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The StreetsOriginal Pirate Material

Label:679 – 679003CDLP, 679 – 0927 43568 2, Locked On – 0927 43568 2
Format:
CD, Album, Stereo
Country:Europe
Released:
Genre:Electronic, Hip Hop
Style:UK Garage

Tracklist

1Turn The Page3:15
2Has It Come To This?
KeyboardsMatt Robertson
Vocals [Vocal Sample Performed By]Keith Hammond
4:04
3Let's Push Things Forward
Vocals [Featuring]Kevin Mark Trail
3:51
4Sharp Darts1:33
5Same Old Thing
Vocals [Featuring]Kevin Mark Trail
3:22
6Geezers Need Excitement3:46
7It's Too Late
Vocals [Featuring]Jacqueline Rawe*
4:10
8Too Much Brandy3:02
9Don't Mug Yourself
Vocals [Additional]Calvin Bailey
2:39
10Who Got The Funk?1:50
11The Irony Of It All3:29
12Weak Become Heroes5:33
13Who Dares Wins0:34
14Stay Positive6:16
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Credits

Notes

Exclusively licensed to 679 Recordings Limited except tracks 2 & 6
℗ 2001 Pure Groove Limited trading as Locked On exclusively licensed to 679 Recordings Limited.
© 2002 679 Recordings Limited.
Made In Germany by Warner Music Manufacturing Europe. An AOL Time Warner Music Group Company.
Manufactured, distributed and Marketed by Warner Music UK Limited An AOL Time Warner Music Group Company.

Some copies come with extra leaflet (reproduction of cover image) with hype text, 'parental advisory' logo & cat.#.

Barcode and Other Identifiers

  • Barcode (Text): 8 09274 35682 6
  • Barcode (String): 809274356826
  • Label Code: LC4281
  • Matrix / Runout (Variant 1): [Warner 'Big W' logo] 092743568-2.2 02/02
  • Mastering SID Code (Variant 1): IFPI L011
  • Mould SID Code (Variant 1): IFPI 05N9
  • Matrix / Runout (Variant 2): [Warner 'Big W' logo] 092743568-2.2 02/02
  • Mastering SID Code (Variant 2): IFPI L011
  • Mould SID Code (Variant 2): IFPI 05A2
  • Matrix / Runout (Variant 3): [Warner 'Big W' logo] 092743568-2.2 02/02
  • Mastering SID Code (Variant 3): IFPI L011
  • Mould SID Code (Variant 3): IFPI 0598
  • Matrix / Runout (Variant 4): [Warner 'Big W' logo] 092743568-2.2 02/02
  • Mastering SID Code (Variant 4): IFPI L011
  • Mould SID Code (Variant 4): IFPI 05A3
  • Matrix / Runout (Variant 5): [Warner 'Big W' logo] 092743568-2.2 02/02
  • Mastering SID Code (Variant 5): IFPI L011
  • Mould SID Code (Variant 5): IFPI 0568
  • Matrix / Runout (Variant 6): [Warner 'Big W' logo] 092743568-2.2 02/02
  • Mastering SID Code (Variant 6): IFPI L011
  • Mould SID Code (Variant 6): IFPI 05M6
  • Matrix / Runout (Variant 7): [Warner 'Big W' logo] 092743568-2.2 02/02
  • Mastering SID Code (Variant 7): IFPI L011
  • Mould SID Code (Variant 7): IFPI 05F1
  • Matrix / Runout (Variant 8): [Warner 'Big W' logo] 092743568-2.2 02/02
  • Mastering SID Code (Variant 8): IFPI L011
  • Mould SID Code (Variant 8): IFPI 05M9
  • Matrix / Runout (Variant 9): [Warner 'Big W' logo] 092743568-2.2 02/02
  • Mastering SID Code (Variant 9): IFPI L011
  • Mould SID Code (Variant 9): IFPI 0515
  • Matrix / Runout (Variant 10): [Warner 'Big W' logo] 092743568-2.2 02/02
  • Mastering SID Code (Variant 10): IFPI L011
  • Mould SID Code (Variant 10): IFPI 0594
  • Matrix / Runout (Variant 11): [Warner 'Big W' logo] 092743568-2.2 02/02
  • Mastering SID Code (Variant 11): IFPI L011
  • Mould SID Code (Variant 11): IFPI 05D4
  • Matrix / Runout (Variant 12): [Warner 'Big W' logo] 092743568-2.2 02/02
  • Mastering SID Code (Variant 12): IFPI L011
  • Mould SID Code (Variant 12): IFPI 05N5

