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The Cure – The Head On The Door
Label: | Fiction Records – FIXH 11 |
---|---|
Format: | Vinyl, LP, Album |
Country: | UK |
Released: | |
Genre: | Rock |
Style: | Alternative Rock, New Wave |
Tracklist
A1 | In Between Days | |
A2 | Kyoto Song | |
A3 | The Blood | |
A4 | Six Different Ways | |
A5 | Push | |
B1 | The Baby Screams | |
B2 | Close To Me | |
B3 | A Night Like This | |
B4 | Screw | |
B5 | Sinking |
Companies, etc.
- Phonographic Copyright ℗ – Fiction Records Ltd.
- Copyright © – Fiction Records Ltd.
- Published By – APB Music Co. Ltd.
- Marketed By – Polydor Ltd.
- Distributed By – Polydor Ltd.
- Pressed By – PRS Ltd.
- Lacquer Cut At – Master Room
Credits
- Bass – Simon Gallup
- Cover [Cover Art] – Parched Art
- Drums, Percussion – Boris Williams
- Engineer [Assistant] – Frank Barretta, Martin White (2), Phil Tennant, Tom Leader
- Guitar, Keyboards – Porl Thompson
- Keyboards – Laurence Tolhurst
- Producer – Howard Gray (tracks: A2, A5, B3), Robert Smith
- Producer, Engineer – Dave Allen*
- Saxophone [Special Thanks To] – Ron Howe
- Vocals, Guitar, Keyboards – Robert Smith
- Written-By – Smith*
Notes
© 1985 Fiction Records
℗ 1985 Fiction Records
White round sticker on front sleeve:
"Includes The Hit Singles
In Between Days & Close To Me
FIXH11"
Black paper labels with blue print.
Includes a lyric inner sleeve.
Released in both matt and gloss outer sleeve finishes
Some copies sent for promotional use show a golden stamp on the back:
"Promotional Copies Not For Resale" (see images).
Limited number of this UK first pressing contains an original 1985 UK 30" x 15" in-store promotional poster "THE CURE The Head On The Door", features the bright-coloured artist, title and format text on a black background. This poster has a unique 3 way fold to fit into the cover (see images).
℗ 1985 Fiction Records
White round sticker on front sleeve:
"Includes The Hit Singles
In Between Days & Close To Me
FIXH11"
Black paper labels with blue print.
Includes a lyric inner sleeve.
Released in both matt and gloss outer sleeve finishes
Some copies sent for promotional use show a golden stamp on the back:
"Promotional Copies Not For Resale" (see images).
Limited number of this UK first pressing contains an original 1985 UK 30" x 15" in-store promotional poster "THE CURE The Head On The Door", features the bright-coloured artist, title and format text on a black background. This poster has a unique 3 way fold to fit into the cover (see images).
Barcode and Other Identifiers
- Barcode (Scanned): 042282723116
- Barcode (Text): 0 422282 72311 6
- Matrix / Runout (Stamped A side - Variation 1): FIXH 11 A//3▽420 R 11 11
- Matrix / Runout (Stamped B side - Variation 1): FIXH 11 B//3▽420 R 11 1
- Matrix / Runout (Stamped A side - Variation 2): FIXH 11 A//4▽420 R 11 11
- Matrix / Runout (Stamped B side - Variation 2): FIXH 11 B//4▽420 R 11 1
- Matrix / Runout (Stamped A side - Variation 3): FIXH 11 A//3▽420 R 11 12
- Matrix / Runout (Stamped B side - Variation 3): FIXH 11 B//3▽420 R 11 11
- Matrix / Runout (Stamped A side - Variation 4): FIXH 11 A//3▽420 R 1 2 4
- Matrix / Runout (Stamped B side - Variation 4): FIXH 11 B//3▽420 R 111
- Matrix / Runout (Stamped A side - Variation 5): FIXH 11 A//4▽420 R 2 5
- Matrix / Runout (Stamped B side - Variation 5): FIXH 11 B//3▽420 R 11 6
- Matrix / Runout (Stamped A side - Variation 6): FIXH 11 A //4▽420 R 1
- Matrix / Runout (Stamped B side - Variation 6): FIXH 11 B//4▽420 R 2
- Matrix / Runout (Stamped A side - Variation 7): FIXH 11 B//3▽420 R 2 3
- Matrix / Runout (Stamped B side - Variation 7): FIXH 11 B//3▽420 R 2
- Matrix / Runout (Stamped A side - Variation 8): FIXH 11 A//3▽420 R 1 1
- Matrix / Runout (Stamped B side - Variation 8): FIXH 11 B//4▽420 R 11 14
- Matrix / Runout (Stamped A side - Variation 9): FIXH 11 A//3▽420 R 12 1
- Matrix / Runout (Stamped B side - Variation 9): FIXH 11 B//4▽420 R 11 4
- Matrix / Runout (Stamped A side - Variation 10): FIXH 11 A//4▽420 R 2
- Matrix / Runout (Stamped B side - Variation 10): FIXH11 B//4▽420 R 2
- Matrix / Runout (Hand-etched A side, all variants): 50 TIMES A NIGHT
- Matrix / Runout (Hand-etched B side, variant 1 to 9): THEY DO IT
- Matrix / Runout (Etched B side, variant 10): THEY DO IT!
Other Versions (5 of 184)View All
Title (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited | The Head On The Door (CD, Album, Stereo) | Fiction Records | 827 231-2 | Europe | 1985 | ||
Recently Edited | The Head On The Door (Cassette, Album, AR, Dolby HX Pro) | Elektra, Elektra | 60435-4, 9 60435-4 | US | 1985 | ||
The Head On The Door (LP, Album) | Fiction Records, Fiction Records | 827 231-1ME, LP 827 231-1ME | Germany | 1985 | |||
Recently Edited | The Head On The Door (LP, Album, Stereo, Specialty Records Corporation) | Elektra, Elektra | 60435-1, 9 60435-1 | US | 1985 | ||
Recently Edited | The Head On The Door (LP, Album) | Elektra | 96 04351 | Canada | 1985 |
Recommendations
Reviews
Can someone tell me what is the proper way of writing "In Between Days"?
This is what I could find online.
The original Fiction Records CD release has the track labelled as "Inbetween Days"
The original Elektra Records CD release has it labelled as "In Between Days"
The original vinyl release has it labelled as "In Between Days" on the back side and on the record, but it's labelled as "Inbetween Days" on the liner.
The single release cover has it as "In Between Days"
So this is the problem. Was there a certain spelling that the band preferred or should i just pick the one i like better?
This is what I could find online.
The original Fiction Records CD release has the track labelled as "Inbetween Days"
The original Elektra Records CD release has it labelled as "In Between Days"
The original vinyl release has it labelled as "In Between Days" on the back side and on the record, but it's labelled as "Inbetween Days" on the liner.
The single release cover has it as "In Between Days"
So this is the problem. Was there a certain spelling that the band preferred or should i just pick the one i like better?

