Nine Inch Nails ‎– The Hand That Feeds (DFA Remixes)

Label:
Interscope Records ‎– B0005129-11
Format:
Vinyl, 12", 33 ⅓ RPM
Country:
Released:
Genre:
Style:

Tracklist

A1 The Hand That Feeds (DFA Remix) 9:02
A2 The Hand That Dubs (DFA Remix - Instrumental) 9:01
B The Hand That Dubs (DFA Version 1) 14:12

Companies, etc.

Credits

Notes

Comes in a generic black die-cut sleeve with a sticker on it.
[WITH_TEETH] IN STORES NOW

© 2005 Leaving Hope Music / TVT Music, Inc. (ASCAP). Administered by Leaving Hope Music, Inc.
© 2005 Interscope Records.
Manufactured and distributed in the United States by Universal Music & Video Distribution Corp.

Barcode and Other Identifiers

  • Barcode: 602498836712
  • Matrix / Runout (Side A runout, etched): INTR 11474-1A '!' ⓤ
  • Matrix / Runout (Side B runout, etched): INTR11474-1B ⓤ
  • Rights Society: ASCAP

Other Versions (5 of 33) View All

Cat# Artist Title (Format) Label Cat# Country Year
00602498815045 Nine Inch Nails The Hand That Feeds(Minimax, Enh, Dig) Interscope Records 00602498815045 Europe 2005 Sell This Version
B0005127-11 Nine Inch Nails The Hand That Feeds (The Photek Remixes)(12", Single) Interscope Records B0005127-11 US 2005 Sell This Version
ISRC USIV20500277 Nine Inch Nails The Hand That Feeds(VHS, Promo, NTSC) Interscope Records ISRC USIV20500277 US 2005 Sell This Version
INTR-11411-1 Nine Inch Nails The Hand That Feeds (Photek Remixes)(12", Promo) Interscope Records INTR-11411-1 US 2005 Sell This Version
CIDV 888, 988 166-8 Nine Inch Nails The Hand That Feeds(DVD-V, Single, Enh, Reg) Island Records, Interscope Records CIDV 888, 988 166-8 UK 2005 Sell This Version

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deejsasqui

deejsasqui

August 8, 2005
edited over 11 years ago

The recent round of remixes for Nine Inch Nails have been odd, and this might be the capstone. Photek's remixes were more fitting of the pop-industrial image of NIN than these disco-house reworkings, but I am getting rather hooked on these. If you don't know DFA, they're part of the new dance-rock or disco-punk generation, and they bring that feel to this single.

The first cut on the single is the vocal version, which softens Trent's vocals by directly backing it with handclaps. The mood is set with funky bass guitars, something sounding like a rhodes keyboard, and some synths. The dubs are even further removed from the original track, further into the territory of DFA's style. The DFA Version 1 might even be considered a jam track, where the keyboards go all out, and later a huge percussive breakdown.

If you're looking for something industrial or angry at all, steer clear of this. If you're looking for more good DFA material, this is quite a gem.