The Aphex Twin* – Digeridoo
Label: | R & S Records – RS 9201 |
---|---|
Format: | Vinyl, 12", 33 ⅓ RPM |
Country: | Belgium |
Released: | |
Genre: | Electronic |
Style: | Breaks, Techno, Abstract, Acid, Experimental |
Tracklist
Black Side | |||
A1 | Digeridoo | 7:11 | |
A2 | Flap Head | 6:41 | |
Silver Side | |||
B1 | Phloam | 5:31 | |
B2 | Isoprophlex | 6:22 |
Companies, etc.
- Published By – R & S Records
- Marketed By – R & S Records
- Manufactured By – R & S Records
Credits
- Producer, Written-By – Richard D. James
Notes
This is the original pressing of this release, issued in an unstickered picture sleeve without barcode, with no e-mail/web addresses on the "ORDER TO DANCE" center labels (no "IN"). There is also a 2001 repress with email/web addresses, which was again repressed in 2006 with the Vintage R&S sticker on the sleeve.
Respect to: Colin Favor, Colin Dale, Pan 109, Wooley Mammoth, Slim G, Sam, Mr. Spoon Schizophrenia, Polygon Window, Amanda, Mad Mum, Emanon, Fizz Bomb, Zytem Tube, JJ, The D.J., My Medulaoblongata.
Respect to: Colin Favor, Colin Dale, Pan 109, Wooley Mammoth, Slim G, Sam, Mr. Spoon Schizophrenia, Polygon Window, Amanda, Mad Mum, Emanon, Fizz Bomb, Zytem Tube, JJ, The D.J., My Medulaoblongata.
Barcode and Other Identifiers
- Matrix / Runout (Etchings side A): RS 9201-A1
- Matrix / Runout (Etchings side B): RS 9201-B1
- Rights Society: SABAM TM
- Barcode: none
Other Versions (5 of 9)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited | Digeridoo (CD, Single) | R & S Records, Outer Rhythm | RSUK 12CD | UK | 1992 | ||
Digeridoo (12", 33 ⅓ RPM) | R & S Records, Outer Rhythm | RSUK 12 | UK | 1992 | |||
Recently Edited | Digeridoo (12", Promo) | R & S Records, Outer Rhythm | RSUK 12 | UK | 1992 | ||
Recently Edited | Digeridoo (12", 33 ⅓ RPM, Reissue, Repress) | R & S Records | RS 9201 | Belgium | 2001 | ||
New Submission | Digeridoo (4×File, FLAC, Reissue) | R & S Records | RS9201DB | UK | 2010 |
Recommendations
Reviews
- Had been wondering why there was no credit for the Digeridoo playing on this track - surely this was lifted from an original Aboriginal masterpiece or an Aboriginal was exploited in the outback to make the track! Then I read that the sound was recreated electronically and so no Digeridoos was harmed in the making of this track :) Kind of make it even more genius, although it would be interesting to hear the opinion of someone from said culture.
- Edited 2 years agoAll new comers ...This track is a figure meant of your 5 dimenshones... ............ The Ballet
- Hello people. my copy has a generic R+S sleeve. Long time ago but I'm pretty sure I bought it on import. There is no sticker on the sleeve, so I'm fairly sure its a Belgian version. All the copies on here seem to have a picture sleeve. Anyone any info?
- I just bought a copy of this, no barcode, sideways writing on the silver label but it does have “IN ORDER TO DANCE” on labels. Anyone else have this?
- Edited 8 years agoall i can say is,, "Digeridoo". woud rock the bollocks off any granddad if he like rave,,, not much to it but its got something so catchy about it,, i've never been in a rave when it been played,, but im sure it would make the crowd go mental.... if it was just dropped in from the start of the track.. allowing the buildup.. buzzin tune for me, and will always be in my play list....
- Besides the massively well known title track, this seminal Aphex release contains some awesome classic industrial techno from RDJ. Flaphead is a track that contains some of the same drum patterns used in SAW 85-92's final track Actium, however the similarities end there. A brutal 4/4 warehouse style assault gives birth to a ferocious acid beast that rides alongside spooky pads until it is screaming at full force, yet never overpowering the percussive attack. Phloam begins with an elastic electropulse which pairs up with a dirty industro-breakbeat. After a short while, some Aphex pads once again show up and reveal the melodic potential of the percussion - this is the essence of superior industrial technique; controlling the pitch and tone of each noise to create a symphony out of klings and klangs. Halfway through, the track goes electrostatic (in reference to the Plastikman b-side of Krakpot which shows up one year later). This record won't run you a fortune these days, grab yourself a copy if you haven't already and watch people wig out when they hear these under-represented jams.
- Edited 17 years agoWhat could I say that hasn't been said? Well, yes indeed, this is a fabtasmical release, we know that. Digeridoo seems to be everybody's favorite, we know that. But do we know that A - this could be one of the most singularly UNIQUE "techno" records ever put out? Look out, though, Luke Vibert and Jeremy Simmonds were crankin' out some pretty tripped out stuff too, among MANY other less "out there" but equally brilliant and unique techno tracks that were being put out in the early early 1990s. And B - I could be wrong, but that sounds like a Roland TB-303 Transistor Bassline to me doing that digeridoo! If it is I ask - who but Richard D James would have ever thought to make a 303 replicate NOT a Bass Guitar, but a DIGERIDOO??? Moral of this review/comment - Richard D James as Aphex Twin always was and still is in many ways a real innovator in the realm of techno music. I've heard some of his stuff I don't even know the titles of but would kill to own on vinyl. Now why is this such an in-demand release? Because R.D.J. has earned every bit of his widespread respect - he IS that good.
- Edited 17 years agoSpooky ... mysterious ... insane. Australia's vintage instrument forms the basis for this haunting track. Dark & obscure, but great material for parties as they used to be thrown in the 90's.
The digeridoo is accompanied by a breakbeat kind of hi-hat line and spooky sounds. Love the sirens towards the end of the song.
Triple A status! - Edited 17 years agoWhat a fabulous piece of music. All 4 tracks are very strong hard pieces of techno music. However the main track Digeridoo is one hell of a ride.
A breakbeat fuelled hard techno stomper with an analogue digeridoo that morphs and mutates until the listener can take no more.
I had the pleasure back in early 1993 of seeing the Aphex twin play a live set in both Glasgow(Pussypower) and Edinburgh(Pure) where he played a mixture of heavy techno and some highlights from his Selected Ambient Works Vol 1.
However Digeridoo was the absolute highlight. I do have to admit that whilst watching the show at Pure Edinburgh I was under the influence of some rather potent LSD which certainly enhanced the performance. A delight indeed!
Release
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