Researching the promotional poster that came with the UK first pressing , as mine did , im yet to find a reference to it with the album anywhere , but have found 3 for sale and its stated its been folded 3 times for storage reasons , the reason for those 3 folds , is so it fits into the album cover !
Edited 5 years ago
Their low point during the 80's, Kyoto Song and Six Different Ways, what are such sub standard tracks doing on a Cure album, even Vince Clarke managed to get more juice out of those toy Casio keyboards.

Prior to the Top 100 brand of The Cure the band was followed by "cool" kids. Not cool by today's standards but kids that were truly post punk. Kids that listened to and shared physical music fanaticly and used it to understand their world at the time (80's). Music playing on the radio was mediocre at best and some bands held a Indie attitude and stayed with lesser known lables. These bands were my best friends. The Cure, Rem, The Replacements, Pixies, etc. weren't popular until late in their output. The best Cure companion for all of us back then was Standing on a beach + b sides, cassette only release. Bootlegs are available on cd but hard to find.The Cure discography will remain and should be enjoyed from the beginning. Friday I wasn't in love.

I was brought to this album by the track - Close To Me, as i heard it on the romantic scene of the film Accepted. For a long time i just had that song, and at the time i really didn't know who The Cure were. After finding out they also performed the song Friday I'm In Love (Not on this release) i decided to endeavour into their music. After seeing that these guys have had a good lot of releases, i was unsure on where to start - but seeing that Close To Me was, and still is, my favourite song by them, why not start with the album it was from. After seeing that it got a good rating from AllMusic critics i soon added it to my ever-growing, ever-long list of albums to listen to.
Only just lately have i got round to listening to it, and wow...what have i been missing. I love this album. Ive never really bothered to look into the New Wave scene that was big in the Eighties, as i am more of a rock guy - but i am more than glad that i decided to listen to this album. The lyric writing on this album is just amazing, almost every line sounds like a caption to a piece of art, or an Act in a stage performance. The sounds here are just captivating, changing in tempo and atmosphere each track - for example, a more Egyptian feel in The Blood to the more slow romantic feel you get from Close To Me. Rob Smith isn't the best of vocalists, but it gives this album that artistic edge...makes it different - which if my knowledge serves me right, thats what New Wave is right?
The album is of great length and doesn't feel long winded, at just over 30 minutes/10 Tracks. Looking at the album on my iTunes Library, it scores well with most tracks being 4* or more (5*'s come rarely in my library), with the only songs i'm not that into really being The Baby Screams and Sinking. But thats 2 tracks out of 10, so 80% of the album is, in my opinion, great!
So my short conclusion for this album is that, if you either:
Want to start listening to The Cure's albums, or,
Want to start listening to 80s New Wave - then start with this album, because trust me its worth it.
I think you can guess my recommended track, but here it is anyway:
Close To Me
After that try, Push, Six Different Ways, Koyoto Song and In Between Days
Only just lately have i got round to listening to it, and wow...what have i been missing. I love this album. Ive never really bothered to look into the New Wave scene that was big in the Eighties, as i am more of a rock guy - but i am more than glad that i decided to listen to this album. The lyric writing on this album is just amazing, almost every line sounds like a caption to a piece of art, or an Act in a stage performance. The sounds here are just captivating, changing in tempo and atmosphere each track - for example, a more Egyptian feel in The Blood to the more slow romantic feel you get from Close To Me. Rob Smith isn't the best of vocalists, but it gives this album that artistic edge...makes it different - which if my knowledge serves me right, thats what New Wave is right?
The album is of great length and doesn't feel long winded, at just over 30 minutes/10 Tracks. Looking at the album on my iTunes Library, it scores well with most tracks being 4* or more (5*'s come rarely in my library), with the only songs i'm not that into really being The Baby Screams and Sinking. But thats 2 tracks out of 10, so 80% of the album is, in my opinion, great!
So my short conclusion for this album is that, if you either:
Want to start listening to The Cure's albums, or,
Want to start listening to 80s New Wave - then start with this album, because trust me its worth it.
I think you can guess my recommended track, but here it is anyway:
Close To Me
After that try, Push, Six Different Ways, Koyoto Song and In Between Days