Irene Cara – What A Feelin'
Label: | Unidisc – SPLK-7299 |
---|---|
Format: | CD, Album, Reissue, Jewel Case |
Country: | Canada |
Released: | |
Genre: | Electronic |
Style: | Disco |
Tracklist
1 | Flashdance... What A Feeling (Radio Edit) | 3:57 | |
2 | Why Me? (12" Mix) | 7:03 | |
3 | Breakdance (Radio Edit) | 3:27 | |
4 | The Dream (Hold On To Your Dream) | 4:49 | |
5 | You Took My Life Away | 3:53 | |
6 | Keep On | 3:29 | |
7 | Romance '83 | 3:56 | |
8 | Cue Me Up | 3:24 | |
9 | Receiving | 3:42 | |
10 | You Were Made For Me | 4:21 | |
11 | Talk Too Much | 4:01 | |
12 | Breakdance (Extended Remix) | 5:26 | |
13 | The Dream (Hold On To Your Dream) (Dance Remix) | 6:49 | |
14 | Flashdance...What A Feeling (Extended Remix) | 7:09 | |
15 | Flashdance...What A Feeling (Instrumental) | 8:03 |
Companies, etc.
- Published By – Famous Music (3)
- Published By – Intersong USA
- Published By – Unitunes Music
- Published By – Full Keel Music
- Published By – Brass Heart Music
- Published By – EMI April Music
- Published By – Budde Music
- Recorded At – Electric Lady Studios
- Recorded At – Oasis Recording Studios
- Recorded At – Carla Ridge
- Recorded At – Northern Music Recorders
- Recorded At – Bill Schnee Studios
- Recorded At – Sunset Sound
- Mixed At – Oasis Recording Studios
- Mixed At – Westlake Studios
- Phonographic Copyright ℗ – Unidisc Music Inc.
- Copyright © – Unidisc Music Inc.
- Glass Mastered At – Cinram
- Manufactured By – Cinram
Credits
- Arranged By – Richie Zito (tracks: 2 to 13), Sylvester Levay (tracks: 1, 14, 15)
- Arranged By [Co-Arranged By] – William Seidman* (tracks: 9)
- Design – Chris Whorf*, Jeffery Fey
- Engineer – Brian Reeves (tracks: 1 to 9, 11 to 15), Dave Concors (tracks: 1 to 9, 11 to 15), Elliot Scheiner (tracks: 10), Mike Frondelli* (tracks: 1 to 9, 11 to 15), Rick Ruggieri (tracks: 10)
- Engineer [Co-Engineering] – William Seidman* (tracks: 9)
- Management [Personal Manager] – Selma Rubin
- Mixed By [Mix Engineer] – Jack Joseph Puig (tracks: 10)
- Photography By – Harry Langdon
Notes
Track 11 mislabeled on artwork as "Talk To Much"
Track 1: Published by: Famous Music/Intersong USA (ASCAP)
Track 2: Published by: Unitunes Music/Full Keel Music (ASCAP)
Track 3: Published by: Brass Heart Music (BMI)/Unitunes Music/Full Keel Music ASCAP)
Track 4: Published by: Unitunes Music/EMI April Music (ASCAP)
Track 5: Published by: Unitunes Music/Budde Music (ASCAP)
Track 6: Published by: Budde Songs (BMI)/Unitunes Music/EMI April Music (ASCAP)
Track 7: Published by: Unitunes Music/EMI April Music (ASCAP)
Track 8: Published by: Unitunes Music/Budde Music (ASCAP)
Track 9: Published by: Unitunes Music (ASCAP)
Track 10: Published by: Unitunes Music (ASCAP)
Track 11: Unitunes Music/Full Keel Music (ASCAP)
Track 12: Published by: Brass Heart Music (BMI)/Unitunes Music/Full Keel Music ASCAP)
Track 13: Published by: Unitunes Music/EMI April Music (ASCAP)
Track 14: Published by: Famous Music/Intersong USA (ASCAP)
Track 15: Published by: Famous Music/Intersong USA (ASCAP)
Recorded at: Electric Lady Studios, NY; Oasis Studio, LA; Caria Ridge, LA; Northern Music Recorders, NY; Bill Schnee Studios, LA; Sunset Sound, LA
Mixed at: Oasis Studios, LA
Flashdance Mixed At: Westlake Studios, LA
Design for Art Hotel
Special thanks to Nancy Dudley, Nate Woodward, Michael Bolton, Joel Moss, Gordon Grody, Miriam Jacobs, Ed Germano and Mom & Dad.
