Disclosure (3) – Settle
Label: | PMR Records (2) – 00602537394883, Island Records – 00602537394883, Method Records (4) – 00602537394883 |
---|---|
Format: | 2 x Vinyl, LP, Album |
Country: | UK |
Released: | |
Genre: | Electronic |
Style: | House, Garage House, UK Garage |
Tracklist
A1 | Intro | |
A2 | When A Fire Starts To Burn | |
A3 | Latch | |
A4 | F For You | |
B1 | White Noise | |
B2 | Defeated No More | |
B3 | Stimulation | |
C1 | Voices | |
C2 | Second Chance | |
C3 | Grab Her! | |
D1 | You & Me | |
D2 | January | |
D3 | Confess To Me | |
D4 | Help Me Lose My Mind |
Companies, etc.
- Manufactured By – www.gzvinyl.com
- Phonographic Copyright ℗ – UIR Ltd.
- Copyright © – UIR Ltd.
- Pressed By – GZ Digital Media – 109008E
- Published By – BMG Chrysalis
- Published By – Copyright Control
- Published By – Salli Isaak Songs Ltd
- Published By – Universal Music Publishing
- Mastered At – Metropolis Studios
Credits
- Lacquer Cut By – Stu.*
- Mastered By – Stuart Hawkes
- Performer, Producer, Mixed By – Disclosure (3)
- Producer – Young RJ (tracks: C3)
- Vocals – Eliza Doolittle (tracks: D1), Howard Lawrence (tracks: A4, D3)
- Vocals [Samples] – Lianne La Havas (tracks: B3)
- Written By – Eliza Caird (tracks: D1)
- Written By, Vocals – Aluna Francis (tracks: B1), Ed Macfarlane* (tracks: B2), Jamie Woon (tracks: D2), Jessie Ware (tracks: D3), Sam Smith (12) (tracks: A3), Sasha Keable (tracks: C1)
- Written-By – Guy Lawrence (3), Hannah Reid (tracks: D4), Howard Lawrence, James Napier (tracks: A3, B1, C1, D1)
Notes
Gatefold sleeve (appears aged to resemble ring wear and creasing)
℗ & © 2013 UIR Ltd. www.disclosureofficial.com
℗ & © 2013 UIR Ltd. www.disclosureofficial.com
Barcode and Other Identifiers
- Barcode (Scanned): 602537394883
- Matrix / Runout (Side A runout stamped / "STU." etched): 3739488-A 109008E1/A STU. www.gzvinyl.com -
- Matrix / Runout (Side B runout stamped): 3739488-B 109008E2/A
- Matrix / Runout (Side C runout stamped): 3739488-C 109008E3/A Www.gzvinyl.com -
- Matrix / Runout (Side D runout stamped): 3739488-D 109008E4/A
Other Versions (5 of 26)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Settle (18×File, AAC, Album, Deluxe, 256 kbps) | PMR Records (2), Island Records | none | UK | 2013 | |||
Settle (CD, Album, Deluxe Edition) | PMR Records (2), Island Records | 00602537394968 | UK | 2013 | |||
Settle (14×File, AAC, Album, 256 kbps) | Cherrytree Records, Interscope Records, PMR Records (2) | none | North America (inc Mexico) | 2013 | |||
Recently Edited | Settle (CD, Album) | PMR Records (2), Island Records | 00602537394920 | UK & Europe | 2013 | ||
Recently Edited | Settle (CD, Album) | Cherrytree Records, Interscope Records, PMR Records (2) | B0018559-02 | US | 2013 |
Recommendations
Reviews
Show All 14 Reviews- Glad this one just got re-pressed.. F$%& the prices here.. Just google for "disclosure settle vinyl"..
- Good lord this album sounds like sex. Bought my copy used from a fellow on Reddit, the outer sleeve looks a bit used both overall looks good to me! The real treat is the vinyl itself, heavyweight vinyl that has no blemishes, scratches or anything. As soon as I played the first track, I knew I was in for a treat. The album sounds fantastic on vinyl, great stereo imaging, crisp and beautiful synths and vocals, warm and punchy bass, yeah just great. Glad I purchased, definitely a highlight of my collection now.
- Just bought used off Reddit and can't believe how clean the pressing is. No warp, minimal surface noise, hella great playback. Super pleased I have this in the collection now.
- Disclosure's Settle (2013) and SBTRKT's SBTRKT (2011) both came out right after I graduated from college. Not only did I like all the tracks on each, but I could also actually connect with a lot of the songs.
Plus, this (Settle) is the first LP I ever purchased. - Edited one year agoPretty boring album. The same sounds over and over again in all tracks, even the same chords between different tracks, totally empty grooves with ONLY hats, simple kicks, chords and vocals and nothing more. Where are the 90's crazy times have gone these days? Its is really shame how low house music has become last years, and even more sad, how many people are licking this garbage, instead of way better EDM music that is totally ignored out there.
And i have a simple question for all ''Disclosure'' fans : Have you ever listened to 90's house music????? - I have to be honest and say that at first listen, I didn't expect such quality for an electronic record, as good as it is.
It's simple, no crackles, no surface noise, my version is just amazing. I know the album by heart, having listened to it hundreds of times, and I feel like I am rediscovering it through my turntable.
Not too much bass, clear vocals, and a really honest packaging. (2 x 180g) Of course, the listening quality depends on the equipment you have at home to avoid saturation for example, but for me with a diamond A-T95 microlinear and my Klipsh's, it's just a pleasure to listen to! - I was lucky to win a copy of this pressing in a competition about 4 years ago and having a listen to it now on a proper set up all I was to say is WOW. What a treasure to have on vinyl. Not just an amazing electronic / dance record but excellent packaging (less the cardboard inner sleeves) as well.
I'm definitely going to deep clean my copy and put the discs in Mobile Fidelity Inner Sleeves to preserve the discs as the cardboard sleeves are worrying in the long term.
Release
Marketplace
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