Faith No More – Album Of The Year
Label: | Music On Vinyl – MOVLP834, Slash – MOVLP834 |
|---|---|
Format: | |
Country: | Europe |
Released: | |
Genre: | Rock |
Style: | Alternative Metal, Alternative Rock |
Tracklist
| A1 | Collision | 3:23 | |
| A2 | Stripsearch | 4:31 | |
| A3 | Last Cup Of Sorrow | 4:16 | |
| A4 | Naked In Front Of The Computer | 2:09 | |
| A5 | Helpless | 5:25 | |
| A6 | Mouth To Mouth | 3:54 | |
| B1 | Ashes To Ashes | 3:36 | |
| B2 | She Loves Me Not | 3:28 | |
| B3 | Got That Feeling | 2:21 | |
| B4 | Paths Of Glory | 4:17 | |
| B5 | Home Sick Home | 1:58 | |
| B6 | Pristina | 3:52 |
Companies, etc.
- Record Company – Warner Music
- Phonographic Copyright ℗ – Slash Records
- Copyright © – Slash Records
- Published By – FNM Music
- Phonographic Copyright ℗ – Warner Music
- Copyright © – Warner Music
- Recorded At – Brilliant Studios
- Recorded At – Razor's Edge Recording
- Mixed At – The Plant Studios
- Mastered At – Masterdisk
- Manufactured By – Music On Vinyl B.V.
- Distributed By – Music On Vinyl B.V.
- Pressed By – Record Industry – 96155
Credits
- Art Direction, Design – Faith No More, Katherine Delaney
- Bass Guitar – Billy Gould
- Drums – Mike Bordin
- Engineer – Atom (10), Daniel Presley, Michael Bogus
- Guitar – Jon Hudson
- Keyboards – Roddy Bottum
- Mastered By – Howie Weinberg
- Mixed By – Roli Mosimann
- Mixed By [Assistant] – Paul Ceppaglia
- Producer – Billy Gould, Faith No More, Roli Mosimann
- Vocals – Mike Patton
Notes
This is the "golden edition". 2,000 copies were produced on gold vinyl, each copy is individually foil-numbered. An edition on black vinyl was released separately with the same catalogue number.
The record comes in a printed outer sleeve a plain black inner sleeves. A gold sticker affixed to the polythene cover reads:
"Music On Vinyl®. Faith No More "Album Of The Year". This is the golden edition. Individually numbered. 180 gram audiophile vinyl. www.musiconvinyl.com MOVLP834". The standard edition comes with a black sticker affixed to the front and refers to itself as "classic album".
Remainings of this golden edition (pressing number should have been a bit over 2000) were released in standard unnumbered sleeves with a black sticker.
All songs published by FNM Music ASCAP.
Recorded at Brilliant Studios, San Francisco, CA. Recorded at Razor's Edge, San Francisco, CA. Mixed at The Plant, Sausalito, CA. Mastered at Masterdisk, New York, NY.
The rear sleeve contains a typographical error. The label have printed the boilerplate information from MOVLP813, the companies are correct but the years given are not. It reads:
Originally released ℗ 1992, 1993 & © 1993 Slash records. This release ℗ & © 2013 Warner Music: Manufactured & distributed by Music On Vinyl B.V. for Warner Music.
Made in the EU.
The correct original copyright year should be 1997. Track durations are not printed on the release.
The record comes in a printed outer sleeve a plain black inner sleeves. A gold sticker affixed to the polythene cover reads:
"Music On Vinyl®. Faith No More "Album Of The Year". This is the golden edition. Individually numbered. 180 gram audiophile vinyl. www.musiconvinyl.com MOVLP834". The standard edition comes with a black sticker affixed to the front and refers to itself as "classic album".
Remainings of this golden edition (pressing number should have been a bit over 2000) were released in standard unnumbered sleeves with a black sticker.
All songs published by FNM Music ASCAP.
Recorded at Brilliant Studios, San Francisco, CA. Recorded at Razor's Edge, San Francisco, CA. Mixed at The Plant, Sausalito, CA. Mastered at Masterdisk, New York, NY.
The rear sleeve contains a typographical error. The label have printed the boilerplate information from MOVLP813, the companies are correct but the years given are not. It reads:
Originally released ℗ 1992, 1993 & © 1993 Slash records. This release ℗ & © 2013 Warner Music: Manufactured & distributed by Music On Vinyl B.V. for Warner Music.
Made in the EU.
The correct original copyright year should be 1997. Track durations are not printed on the release.
Barcode and Other Identifiers
- Barcode (As printed): 8 718469 533282
- Barcode (Scanned, EAN 13 (Metadata: NL)): 8718469533282
- Matrix / Runout (Hand-etched run-out side A): 96155-1A MOVLP834
- Matrix / Runout (Hand-etched run-out side B): 96155-1B MOVLP834
- Rights Society (Publishing): ASCAP
- Rights Society: BIEM/STEMRA
Other Versions (5 of 92)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
Recently Edited | Album Of The Year (2×CD, Album, Limited Edition) | Slash, London Records | 828 902-2 | Europe | 1997 | ||
Recently Edited | Album Of The Year (CD, Album, Glossy Booklet) | Slash, Reprise Records | 9 46629-2 | US | 1997 | ||
| Album Of The Year (CD, Album) | Slash, London Records, Motor Music | 828 901-2 | Germany | 1997 | |||
Recently Edited | Album Of The Year (CD, Album) | Slash, London Records | 3984 28199-2 | Australia | 1997 | ||
New Submission | Album Of The Year (LP, Album) | Slash, London Records | 828 901-1 | UK | 1997 |
Recommendations
2013 EuropeVinyl —LP, Album, Reissue, Numbered, Limited Edition
Reviews
Pretty clean. I wish there was a little bit more of dynamics. Besides that, this is a great sounding release.
Do I interpret the data correctly, there is no insert in this edition right?
Edited 11 years agoThe original vinyl edition was very good if slightly too hot resulting in some bleeding when things get too frisky. This is mastered slightly lower and does not suffer in the same way. Surface noise is very noticeable at the start of each track and in quiet parts. You tend to filter it out with time and given the original vinyl's relative cost it's not a massive issue. This edition seems to offer more detail than the original version. Samples in Collision for instance are far more clear whilst the track loses none of its punch. Bass weight and treble balance are all top notch too. Whilst I've not listened to this thoroughly, it's already apparent that this might be from a different source to the CD and original vinyl. At the very least Mouth To Mouth's intro is more detailed and has a different ending before the track starts properly. it's not the same mix. I compared it to the original LP pressed by MPO, the original US CD, original UK CD, original Japanese CD and also with the Japanese and the UK recent reissues on Warner - this is a unique version so there's this little issue too.
Whilst I don't want to gloss over the surface noise issue, it's a noisy record so for the most part you won't notice it. I will give this a more thorough listen shortly, but for now I'm very pleased with this pressing.
Edit: on the issue of noise, it's a sad fact that a better turntable/cartridge which picks up more detail, will invariably transmit more noise too. This review was in response to Deadpoultry;s concerns about MOV and their issues with surface noise.
I'm also interested in how this album sounds. Particularly in regards to surface noise.- Can anyone, please, comment on this release? How does it sound? If someone was lucky to listen to the original press, what is the difference between the two versions? Which is better? Thanks!
Release
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