Deep ?urp!e* – Now What?!
Tracklist
| A1 | A Simple Song | 4:40 | |
| A2 | Weirdistan | 4:14 | |
| A3 | Out Of Hand | 6:05 | |
| B1 | Hell To Pay | 5:11 | |
| B2 | Bodyline | 4:23 | |
| B3 | Above And Beyond | 5:29 | |
| C1 | Blood From A Stone | 5:16 | |
| C2 | Uncommon Man | 6:57 | |
| C3 | Après Vous | 5:25 | |
| D1 | All The Time In The World | 4:19 | |
| D2 | Vincent Price | 4:44 | |
| Exclusive Bonus Track | |||
| D3 | It'll Be Me | 3:02 |
Companies, etc.
- Phonographic Copyright ℗ – Edel Germany GmbH
- Copyright © – Edel Germany GmbH
- Made By – Optimal Media GmbH
- Distributed By – Edel:Distribution
- Pressed By – Optimal Media GmbH – BD08430
- Published By – Notting Hill Music (UK)
- Published By – Dislocated Music Publishing Ltd.
- Published By – Rugged Music Ltd.
- Published By – Thames Overtures Ltd.
- Published By – Ezrin Music
- Published By – Irving Music Ltd.
- Published By – Universal Music Publishing Group
- Published By – Warner/Chappell Music
- Recorded At – The Tracking Room
- Recorded At – Rainbow Recorders
- Recorded At – Anarchy Studios
- Mixed At – Anarchy Studios
- Mastered At – Sterling Sound
Credits
- Bass Guitar – Roger Glover
- Booking [Agency] – The Agency*
- Booking [Agent] – Neil Warnock
- Cover [Front Cover by] – Ear Music
- Drums – Ian Paice
- Engineer – Justin Cortelyou
- Engineer [Assistant] – Li Xiao Le
- Engineer [Rainbow Recorders] – Mike Airey, Nathan Sage, Rob Harris (5)
- Engineer [Tracking Room Assistant] – Jarad Clement, Zach Allan*
- Guitar – Steve Morse
- Keyboards – Don Airey
- Lacquer Cut By – MK*
- Layout, Artwork – Antje Warnecke
- Management [Accountant] – Mark Zuckerman (2)
- Management [Business Manager] – Barbara Fucigna, Thames Talent, Ltd.*
- Management [Personal Manager] – Bruce Payne, Thames Talent, Ltd.*
- Mastered By – Greg Calbi
- Mixed By – Bob Ezrin, Justin Cortelyou
- Musician [Additional], Backing Vocals, Percussion – Bob Ezrin
- Photography By [Photos] – Jim Rakete
- Producer – Bob Ezrin
- Production Manager – Lothar Strunk
- Technician [Drum] – Pauly Simmons
- Technician [Guitar] – Thomas "Tommy" Alderson*
- Technician [Keyboards/Backline] – Mike Airey
- Tour Manager – Ian Digance
- Vocals – Ian Gillan
- Written-By – Bob Ezrin (tracks: A1 to D2), Don Airey (tracks: A1 to D2), Ian Gillan (tracks: A1 to D2), Ian Paice (tracks: A1 to D2), Roger Glover (tracks: A1 to D2), Steve Morse (tracks: A1 to D2)
Notes
Comes in a gatefold sleeve with printed inner sleeves including lyrics.
Some copies sold with a sticker showing 8 26992 03171 2 barcode attached on original sleeve printed barcode.
Track D3 is an exclusive bonus track, only appearing on the double vinyl and limited edition CD.
Total running time 60:02 min.
Recorded at: The Tracking Room, Nashville, TN, USA,
Anarchy Studios, Nashville, TN, USA,
Additional Keyboards recorded at Rainbow Recorders,
Mixed at Anarchy Studios, Nashville, TN, USA,
Mastered at Sterling Sound, New York, NY, USA.
Publishers:
Notting Hill Music (UK) (PRS) / Dislocated Music Publishing, Ltd. (PRS) / Rugged Music, Ltd. (ASCAP) / Thames Overtures, Ltd. (ASCAP) / Ezrin Music/Irving Music Inc. (BMI), except D3: Universal Music Publishing Group, Warner/Chappell Music.
Thanks to: Max Vaccaro, Michael Hedges, Kat Rallis, Sally Day, Jenny DiMauro and Kim Markovchick.
Roger Glover thanks: Vigier Excess RG Custom and Fender Precision bass guitars, TC Electronic Blacksmith amplification & effects, EBS pedals.
Ian Paice thanks: Pearl drums, Paiste cymbals, Remo drumheads, ProMark sticks, Protection Racket softcases, Hardcase hardcases, May mic system, AKG mics, Beyer Dynamic mics & headphones, HK Stage Monitors.
Steve Morse thanks: Ernie Ball, Musicman, Engl. Dimarzio, TC Electronic, Presonus.
Don Airey thanks: Keith Watson at Soundcraft, John Haburay at The Hammond Store, Clive Botterill at Hammond Services, Mike Swains at MLS Electronics, Hughes & Kettner.
