drums, Vocals – Nana Vasconcelos*
- Composed By – Lyle Mays, Pat Metheny
- Design – Barbara Wojirsch
- Electric Guitar, Acoustic Guitar [Six And Twelve String], Bass – Pat Metheny
- Engineer – Jan Erik Kongshaug
- Photography By [Cover] – Klaus Frahm
- Photography By [Liner] – Rob van Petten*
- Piano, Synthesizer, Organ, Autoharp – Lyle Mays
- Producer – Manfred Eicher
Notes
Recorded September 1980 at Talent Studio, Oslo
Publishers:
Pat-Meth Music/Lyle Mays Music (BMI)
An ECM Production
Ⓟ 1981 ECM Records GmbH
Made in W. Germany
Printed in W. Germany
Publishers:
Pat-Meth Music/Lyle Mays Music (BMI)
An ECM Production
Ⓟ 1981 ECM Records GmbH
Made in W. Germany
Printed in W. Germany
Barcode and Other Identifiers
- Label Code: LC 2516
- Rights Society (Labels, boxed): GEMA
- Rights Society: BMI
- Matrix / Runout (Side A runout, stamped - variant 1): 2301 190 S 1 320 1A Y
- Matrix / Runout (Side B runout, stamped - variant 1): 2301 190 S 2 320 1A Q
- Matrix / Runout (Side A runout, stamped - variant 2): 2301 190 S1 320 AG 1A
- Matrix / Runout (Side B runout, stamped - variant 2): 2301 190 S2 320 AA 1C
- Matrix / Runout (Side A runout, stamped - variant 3): 2301 190 S 1 320 1A I
- Matrix / Runout (Side B runout, stamped - variant 3): 2301 190 S 2 320 1 E
- Matrix / Runout (Side A runout, stamped - variant 4): 2301 190 S 1 320 AD 1A
- Matrix / Runout (Side B runout, stamped - variant 4): 2301 190 S 2 320 Y 1C
- Matrix / Runout (Side A runout, stamped - variant 5): 2301 190 S 1 320 AL 1A
- Matrix / Runout (Side B runout, stamped - variant 5): 2301 190 S 2 320 AC 1C
- Matrix / Runout (Side A runout, stamped - variant 6): 2301 190 S 1 320 1A Z
- Matrix / Runout (Side B runout, stamped - variant 6): 2301 190 S 2 320 1A I
- Matrix / Runout (Side A runout, stamped - variant 7): 2301 190 S 1 320 1A AN
- Matrix / Runout (Side B runout, stamped - variant 7): 2301 190 S 2 320 1C AK
Other Versions (5 of 51)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| As Falls Wichita, So Falls Wichita Falls (LP, Album, Stereo, Wakefield Pressing) | ECM Records | ECM-1-1190 | US | 1981 | |||
Recently Edited | As Falls Wichita, So Falls Wichita Falls (LP, Album) | ECM Records | 58.044 | Brazil | 1981 | ||
New Submission | As Falls Wichita, So Falls Wichita Falls (LP, Album) | ECM Records | ECM 1-1190 | Canada | 1981 | ||
New Submission | As Falls Wichita, So Falls Wichita Falls (LP, Album) | ECM Records | ECM-1-1190 | US | 1981 | ||
Recently Edited | As Falls Wichita, So Falls Wichita Falls (LP, Album) | ECM Records, ECM Records | PAP-25505, ECM 1190 | Japan | 1981 |
Recommendations
1980 GermanyVinyl —LP, Album
Reviews
Cant get into the B side sadly, but the title track is one of the great jazz suits from this label. Wild and primordial but with that wonderful 80's sheen seen on his previous offramp.
An amazing collaboration album between Pat Metheny and Lyle Mays and is more atmospheric and introspective than the Pat Metheny Group albums, and foreshadows Pat's overdubbing experiments and Lyle's solo albums. I felt this album is a good balance of the compositional and performance strengths of the two musicians. The German pressing LP is near mint and plays beautifully silent.- This was one of my first introductions to pieces of music that last for more than twenty minutes without big overblown solos everywhere. Side one is just pure atmospheres, developing in beautiful spaces, it's almost ambient but there's always something simmering under the placid surface. Pat and Lyle do dark ambience so well when they put their hand to it. Love "September Fifteenth (Dedicated To Bill Evans)" - tried to learn how to play it but I couldn't do it justice... (75 words blah)
Release
For sale on Discogs
Sell a copy58 copies from $10.31
Statistics
Videos (2)
EditLists
- Lp by hbohlin
- Jazz LP by r.miniero
- ECM Records in my collection by HasanYikici
- ECM Records LP collection by eusebius
- ECM Vinyl by BLACK-MARKET
- All Time Favorites by Arty.gz
- ECM Records jagbc collection by jagbc
- Fremer Stereophile by woodchamber
- ECM lp by antunp1998
- My ECM records by charliebb971
- Colección del Johnny by Sonolabucm
- ✌️ Saw-mon & Natalie by Saw-mon_and_Natalie
- elpees1 by tohenk
- Miguel Arcanjo 2 by fxa
- Listen To This by xdanguyx
- What's Good? by Customs
- ECM Records Collection by dzed
- #TOUCHUSED - 7/25/16 by touchvinyl