℗© 1983 Unidisc Music Inc.
Track 1: Published by: Famous Music/Intersong USA (ASCAP)
Track 2: Published by: Unitunes Music/Full Keel Music (ASCAP)
Track 3: Published by: Brass Heart Music (BMI)/Unitunes Music/Full Keel Music ASCAP)
Track 4: Published by: Unitunes Music/EMI April Music (ASCAP)
Track 5: Published by: Unitunes Music/Budde Music (ASCAP)
Track 6: Published by: Budde Songs (BMI)/Unitunes Music/EMI April Music (ASCAP)
Track 7: Published by: Unitunes Music/EMI April Music (ASCAP)
Track 8: Published by: Unitunes Music/Budde Music (ASCAP)
Track 9: Published by: Unitunes Music (ASCAP)
Track 10: Published by: Unitunes Music (ASCAP)
Track 11: Unitunes Music/Full Keel Music (ASCAP)
Track 12: Published by: Brass Heart Music (BMI)/Unitunes Music/Full Keel Music ASCAP)
Track 13: Published by: Unitunes Music/EMI April Music (ASCAP)
Track 14: Published by: Famous Music/Intersong USA (ASCAP)
Track 15: Published by: Famous Music/Intersong USA (ASCAP)
Recorded at: Electric Lady Studios, NY; Oasis Studio, LA; Caria Ridge, LA; Northern Music Recorders, NY; Bill Schnee Studios, LA; Sunset Sound, LA
Mixed at: Oasis Studios, LA
Flashdance Mixed At: Westlake Studios, LA
Design for Art Hotel
Special thanks to Nancy Dudley, Nate Woodward, Michael Bolton, Joel Moss, Gordon Grody, Miriam Jacobs, Ed Germano and Mom & Dad.
℗© 1983 Unidisc Music Inc.
Barcode and Other Identifiers
- Barcode (Text): 0 68381-7299-2 7
- Barcode (Scanned): 068381729927
- Matrix / Runout: #970402XL SPLK-7299 L386 MFG BY CINRAM
- Mastering SID Code: L386
- Mould SID Code: IFPI6000
- Other (Mould Number): 18
Other Versions (5 of 70)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
What A Feelin' (LP, Album) | Geffen Records | XGHS 4021 | Canada | 1983 | |||
Recently Edited | What A Feelin' (LP, Album) | Epic | EPC 25730 | Europe | 1983 | ||
Recently Edited | What A Feelin' (LP, Album, Stereo, Allied Press) | Geffen Records, Network Records (2) | GHS 4021 | US | 1983 | ||
Recently Edited | What A Feelin' (LP, Album) | Epic | 25730 | Spain | 1983 | ||
New Submission | What A Feelin' (LP, Album) | Epic | 144.812 | Brazil | 1983 |
Recommendations
Reviews
- Edited 9 years agoSadly, they've removed the single/album edit of Why Me in favour of the 12" Mix... yet we get a 12" instrumental of What A Feeling, which is an injustice, but otherwise, not a bad reissue.
- Edited 10 years agoI was expecting the worst kind of remastering, given that this edition came out in 1997, but as usual, Unidisc did a really good job. It's pretty much the same as the original CD, but with a much-needed bass boost—maybe just a hair too much.
The intro to "The Dream (Hold On To Your Dream)" is different on this CD than on the original; the hi-hat on the original is hitting much more often, but here it's a slower, simpler pattern.