This album is dedicated to Jon Lord.
Souls, having touched, are forever entwined.
℗ & © 2013 Edel Germany GmbH. earMUSIC is a project of Edel.
All rights reserved.
Made in Germany by Optimal Media GmbH.
Some copies sold with a sticker showing 8 26992 03171 2 barcode attached on original sleeve printed barcode.
Track D3 is an exclusive bonus track, only appearing on the double vinyl and limited edition CD.
Total running time 60:02 min.
Recorded at: The Tracking Room, Nashville, TN, USA,
Anarchy Studios, Nashville, TN, USA,
Additional Keyboards recorded at Rainbow Recorders,
Mixed at Anarchy Studios, Nashville, TN, USA,
Mastered at Sterling Sound, New York, NY, USA.
Publishers:
Notting Hill Music (UK) (PRS) / Dislocated Music Publishing, Ltd. (PRS) / Rugged Music, Ltd. (ASCAP) / Thames Overtures, Ltd. (ASCAP) / Ezrin Music/Irving Music Inc. (BMI), except D3: Universal Music Publishing Group, Warner/Chappell Music.
Thanks to: Max Vaccaro, Michael Hedges, Kat Rallis, Sally Day, Jenny DiMauro and Kim Markovchick.
Roger Glover thanks: Vigier Excess RG Custom and Fender Precision bass guitars, TC Electronic Blacksmith amplification & effects, EBS pedals.
Ian Paice thanks: Pearl drums, Paiste cymbals, Remo drumheads, ProMark sticks, Protection Racket softcases, Hardcase hardcases, May mic system, AKG mics, Beyer Dynamic mics & headphones, HK Stage Monitors.
Steve Morse thanks: Ernie Ball, Musicman, Engl. Dimarzio, TC Electronic, Presonus.
Don Airey thanks: Keith Watson at Soundcraft, John Haburay at The Hammond Store, Clive Botterill at Hammond Services, Mike Swains at MLS Electronics, Hughes & Kettner.
This album is dedicated to Jon Lord.
Souls, having touched, are forever entwined.
℗ & © 2013 Edel Germany GmbH. earMUSIC is a project of Edel.
All rights reserved.
Made in Germany by Optimal Media GmbH.
Barcode and Other Identifiers
- Barcode (Text): 4 029759 085782
- Matrix / Runout (A Side, Runout Etching): BD08430-01 A1 MK
- Matrix / Runout (B Side, Runout Etching): BD08430-01 B1 MK
- Matrix / Runout (C Side, Runout Etching): BD08430-02 C2 MK
- Matrix / Runout (D Side, Runout Etching): BD08430-02 D1 MK
- Rights Society: GEMA/BIEM
- Label Code: LC 01666
- Rights Society: PRS
- Rights Society: BMI
- Rights Society: ASCAP
Other Versions (5 of 36)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
Recently Edited | Now What?! (CD, Album, DVD, DVD-Video, All Media, , Digipak) | Ear Music | 0208577ERE | Europe | 2013 | ||
| Now What?! (CD, Album) | Ear Music | 0208486ERE | Europe | 2013 | |||
New Submission | Now What?! (CD, Album) | Victor | VICP-65152 | Japan | 2013 | ||
New Submission | Now What?! (CD, Album, SHM-CD, DVD, , All Media, Limited Edition, Digipak) | Victor | VIZP-116 | Japan | 2013 | ||
New Submission | Now What?! (CD, Album, DVD, DVD-Video, All Media, , Digipak) | Soyuz Music, Ear Music | SZCD 6211-13 | Russia | 2013 |
Recommendations
Reviews
I've had this LP on "repeat" a fair bit in the past month. Glad to have it on vinyl after streaming it for years. I would contend that this is a good pressing and worth getting. Clean, pretty clear and dynamic - the trifecta. I woke up early this morning just so that I could hear the dynamics and punch of Hell to Pay and Blood from a Stone. Highly recommended. Enjoy!- Hello. The recording on the album was made according to the so-called modern standards when you hear mainly high and low frequencies, a complete failure at a frequency of 1000 hz. where music should sound, modern recording engineers need to learn from the masters of the 70-80 years, in general, the sound is flat and not interesting
Edited 3 years agoTop album in every aspect, every tracks is a perfect mix of rock/hard rock/progressive rock, Don Airey is absolutely superb, Ian Paice did one of his best performances, the voice of Ian Gillan is always elegant and precise. The album is "easy-listening" in the best meaning of the words, some riffs and rhythms will fix their self in your mind immediately, the best tracks imo are the opening "A Simple Song", "Out Of Hand", "Hell To Pay", "Above And Beyond" (dedicated to Jon Lord, probably the masterpiece of this album), "Uncommon Man", "Vincent Price" (probably the most hard-rock track of the album). I have the vinyl version, great mastering by the genius of Bob Ezrin, no background noise during playing, top quality! Buy this album, so underrated and still at a decent price.
Weight 150g
Release
For sale on Discogs
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