Other Versions (5 of 17)View All

Title (Format)LabelCat#CountryYear
Original Pirate Material (2×LP, Album)679, Locked On, 679, Locked On679003TLP, 0927 43568 1UK2002
Original Pirate Material (CD, Album, Enhanced)679, Locked OnWPCR-11232Japan2002
Original Pirate Material (CD, Album)679, Warner Music Australia0927435682, 0927-43568-2Australia2002
Original Pirate Material (CD, Album)679, 679679003CDLP, 2 43568Canada2002
Original Pirate Material (2×LP, Album, White Label)6790927435681UK2002
djsimont's profile picture
djsimont
Best album Mike has done the latest one is rubbish
SanMomo's profile picture
SanMomo
Move D played "Has it come to this?" at Gottwood, Wales, 2014. The whole crowed started singing along. As a french boy who obviously did'nt know this album, it was a pretty great memory. Partying with the Brits is as fun as it gets
aopps42's profile picture
aopps42
I remember really liking this when it came out, but man has this aged terribly.
lickmikehunt's profile picture
lickmikehunt
Why are copies of this album worth so much money now? I remember 3 years ago you could get a mint original for £20 easy. Now even after it's been repressed all copies seem to make at least £100!!
henryb_'s profile picture
henryb_
Would love a repress of the 2xLP, those prices are crazy
willfunk4's profile picture
willfunk4
The best album I own. I saw him play through the songs live when he headlined the dance tent at Leeds Festival in 2002, which, so Ive heard down the grapevine, was the first time Mike Skinner had played live in his life. I'd read about him in NME but never heard any of the tunes and he started off with 'Turn The Page' and I was completely drawn in. The best live set I've ever seen by a country mile. When he was at the top of his game, just after this album was released, he was untouchable IMO
2complex.2cx's profile picture
2complex.2cx
A seminal classic. I remember first hearing this, leaning out of a window on a grey, rainy day with a smoke. It absolutely blew me away. I already had the 1st single [Has It Come To This] and yet I wasn't expecting a wall-to-wall classic.
This was the album that I wish I'd made - Skinner encapsulated the zeitgeist of the disenfranchised with a unique flow and beat-set. I've been 'hooked on Streets' ever since.
djwaynek1's profile picture
djwaynek1
I loved this album and cudnt stop listening 2 it.I love still pulling it out now and again.I love Mike Skinners str8 2 da piont lyrics and his production on this is second 2 none.His other albums are quiet Good.But this Album was never topped.It just one of them albums that was off its time and still is Timeless 2day luv it. 5/5
andyman5's profile picture
andyman5
Edited 14 years ago
As legend goes...Mike Skinner apparently nicked most of the beats from some other Garage duo to create this record. So goes music. Master steals from protege as protege steals from other. This has been going on for ages. In any regard...this was one of the best 'pop' records of 2002. Combinging UK garage technique with lager lad lyrics and sharp wit and flow, Mike Skinner is an MC to be reckoned with. He puts his pulse on the heartbeat of the UK and counts out that pattern as a loop for a track. He got the pulse and timing right to capture a hundred thousand would be newbee ravers as well as the old schoolers too. He translated that 'get away from it all weekend' with tracks that made you feel pissed or off yer face on fungus in the 'Dam. Skinner also made softer tracks about young love and regret that balanced all the substance abuse with a little humility. This makes it a pop record to me and great at the same time... and pop isn't necessarily a bad word. In all regards, stolen beats or not, this is a pretty great record.
pipecock's profile picture
pipecock
Edited 15 years ago
Alot of people are skeptical of Mike Skinner because of his delivery. In all actuality, the guy has more style and substance than any 10 MCs you can think of in mainsteam or underground hiphop today. On this album, he's brilliantly witty, his beats are diverse and interesting, and his subject matter is far from the norm in hiphop. Absolutely a classic release!