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  • Avg Rating:4.21 / 5
  • Ratings:86
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Juan Atkins & Moritz von OswaldBorderland

Label:Tresor – Tresor.262CD, Tresor – Tresor.262
Format:
CD, Album, Compilation
Country:Germany
Released:
Genre:Electronic
Style:Techno, Dub Techno

Tracklist

1Electric Garden (Deep Jazz In The Garden Mix)10:38
2Electric Dub11:10
3Footprints7:14
4Electric Garden (Original Mix)12:27
5Treehouse7:23
6Mars Garden4:07
7Digital Forest7:25
8Afterlude2:09
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Credits

Notes

Recorded and mixed in Berlin, 2012-2013.

Mastered at Eastside Mastering Studios.

Cover photography © 2012 WALD Hatje Cantz.

Published by Oswald Music / Copyright Control.

℗ & © Tresor Records 2013

Released in 2-panel ecopak.

Barcode and Other Identifiers

  • Barcode: 6 66017 26152 2
  • Label Code: LC 03702
  • Matrix / Runout: [Sound Performance logo] 020 8691 2121 TRESOR262CD
  • Mastering SID Code: IFPI LP76
  • Mould SID Code (Mirrored): IFPI 7323

Other Versions (2)

View All
Title (Format)LabelCat#CountryYear
Recently Edited
Borderland (CDr, Album, Promo)TresorTresor 262Germany2013
Recently Edited
Borderland (8×File, MP3, 320 kbps)TresorTresor 262Germany2013

Reviews

  • el_rolando's avatar
    el_rolando
    Lovely sounds, highly recommended. Full LP vinyl release please!!! [more words needed]
    • morganor's avatar
      morganor
      Deep Jazz in the Garden, Deep Jazz in the Garden
      • SylwiaP's avatar
        SylwiaP
        Much better than Transport LP.
        Not as good as Basic Channel times but it's a very solid techno collection.
        Strong 4/5.
        • eleventhvolume's avatar
          People hate on this, but love Borderland: Transport. I love them both. Wish this would get a vinyl release as an album like its successor.
          • witclub.net_AM's avatar
            Moritz delivered, Juan? Not so much.
            • player's avatar
              player
              Edited 8 years ago
              Repetitive bland and boring.
              • piskavac's avatar
                piskavac
                The part of the album where Juan's sound is dominant (tracks 5 to 7) is better than the rest of it. Having in mind Juan's and Moritz's history, one might expect something more ground breaking, but the album sounds like both of them were on autopilot. Nothing new or particularly interesting here, but then again not really a bad album. Still, for a more successful Atkins/Oswald collaboration, please refer to http://www.discogs.com/3MB-Feat-Magic-Juan-Atkins-3MB-Feat-Magic-Juan-Atkins/master/99703 Still as fresh as it was in 1992.